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Directed by | |||
| Troy Duffy | |||
Writing credits(WGA) | ||
| Troy Duffy | (screenplay) | |
| Troy Duffy | (story) & | |
| Taylor Duffy | (story) | |
Produced by | |||
| Chris Brinker | .... | producer | |
| Don Carmody | .... | producer | |
| Robert N. Fried | .... | executive producer (as Rob Fried) | |
| Lloyd Segan | .... | executive producer | |
Original Music by | |||
| Jeff Danna | |||
Cinematography by | |||
| Miroslaw Baszak | |||
Film Editing by | |||
| Bill DeRonde | |||
| Paul Kumpata | |||
Casting by | |||
| Veronica Collins | (as Veronica Collins Rooney) | ||
Production Design by | |||
| Dan Yarhi | |||
Art Direction by | |||
| Dennis Davenport | |||
Set Decoration by | |||
| Steve Shewchuk | |||
Costume Design by | |||
| Georgina Yarhi | |||
Makeup Department | |||
| Katie Brennan | .... | key makeup artist | |
| Amber Chase | .... | assistant makeup artist | |
| Karola Dirnberger | .... | key hair stylist | |
| Angela Green | .... | personal makeup artist: Norman Reedus (as Angela Duffy) | |
| Stephanie Ingram | .... | assistant hair stylist | |
| Paul Jones | .... | special makeup effects designer | |
| Vincent Sullivan | .... | assistant hair stylist | |
Production Management | |||
| Hartley Gorenstein | .... | production manager | |
| Patrick Newall | .... | post-production supervisor | |
| Bill Wohlken | .... | post-production manager | |
Second Unit Director or Assistant Director | |||
| Adam Bocknek | .... | third assistant director | |
| Catherine Gourdier | .... | second assistant director | |
| Pierre Henry | .... | first assistant director | |
| Karen Young | .... | trainee assistant director | |
Art Department | |||
| Joe Curtin | .... | construction coordinator | |
| Carly Davenport | .... | art department apprentice | |
| Dawn H. Fisher | .... | art department coordinator | |
| Alexandra Hooper | .... | set decoration buyer | |
| Jon Hunter | .... | first assistant art director | |
| Rob McCallum | .... | storyboard artist | |
| Sorin Popescu | .... | assistant art director | |
| Adam Smith | .... | specialty prop fabricator | |
| Dan Wladyka | .... | assistant to set decorator | |
Sound Department | |||
| Sean Paul Armstrong | .... | cable puller | |
| Sean Paul Armstrong | .... | second boom operator | |
| Andrew Avitabile | .... | adr engineer | |
| Patrick O. Bird | .... | dialogue editor (as Patrick Bird) | |
| Patrick O. Bird | .... | sound effects editor (as Patrick Bird) | |
| Brett Butler | .... | sound effects editor | |
| John W. Frost | .... | adr recordist | |
| John W. Frost | .... | sound re-recording mixer | |
| John W. Frost | .... | supervising sound editor | |
| James A. Moore | .... | foley recordist (as James Moore) | |
| James A. Moore | .... | sound effects editor | |
| Jen Ruvalcaba | .... | dialogue editor | |
| Eric Stolz | .... | sound editor | |
| John J. Thomson | .... | sound | |
| Phil Vo | .... | foley recordist | |
| Phil Vo | .... | sound effects editor | |
| Alan Zielonko | .... | boom operator | |
Special Effects by | |||
| Brendan Carmody | .... | special effects | |
| Michael Innanen | .... | special effects supervisor | |
| Tony Kenny | .... | special effects coordinator | |
| Gary Kleinsteuber | .... | pyro supervisor | |
| Mark Lawton | .... | special effects supervisor | |
| Drew Longland | .... | special effects technician | |
Visual Effects by | |||
| Mathieu Archambault | .... | digital compositor | |
| Sarah Barber | .... | visual effects coordinator: Mr. X Inc. | |
| Barb Benoit | .... | digital compositor | |
| Dennis Berardi | .... | visual effects producer | |
| Mathew Borrett | .... | matte painter | |
| Mike Borrett | .... | visual effects production manager: Mr. X Inc. | |
| Branden Bratuhin | .... | previsualization editor | |
| Zac Campbell | .... | digital compositor | |
| Kris Carson | .... | lead compositor: Mr. X, Inc | |
| Andy Chan | .... | visual effects compositor: Mr. X Inc. | |
| Ovidiu Cinazan | .... | compositor | |
| Tommaso Corona | .... | digital compositor | |
| Roberto D'Ippolito | .... | digital compositor (as D'Ippolito Roberto) | |
| Amélie Dubois | .... | digital compositor | |
| Christopher Dusendschon | .... | digital imaging supervisor: iO FILM | |
| David Fix | .... | senior systems administrator: Mr. X Inc. | |
| Tommy Gervais | .... | production assistant | |
| Matt Glover | .... | visual effects coordinator | |
| Colleen Jenkinson | .... | visual effects production manager: Mr. X Inc. | |
| Anna Joukova | .... | digital compositor: Mr. X Inc. | |
| Mike Kwan | .... | digital compositor | |
| Isabelle Langlois | .... | digital effects producer: Mr. X Inc. | |
| Mai-Ling Lee | .... | digital artist | |
| Ken McCuen | .... | matte painter | |
| Benjamin Mossman | .... | visual effects production assistant | |
| Hojin Park | .... | digital compositor | |
| Sebastien Proulx | .... | digital compositor | |
| Dominic Remane | .... | lighting lead: Mr X Inc | |
| Paul Saint-Hilaire | .... | digital compositor: Nuke | |
| Jerry Seguin | .... | digital compositor | |
| Gavin Soares | .... | lead pre-viz artist | |
| Wojciech Zielinski | .... | visual effects supervisor: Mr. X Inc. | |
Stunts | |||
| Roshan Amendra | .... | stunt performer | |
| Alexandre Cadieux | .... | stunt performer | |
| Brendan Carmody | .... | stunt performer | |
| Brad Davis | .... | stunt performer | |
| Neil Davison | .... | stunt performer | |
| Cosette Derome | .... | stunt double | |
| Jean Frenette | .... | stunt performer | |
| Jere Gillis | .... | stunt actor | |
| Jean-Francois Lachapelle | .... | stunt performer | |
| Stéphane Lefebvre | .... | stunt player | |
| Maxine Lucescu | .... | stunt performer | |
| Steve Lucescu | .... | stunt coordinator | |
| John MacDonald | .... | stunt performer | |
| Patrick Mark | .... | stunts | |
| Christopher McGuire | .... | stunt double | |
| Regan Moore | .... | stunt performer | |
| Simon Northwood | .... | stunt performer | |
| Billy Oliver | .... | stunt performer | |
| Jeffery Ong | .... | stunts | |
| Edward A. Queffelec | .... | stunt performer | |
| Todd Schroeder | .... | stunt performer (as Todd William Schroeder) | |
| Steve 'Shack' Shackleton | .... | stunt performer | |
| John Stead | .... | stunt performer | |
| Bryan Thomas | .... | stunt performer | |
| Ken Tran | .... | stunts | |
| Alicia Turner | .... | stunt performer | |
Camera and Electrical Department | |||
| Dave Bouskill | .... | lighting technician | |
| David Breeze | .... | gaffer | |
| Angela Chao | .... | camera loader | |
| Gilles Corbeil | .... | camera operator: "b" camera | |
| John Harper | .... | first assistant camera: "b" camera | |
| Kerry Hayes | .... | still photographer | |
| John Hickey | .... | first assistant camera: "a" camera | |
| Perry Hoffman | .... | camera operator: "a" camera | |
| Patrick King | .... | dolly grip | |
| Edward Lipscombe | .... | key rigging grip | |
| Walter Lipscombe | .... | best boy rigging grip | |
| Ari Magder | .... | second assistant camera: "b" camera | |
| Beth Nobes | .... | second assistant camera: "a" camera | |
| Jarrod Underwood | .... | camera trainee | |
Casting Department | |||
| Tina Gerussi | .... | casting | |
| Hollie Meyer | .... | casting assistant | |
| Farrah West | .... | casting assistant | |
| Jane Rogers | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Loreen Lightfoot | .... | costume cutter | |
| Sheila E. Pruden | .... | assistant costume designer | |
| Damion Saliani | .... | costume assistant | |
Editorial Department | |||
| James Ahern | .... | digital intermediate data manager | |
| Kristina Allison | .... | post-production coordinator | |
| Brian Beard | .... | digital intermediate editor | |
| Christopher Dusendschon | .... | post-production editorial: iO FILM | |
| Michael J. Duthie | .... | additional editor | |
| Brad Gilson | .... | assistant editor | |
| Michael John Koetter | .... | software engineer | |
| Sue Len Quon | .... | assistant editor | |
| Jen Ruvalcaba | .... | on-line editor | |
| Ralf Weinfurtner | .... | post-production coordinator | |
| Jason Yanuzzi | .... | on-line editor | |
| Lance Spindler | .... | color timer (uncredited) | |
Music Department | |||
| Fletcher Beasley | .... | composer: additional music | |
| Ross Elliot | .... | music supervisor | |
| John Fee | .... | composer's assistant | |
| John W. Frost | .... | music editor | |
| Will Nevins | .... | composer: additional music | |
| Steve Skylar | .... | vocalist: throat singing | |
| Erich Stratmann | .... | music editor | |
| John Whynot | .... | score mixer | |
Transportation Department | |||
| Bruce McLean | .... | transportation coordinator | |
Other crew | |||
| Paul J. Alessi | .... | field producer: EPK/DVD | |
| Drazen Baric | .... | assistant location manager | |
| Nuno Capitao de Salles | .... | cast personal trainer (as Nuno De Salles) | |
| Brendan Carmody | .... | production assistant | |
| John Charles | .... | software manager: Sony DAC | |
| Kate Clark | .... | second assistant accountant | |
| Bob Corff | .... | dialect coach | |
| Josh Haggarty | .... | office production assistant | |
| Rick Jang | .... | location production assistant | |
| Vallery Kountze | .... | marketing consultant | |
| Michael Barbanell Landres | .... | production legal services | |
| Thomas Glen Leo | .... | legal services | |
| Jean Mahoney | .... | production assistant | |
| Jonathan Matthews | .... | location manager | |
| Luis M. Mendoza | .... | assistant location manager | |
| Kati Moore | .... | location productions assistant | |
| Emily Newell | .... | assistant: Mr. Carmody and Mr. Brinker | |
| Jillian Ordowich | .... | assistant production coordinator | |
| Desmond Paes | .... | production accountant | |
| Yan Regis | .... | set medic | |
| Andrew Scheimer | .... | assistant: Mr. Duffy | |
| Wendy Shepherd | .... | online services (english language version) | |
| Aloma Taylor | .... | first assistant accountant | |
| Charles Taylor | .... | armorer | |
| Charles Taylor | .... | head armorer | |
| David E. Van Houten | .... | publicist | |
| Al Vrkljan | .... | armorer | |
| Jeff Schmidt | .... | field producer: EPK/DVD (uncredited) | |
Thanks | |||
| Paul J. Alessi | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
I am an avid fan of the original movie. While the concept of vigilantism has been around for decades in film, it was never communicated in such a way. The original movie was both entertaining, and made certain statements about society. After all, isn't the first purpose of film to entertain, and the second to create a message? If the first movie focused on the message, the second seemed to focus more on the entertainment. I'm OK with that. I already know what the McManus boys are all about. Still, it was refreshing to see Il Duce's beginning as a killer, even catching a glimpse of the first version of the gun vest.
I was very skeptical of Clifton Collins Jr., thinking that he would simply be a stand-in for Rocco. He wasn't. He had his own personality, although I would have liked to have seen him involved in what the boys were doing on a more personal level. It was like he was waiting for them to come along just so he would have an excuse to kill mobsters.
The humor, slow-motion gunfights, and light-hearted moments were back. During the first half, I sometimes felt the humor needed to be left behind and the serious tone needed to come into play, but the second half delivered that aspect very well, so it balances out in the end.
Julie Benz. Hmmmm. Attractive, intelligent, fun. But the southern accent is so thick I had a hard time focusing on anything else.
I would like to make a special note of how ridiculous it is for someone to dual-wield Desert Eagles, even if they have compensators attached.
Still, none of my complaints stopped me from enjoying the movie. I watched it for what it is. An over the top-low(er) budget film that was written to please fans of the original. I took it for what it is, and I think I'm better off for it.
Many people criticize Troy and the films themselves, some going so far as to say fans should go kill themselves. The internet, where everyone thinks their opinion is fact, and everyone is a hardass. If you don't like the movies, fine, but please, don't insult the intelligence of the fans. Liking something that you don't doesn't make us any less intelligent than you. If you want to pick on someone, pick on the Twilight fans that think those movies are a real representation of love and vampire mythology.
I hear Troy can be a bit of a douche. Maybe that's true, maybe it isn't. What isn't true, is that the movies do not rip off of Tarantino. I like Tarantino's work, but he was not the first person to do the flashback narrative, dual wielding of pistols, slow motion gunfights, etc. etc. That's like saying Halo was the first good shooter. All movies borrow elements from one another. They're called themes and archetypes.
All in all, an enjoyable film that gives the fans a taste of what they've been missing for ten years. The editing is a little spotty at times, and not everything hits the right beat, but simply to see the boys in action again was enough to make me smile and laugh out loud, and once again, isn't that what movies are supposed to do? Its supposed to entertain us.