The R of the title stands for the young protagonist, Rune, fearlessly played by Pilou Asbæk. Imprisoned for violent assault, he's a cocky, good-looking young man placed in the hardcore ward... See full summary »
Set in the golden era of Grand Prix Racing '1' tells the story of a generation of charismatic drivers who raced on the edge, risking their lives during Formula 1's deadliest period, and the men who stood up and changed the sport forever.
In 2006, ABC/Disney surprised the world by announcing a miniseries called The Path to 9/11 to be broadcast on the fifth anniversary of the terrorist attacks, based on several books, including, prominently, the 9/11 Commission Report.
Opposition began immediately. The project was maligned by the mainstream media and pressure was brought to bear because the miniseries took a hard look at the lack of response between the 1993 World Trade Center bombing and the 9/11 attacks. Remember, those years included the Khobar Towers, the U.S.S. Cole, and the African embassy bombingsand that's just the attacks on American interests. During that time, all over the world, the jihadists were blowing things up, and Bill Clinton was asleep at the switch.
The miniseries, condensing the voluminous matter coming out of the 9/11 Commission, and including other authoritative sources, promised to be a bombshell in itself. But the series almost didn't broadcast. Bill Clinton himself demanded changes to the completed film and a number of politiciansnone of whom had seen the film, mind youattacked it. And ABC caved, deleting entire scenes, truncating others, and running a disclaimer. The series, designed to run every year on September 11th, ran just once. It never aired again and was never released on DVD.
Blocking the Path to 9/11: An Anatomy of a Smear details what happened in the aftermath of this debacle. The miniseries itself was billed as a "docudrama," indicating that certain liberties were taken with presentation. In Blocking, it is clear from interviews with the participants that they were just trying to tell the truth about the lead-up to 9/11, to "connect the dots" as so many accused the Bush administration of failing to do. Unfortunately for the Left, there were only a few new dots to connect during Bush's few months in office, but a whole mess of them were ignored during Bill Clinton's tenure.
A growing sense of horror builds as you watch Blocking. The main writer, Iranian-born American Cyrus Nowrasteh, has a formidable pedigree in the film business, as does director David Cunningham. But nevertheless, they soon became marked men for their temerity in trying to tell us what happened prior to the attacks.
Blocking the Path details how craven Disney was in bowing to pressure from the politicians they helped elect. Several scenes are shown with the excised material intact. The one that stands out most is a moment when the Northern Alliance fighters in Afghanistan have Osama bin Laden in their sights, the target painted with lasers, and American fighters above, their thumbs poised to fire missiles, awaiting a kill order that never comes. The national security team, including heads of the FBI and CIA and the president's own national security adviser, all agree that bin Laden must go, but no one has the courage to give the order. And Bill Clinton? He's upstairs in the White House residence and won't come down to take the phone call and make a decision. For two hours they wait and he never arrives. Finally, the operation is canceled. As the leader of the rebels leaves, he says to the CIA operative, "Are there any men left in America?"
The gainsayers of this episode say things didn't happen exactly that way. Nowrasteh responds that maybe that is true, but they had thirteen such opportunities to kill bin Laden, and for the purposes of the film, they collapsed them into one. All the elements in the edited scene were factual.
That's thirteen chances to avoid 9/11, folks. Thirteen. Talk about an unlucky number.
And that's really the crux of the so far successful attempts to derail The Path to 9/11. Though millions of people saw the two-night series broadcast, they didn't see the version that was approved by the phalanx of ABC/Disney lawyers and researchers prior to the filming. But when pressure against the film began to be felt, ABC/Disney caved for no other reason than to spare the person most responsible for 9/11William Jefferson Clinton.
Blocking the Path leaves the viewer stunned. Every fact need not be unassailable for you to realize that those charged with protecting us failed miserably and are still trying to cover up their malfeasance with help from the very people who are supposed to defend free speech.
As stated, The Path to 9/11 is still unavailable on DVD. Imagine spending $40 million and not wanting to recoup your investment. When a group of investors at a Disney shareholder meeting challenged the company to either release the film or sell it to someone who would, the CEO responded that he knew of no one interested in buying it. The investors immediately made an offer, which Disney refused. Mickey Mouse is indeed a rat.
Note: You can sign a petition to encourage ABC/Disney to make The Path to 9/11 available at www.ipetitions.com/petition/thepathto911
He who controls the media controls history.
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