Critic Reviews

24

Metascore

Based on 16 critic reviews provided by Metacritic.com
50
The result isn’t art but it is an improvement: a scurrilous, lowdown, sub-Tarantino action comedy that, unlike the original, doesn’t make you want to claw your eyes out. How’s that for praise?
50
Like its predecessor, All Saints Day will, if nothing else, be a cult item for Roman Catholic schoolboys; the next sequel, blatantly set up, should arrive no later than 2019.
40
The only truly ugly side to this self-consciously grimy movie is the streak of Neanderthal humor. Operatic overacting is funny. Racist and homophobic jokes? Not so much.
38
You wouldn't call The Boondock Saints II: All Saints Day a taut thriller. More like a fleshy, messy, jangled frenzy of shootouts and much discussion about the mechanics of romantic entanglements that bloom between prison inmates.
30
Village Voice
John Woo outgrew stylizing movies like this in the '90s, but Duffy is still chasing his perfect slide-and-shoot, except now with more self-satisfied posturing, awkward pop-culture referencing, casual homophobia and racism, and the most vulgar co-opting of religious iconography this side of Dan Brown.
30
Although the Tarantino influence still is tangible, this time around Duffy reveals himself to also be a big Francis Ford Coppola fan, but the cartoonish end result plays like "Godfather III" meets the Three Stooges.
30
Variety
Feels larger in scope yet sorely lacking in originality.
30
Duffy tamps down his best instincts -- occasional wry humor and the appealingly oddball supporting character (Willem Dafoe last time, a bug-eyed Clifton Collins Jr. here as the MacManus' admiring Latino cohort) -- and doubles up on his worst: homophobic gags, tedious '90s-era slo-mo shootouts and overwrought gangster tropes.
20
Only Billy Connolly, as the boys’ way-of-the-gun pa, brings a smidgen of sobering gravitas to the proceedings, though he can hardly counter the pounding hangover brought on by all the mock-virtuous butchery.
16
Duffy's inept command of actors, not to mention his utterly juvenile morality and his comically clumsy use of religious iconography, should keep all but the diehards away.

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