| Photos (See all 18 | slideshow) | Videos (see all 5) |
| Pete Postlethwaite | ... | The Archivist | |
| Jeh Wadia | ... | Himself | |
| Alvin DuVernay | ... | Himself | |
| Layefa Malini | ... | Herself | |
| Jamila Bayyoud | ... | Herself | |
| Piers Guy | ... | Himself | |
| Lisa Guy | ... | Herself | |
| Fernand Pareau | ... | Himself |
Directed by | |||
| Franny Armstrong | |||
Writing credits(in alphabetical order) | ||
| Franny Armstrong | written by | |
Produced by | |||
| Peter Armstrong | .... | co-executive producer | |
| John Battsek | .... | executive producer | |
| Lizzie Gillett | .... | producer | |
| Bruce Goodison | .... | co-executive producer | |
| Emily James | .... | co-executive producer | |
| Andrew Ruhemann | .... | co-executive producer | |
Original Music by | |||
| Chris Brierley | |||
Cinematography by | |||
| Lawrence Gardner | |||
Film Editing by | |||
| David G. Hill | |||
Casting by | |||
| Gemma Hancock | |||
| Sam Stevenson | |||
Production Design by | |||
| David Bryan | |||
Set Decoration by | |||
| Fran Cooper | |||
Costume Design by | |||
| Heidi Miller | |||
Makeup Department | |||
| Astrid Kearney | .... | makeup designer | |
Production Management | |||
| Wendy Dunleavy | .... | production supervisor | |
| Lottie Gammon | .... | production supervisor | |
| Alex Koehler | .... | production supervisor | |
| Sylvia Wroblewska | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Paul Judges | .... | first assistant director | |
Sound Department | |||
| Ronald Bailey | .... | sound mixer | |
| Nick Cox | .... | sound designer | |
| Nigel Edwards | .... | dubbing mixer | |
| Jamie Selway | .... | sound designer | |
| Alfie Thomas | .... | sound designer | |
Visual Effects by | |||
| James Feeney | .... | visual effects | |
| Marc Knapton | .... | visual effects | |
| Greg McKneally | .... | visual effects supervisor | |
Camera and Electrical Department | |||
| Franny Armstrong | .... | camera operator | |
| Wailoon Chung | .... | genny operator: set | |
| Steve Cortie | .... | gaffer | |
| Dan Shoring | .... | first assistant camera | |
| Dana S. Wilson | .... | still photographer (as Dana Wilson) | |
Animation Department | |||
| Robert Bradbrook | .... | lead animator | |
| Cath Elliot | .... | lead animator | |
| Daniel Haskett | .... | lead animator | |
| Peter Hill | .... | lead animator | |
| Jonathan Hodgson | .... | animation director | |
| Marc Knapton | .... | lead animator | |
| Greg McKneally | .... | lead animator | |
| Leo Murray | .... | lead animator | |
| Martyn Pick | .... | animation director | |
| Bill Porter | .... | lead animator | |
Editorial Department | |||
| Andy Depledge | .... | assistant editor | |
| Perry Gibbs | .... | colorist | |
| David Kaplowitz | .... | assistant editor | |
| John Kerron | .... | on-line editor | |
| Jonathan Liebert | .... | digital cinema mastering | |
Music Department | |||
| Marcus Bates | .... | musician | |
| Liz Cowdry | .... | musician | |
| Andrew Davis | .... | musician | |
| Ben Davis | .... | musician | |
| Gary McGibbon | .... | musician | |
| Kirsten Morrison | .... | musician | |
| Mark Pharoah | .... | musician | |
| Richard Pywell | .... | musician | |
| Peter Robinson | .... | musician | |
| Hannah Stuart | .... | musician | |
Other crew | |||
| Kate Cook | .... | location manager | |
| George David | .... | logistics | |
| Tara Dean | .... | legal | |
| Sabrina Fidalgo | .... | post-production translator | |
| Edward Hemming | .... | additional researcher | |
| Archana Menon | .... | production fixer | |
| Alexandra Roxo | .... | assistant producer: post-production | |
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| An Inconvenient Truth | The 11th Hour | Every Generation Needs a Revolution | Fair Game | Arid Lands |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb UK section |
Excellent film - a real wake-up call to all of us to think about the impact our lifestyles have on the environment, and the hypocrisy of the West in having enjoyed the lifestyles we have whilst dictating to those in countries like India and Africa that they should not be allowed to aspire to the same things.
As the contrasting points of view about the film on this site show...it certainly encourages debate, which can only be a good thing. It inspired me to want be part of the solution, rather than part of the problem, which is about as much as campaigning filmmaker can hope to achieve, isn't it?