An 'essayistic' documentary in which Greenaway's fierce criticism of today's visual illiteracy is argued by means of a forensic search of Rembrandt's Nightwatch. Greenaway explains the ... See full summary »
An American architect arrives in Italy, supervising an exhibition for a French architect, Boullée, who is famous for his oval structures. Through the course of 9 months he becomes obsessed ... See full summary »
Tired of her husband's philanderous ways, the mother of two daughters drowns her husband. With the reluctant help of the local coroner, the murder is obscured. Her daughters are having ... See full summary »
A commissioned project, made for TV in honor the the 200th anniversary of Mozart's death, this is a highly avant-garde piece of music, theater and dance, set to an original score by the ... See full summary »
The first eight cantos of Dante's Inferno (up to the entrance to the city of Dis). The text is read entirely in "talking head" fashion, and punctuated with a kaleidoscopic blend of both newly shot and archival footage.
An anonymous narrator outlines a bizarre journey taken through "H", aided by a series of extraordinary maps, and his previous dealings with the mysterious Tulse Luper and the keeper of the ... See full summary »
An 'essayistic' documentary in which Greenaway's fierce criticism of today's visual illiteracy is argued by means of a forensic search of Rembrandt's Nightwatch. Greenaway explains the background, the context, the conspiracy, the murder and the motives of all its thirty-four painted characters who have conspired to kill for their combined self-advantage. Greenaway leads us through Rembrandt's paintings into seventeenth-century Amsterdam. He paints a world that is democratic in principle, but is almost entirely ruled by twelve families. The notion exists of these regents as charitable and compassionate entities. However, reality was different. Written by
Most people are visually illiterate. Why should it be otherwise? We have a text based culture. Our educational systems teach us to value text over image which is one of the reasons we have such an impoverished cinema.
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Greenaway's documentary companion piece to NIGHTWATCHING, and it shares the same problems. Some parts are very interesting, others throw far too much information at you at once, making it exceedingly hard to follow what Greenaway is getting at. There are also several inferences and leaps of logic that seem like "stretching it" to say the least, but I suppose that's part of critical analysis. While it's extremely impressive that Greenaway has put so much thought, time and effort into interpreting a single work of art, he doesn't succeed in making his obsession contagious.
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