The MacManus brothers are living a quiet life in Ireland with their father, but when they learn that their beloved priest has been killed by mob forces, they go back to Boston to bring justice to those responsible and avenge the priest.
Floating is the story of a young man's struggle to come of age during a violent period of emotional and financial bankruptcy. The film stars Norman Reedus as Van, a son shouldering the ... See full summary »
The Beat Nicks are musician Nick Nero and poet Nick Beat, a pair of self-styled truth-seekers who'd better find a gig or they'll be out on the street. Their luck begins to change when they ... See full summary »
Mark Boone Junior,
Set in the not so distant future, in Any Town USA, sixteen year old Herman Howards makes a fateful decision. He enters his suburban school and kills thirty nine students, two teachers, and ... See full summary »
Preston Tylk is an ordinary guy living in Seattle. When he discovers that his wife, Emily, whom he adores, is having an affair, he is devastated. Storming out of the house, he returns later only to find her brutally murdered.
For the last 8 years the brothers have been living with their father on a sheep farm deep in isolated Ireland. One day their uncle tells them that they have been framed for the murder of a Bostonian Catholic priest. The boys must return to Boston to not only clear their names but find the men who framed them. Written by
"Kilt Boy" Sterling Morrison
In Noah's voice-over during the drug factory flashback, he says "While the wicked stand confounded, call me, with thy saints surrounded." In the first The Boondock Saints (1999) movie, that line is painted above the Irish flag on the wall in the arms dealer's warehouse. See more »
In the final tête-à-tête between Il Duce and The Roman in the garden atrium, there are occasional reflections of a little blue-green monitor in each lens of each character's sunglasses, likely a dialogue teleprompter. See more »
With all due respect... man I hate it when people say that because it is inevitably followed by a disrespectful remark. Here let me give you an example: With all due respect detective, this matter falls under whatever jurisdiction I fuckin' say it does.
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In Loving Memory of Jimi "Fat Hand" Jackson See more »
It's like a cartoon version of something that was once good.
WOW! I absolutely loved the original. This one is so bad, I almost hate the first movie. Seriously awful. It's full of terrible acting performances from actors who put in a good turn first time around. I hate when a character knows what's quirky about themselves. I can't believe in them when everyone appears as though they know they're in a movie and are IN on the joke. They're not supposed to be, only the audience is. The movie is filled with forced references to what came off in the first film as spontaneous but simply now fall flat. Reedus and Flanery are slumming here. Also slumming is Julie Benz who is basically playing Kyra Sedgwick as The Closer (2005 TV Series). I understand the draw to be in this film, knowing the cult following of the original but this was a big mistake for everyone involved from top to bottom. I don't want to blame the actors totally, there's hardly a good performance to be seen, but with what they had to work with, good lord.
I wanted to love this so bad. I even lowered my expectations in order to have a buffer to allow me to think it was better than expected. Impossible. Boondock Saints one was lightning in a bottle. Perhaps even a fluke. Sure, I saw "Overnight" and bore witness to the train wreck that was Troy Duffy but I always felt saddened by the fact that the original movie showed that he actually had talent and that his demise meant never seeing what he could do if given all of the right ingredients to make more films. If they are anything like this one, I would say that BS1 was indeed a fluke not to be repeated. Furthermore, it makes me wonder if he actually directed BS1.
Unless your character's are Ferris Bueller, they shouldn't be so self aware. It takes them and your audience out of the movie. We need to discover the path WITH our heroes, not have it all drawn out like Wyle E. Coyote's moronic designs. Repeatedly in this film a character will say something and, as the audience member you think, "I knew he was going to say that. And I wish he hadn't"
By the way, I sure wish Judd Nelson would could land some major films. Given the right script and director, we could get some great performances out of him. Right when he seemed to be channeling Pacino, he was derailed with asinine dialog injected to sound witty , profound or even just profane but landed like a thud. I hearken back to Saints 1 where Carlo Rota as Yakavetta is yelling at someone on the phone as he gets his sandwich. That exchange is confusing and out of contexts but feels so real. It was either his brilliant acting or a combination of that, script and direction. That movie was filled with that brilliance. BSII had NONE of it. I'd say the best part of this movie is the tease we get of Rocco and his voice over at the opening of the film. The rest goes downhill so fast it's almost a free fall.
I will forever try to forget that this movie exists so I can still enjoy the raw energy and relentless pace of the first film. This movie is the second Boondock Saints film, yes, that's right, it's NUMBER TWO!
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