| Elisabeth Röhm | ... | Angela Masters | |
| Sean Patrick Flanery | ... | Gary Langston | |
| Eric Roberts | ... | Yaro Maroslav | |
| Jim Holmes | ... | Brad Sanders | |
| Rick Overton | ... | Uri Standinoff | |
| John Fugelsang | ... | Prosecutor Smith | |
| Kristina Lilley | ... | Detective Winslow | |
| Pisay Pao | ... | Inona Kim | |
| rest of cast listed alphabetically: | |||
| Steve Anderson | ... | Cameraman | |
| Allan Barlow | ... | Yevchenko | |
| Danielle Barnum | ... | Mandy | |
| Heidi Barrientes | ... | Doggie Daycare Owner | |
| Samy Camara | ... | Nun (as Saman Nasir) | |
| Michael Downey | ... | Young Fiancé | |
| S. Joe Downing | ... | Inona's husband | |
| Anthony L. Fuller Jr. | ... | Detective Jones | |
| Joe Gingerella | ... | Victim#1 | |
| Sarah Harlett | ... | June | |
| Patricia Henderson | ... | Jury Foreman | |
| Russell Hodgkinson | ... | Creepy man | |
| Ernie Joseph | ... | Assistant Prosecutor | |
| Dennis Kleinsmith | ... | Buddy #1 | |
| Se Lautogia | ... | Robert Mac | |
| Ken Leung | ... | Businessman | |
| Henry Mark | ... | Stenographer | |
| David Over | ... | Courtroom Observer | |
| Melissa Pang | ... | Reporter (as Melissa Pang Stenoien) | |
| Andra Petru | ... | Cholia | |
| Cheryl Richardson | ... | Mrs. Wilson | |
| Carol Roscoe | ... | Haley | |
| Kelly Schweinfurth | ... | Dale Finnley (as Kelly Correll) | |
| Karen Skrinde | ... | Finger Pointing Woman | |
| Carol Swarbrick | ... | Mrs. Baroskita | |
| Jeff 'Ish' Thomason | ... | Buddy #2 (as Jeff Thomason) | |
| Kevin Warren | ... | Mr. Wilson | |
| Bruce Weech | ... | Baliff | |
| Peter Weinstein | ... | Dr. Mayfield | |
| Owen Yen | ... | Judge Roberts | |
| Anne Sheridan Kennedy | ... | Don't Litter Advocate (uncredited) | |
Directed by | |||
| Colleen Patrick | |||
Writing credits(in alphabetical order) | ||
| Colleen Patrick | creator | |
| Colleen Patrick | screenplay | |
Produced by | |||
| Jane Charles | .... | executive producer | |
| Larry Estes | .... | producer | |
| Colleen Patrick | .... | executive producer | |
| Jennifer Roth | .... | producer | |
| Gary Allen Tucci | .... | executive producer | |
Original Music by | |||
| Ragnar Rosinkranz | |||
Cinematography by | |||
| Paul Mailman | |||
Film Editing by | |||
| Stephen R. Myers | |||
Casting by | |||
| Russell Boast | |||
| Richard Pagano | |||
| Stephen Salamunovich | |||
Production Design by | |||
| Rachel M. Thompson | |||
Set Decoration by | |||
| Angela J. Smith | |||
Costume Design by | |||
| Rebecca Luke | |||
Makeup Department | |||
| Danyale Cook | .... | hair department head | |
| Eva Robins | .... | assistant makeup artist | |
| Dawn Tunnell | .... | key makeup artist | |
Production Management | |||
| Alexis Arnold | .... | production manager | |
| Kathie McCallister | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Tyler Beem | .... | second second assistant director | |
| Megan Griffiths | .... | first assistant director | |
| Jessica Hong | .... | second assistant director | |
Art Department | |||
| Brady J. Condit | .... | on-set dresser | |
| Crow | .... | set dresser | |
| Jeffrey W. Crow | .... | leadman | |
| Alan Feffer | .... | construction coordinator | |
| Lacey Leavitt | .... | art department coordinator | |
| Oscar Lofgren | .... | props | |
| Michael McCombe | .... | greensman | |
| Chris McFadden | .... | property master | |
| Kenneth Milfred | .... | key leadman | |
| Beth Peterson | .... | scenic | |
| Jeff Ringer | .... | lead scenic | |
| Crista Schneider | .... | buyer | |
| Brad Turner | .... | assistant property master | |
| Brad Turner | .... | assistant property master | |
| Ed Vance | .... | art construction | |
Sound Department | |||
| Tom Condon | .... | boom operator | |
| Jesse Dodd | .... | foley mixer (as Jesse K-D. Dodd) | |
| Sam Gray | .... | foley recordist | |
| Dave Howe | .... | sound re-recording mixer | |
| Jamie Hunsdale | .... | foley artist | |
| Robert Marts | .... | sound mixer | |
| Michael McAuliffe | .... | sound effects editor | |
| Matt Sheldon | .... | boom operator | |
Special Effects by | |||
| Carly Sertic | .... | special effects foreman | |
| Kai Shelton | .... | special effects coordinator | |
Stunts | |||
| Dana Dru Evenson | .... | stunt double | |
| Art Hickman | .... | stunt driver | |
| Michael Hilow | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Edward Barnes | .... | gaffer | |
| Ted Barnes | .... | gaffer | |
| Martin Cameron | .... | best boy electric | |
| Garrett Cantrell | .... | grip | |
| Steve Colgrove | .... | electrician | |
| Brianne Cronkhite | .... | second assistant camera | |
| Webb Davis | .... | camera loader | |
| Ronnie Dennis | .... | first assistant camera: "a" camera | |
| Frank DiMarco | .... | still photographer | |
| Bruce Henderson | .... | dolly grip | |
| Mexico Jacobson | .... | best boy grip | |
| Theresa Majeres | .... | grip | |
| Ryan Middleton | .... | electrician | |
| Chris Purkiss | .... | grip | |
| David Robinson | .... | electrician | |
| Jeremiah Skender | .... | electrician | |
| Gregory D. Smith | .... | key grip | |
| Justin Stroh | .... | electrician | |
| Bryan 'fro' Waters | .... | grip | |
| Michael LePard | .... | lighting technician (uncredited) | |
Casting Department | |||
| Denise Gibbs | .... | extras casting | |
Costume and Wardrobe Department | |||
| Teresa Purkiss | .... | wardrobe supervisor | |
| Sica Schmitz | .... | wardrobe assistant | |
Editorial Department | |||
| Tim Maffia | .... | senior colorist | |
Transportation Department | |||
| William Archuletta | .... | driver | |
| Virgil S. Dosher | .... | driver | |
| Larry Fee | .... | driver | |
| David J. Guppy | .... | driver | |
| Lance Hruza | .... | driver: honeywagon | |
| Grady Hughes | .... | driver: cast | |
| Ron King | .... | transportation captain | |
| Ronnie King | .... | transportation coordinator | |
| Robert Mair | .... | driver | |
| Clark Porter | .... | driver | |
| William Powell | .... | picture car coordinator (as Bill Powell) | |
| Harry Taylor | .... | transportation co-captain | |
| Cary Zanor | .... | driver | |
| Recent Posts (updated daily) | User |
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| TWT to premiere @ 2009 SIFF | mimimovie |
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There are some movies that start badly, but make me hope for something worth staying for. Sometimes I am rewarded, sometimes I end up just satisfied enough and sometimes I just laugh at the train wreck that is unfolding before me...
...and sometimes, I get to the 30 minute mark and realize that the movie was always dead on arrival, and that there really isn't even a shred of hope.
Welcome to "The Whole Truth".
The "You're lucky I'm not Korean" line (spoken to a dog...oh, I get it!) was one of many painful and embarrassingly bad attempts at humor. I mean without exaggeration that the writing is truly cringe-worthy. Ever watch amateur comedians flop on stage and feel embarrassed for them? Yeah...it's that bad.
I heard a few quiet (and possibly just nervous/embarrassed) giggles in the first half hour. For a movie that promised "rapid-fire" laughs, there was a painful amount of silence in the theatre.
Additionally, the soundtrack was right out of a sitcom pilot that never got picked up for a first season, the acting was forced and brutally unfunny, and the general feel of the movie was that of a decent concept given terribly amateur treatment.
Oddly, I read a comment about a test screening that went really well. The audience at the (sold out!) Seattle Int'l Film Festival screening would probably beg to differ, and the reviews on the SIFF site are very telling.
I would have been very curious to see the Q&A session after the movie. I can't help but wonder if anything of interest was said. Did the filmmakers receive any honest feedback? I've heard that Sundance audiences have actually booed and hissed at selected screenings...I've never seen that happen here.
Then again, I had to leave at the 30 minute mark. I couldn't take it anymore.