Flint Lockwood now works at The Live Corp Company for his idol Chester V. But he's forced to leave his post when he learns that his most infamous machine is still operational and is churning out menacing food-animal hybrids.
Fearless optimist Anna teams up with Kristoff in an epic journey, encountering Everest-like conditions, and a hilarious snowman named Olaf in a race to find Anna's sister Elsa, whose icy powers have trapped the kingdom in eternal winter.
On Mars, the female babies are nursed by robots while the male babies are dumped in the junkyard under the command of Supervisor. They research Earth and finds that the boy Milo is raised by his Mon with love and discipline. The Martians come to Earth and abduct Mon, to use her brain to instruct the robots about how to raise children. However, Milo slinks into the spaceship and comes to Mars. He meets Gribble, a young man that behaves like a child and together with the hippie Martian Ki and Gribble's friend Wingnut, they try to rescue Mon and bring her back to Earth. But Supervisor will give her best efforts to stop Milo and his friends. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
At around 54 minutes, Gribble breathlessly exclaims "My Sharona" when he sees Ki in the underworld after he and Milo escape from the citadel. This is probably a reference to the 1979 gold record song "My Sharona" by The Knack. See more »
NASA scientists are excited over recent findings by the Mars Rover of fossilized organic compounds on the surface that indicate at some time in the past there may have been life on the red planet.
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The Walt Disney Pictures logo is tinted red for the final eight seconds to make it seem like the logo takes place on Mars (the sunset sky behind the castle morphs into reddish browns). See more »
Easily the biggest flop of 2011, and pretty close to of all time, this Disney motion-capture film is about a young boy, Milo, who must save his mother (Joan Cusack) from Martians. In Martian society, females rule the world. They discard the males (who then live on the trash-strewn surface world) and the females are raised by nanny-bots. They need the Earth mothers in order to program these nanny-bots, and the process they use leaves the Earth mothers dead. With the help of another human (Dan Fogler), who was brought up to Mars in the same fashion as Milo (trying to rescue his own mother, he stowed away on their ship), and a rebellious female Martian (Elisabeth Harnois), Milo sets out to save his mother. A lot of viewers get stuck on the film's gender politics. I admit they do seem a little backward, especially with the shrill, feminist stand-in villain (played by Mindy Sterling, whom you may remember as Frau Farbissina from the Austin Powers movies). However, I think that Ki, the Martian girl who helps Milo, is a positive enough female character that she should make up for the villain (the remainder of the female Martians are more or less faceless soldiers). If you can get past that stuff, the film is actually a lot of fun. Simple and straightforward, but a lot of fun. It's fast paced and beautiful to look at (thankfully, now that it's on video, you don't have to see the colors diminished in 3D), and it's very funny. Fogler and Harnois are both very good. Fogler's character, Gribble, is easily the best looking motion capture character I've ever seen. Gribble is an 80s kid and Ki has fallen in love with humanity after watching sitcoms about hippies, so they both talk in idioms from those eras, bugging modern kid Milo the whole time. I think most kids will love this movie, and it imparts a nice moral (respect your damn mother!). This fits in with the late crop of severely undervalued Disney films of the past several years, which includes The Princess and the Frog and Meet the Robinsons. None of these films are masterpieces or on par with Pixar's best, but they're excellent films nonetheless.
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