Malik has a lot on his plate when he returns home to Tunisia after living in France. He's processing his father's death, he can't come out to his mother, and his childhood anxieties have ...
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Two couples are enjoying their summer at the beach, but when the grown son of one couple arrives, it surprisingly stirs something in the husband of the other couple, will the forbidden feelings end badly?
Maria de Medeiros,
This sequel to Yossi and Jagger finds Dr. Yossi Gutmann reminiscing about his love ten years after his death; however, as he encounters a group of young soldiers, one of them, Tom, reignites his romantic feelings.
Tel Aviv, Summer 1989. Boaz, a beautiful and alluring linguistics student, receives anonymous, male-written, love letters that undermines his sexual identity and interfere with his peaceful life with his beloved girlfriend.
August tells the story of two former lovers, Troy and Jonathan, who reunite after a long ago painful breakup. After spending several years in Spain, Troy returns to Los Angeles and decides ... See full summary »
Jeff is taking care of everything Mark left behind when he died. Mark was about to have a visitor, Andrea, an Italian guy he met online. Both of them will have the chance to share memories of the Mark they knew while knowing each other.
Szabolcs quits football against his father's will and returns to his country in Hungary to take charge of an inheritance from his grandfather. There, he meets Aron and they both explore their identities.
Malik has a lot on his plate when he returns home to Tunisia after living in France. He's processing his father's death, he can't come out to his mother, and his childhood anxieties have resurfaced. But all of Malik's problems seem to fade away when he falls for Bilal, the dreamy houseboy at his mother's bourgeois estate. Written by
Outfest Film Festival
This is actually a very good film. the plot-line is intelligent and interesting; it is well acted, directed, and filmed. Its major flaw is that, like most gay oriented films, the major characters are all beautiful. This film deals with real social problems that should be able to move gay audiences particularly, but also a straight public. Why, then, must the action be transported to the realm of the beautiful people, whom the majority of the audience can envy and even empathize with to some extent, but somehow not quite identify with? Having the action take place in beautiful surroundings among beautiful people is, of course, not limited to films that treat gay issues. But it seems to be endemic in films with gay social content, and in that sense, it is particularly harmful. What gay audiences need to see, and what straight people interested in gay issues also need to see, are gay social issues treated as taking place among average looking people in average looking surroundings. These are everyday issues touching the lives of the large majority of gay people. They are not abstractions; they are painful realities. This is no place for physical idealization. The issues are too serious for this type of useless, distracting decoration.
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