In the age of the brand, logos are everywhere. But why do some of the world's best-known brands find themselves on the wrong end of the spray paint can # the targets of anti-corporate ... See full summary »
Wars of the future will be fought over water as they are over oil today, as the source of human survival enters the global marketplace and political arena. Corporate giants, private ... See full summary »
Werner Boote presents an up-close and personal view of the controversial and fascinating material that has found its way into every facet of our daily lives: plastic. He takes us on a ... See full summary »
The Crisis Civilization is a documentary feature film investigating how global crises like ecological disaster, financial meltdown, dwindling oil reserves, terrorism and food shortages are ... See full summary »
Nafeez Mossadeq Ahmed,
A phenomenal discourse on why poverty exists when there is so much wealth in the world. A must see for anyone wanting to understand not only the US economic system but the foundations of today's global economy.
This ambitious documentary/drama/animation hybrid stars Pete Postlethwaite as an archivist in the devastated world of the future, asking the question: "Why didn't we stop climate change when we still had the chance?" He looks back on footage of real people around the world in the years leading up to 2015 before runaway climate change took place. Written by
At the end of a timeline depicting the disasters Earth has to endure thanks to man's effect on global warming, an image of Earth is shown. Despite all talk of melting ice caps and rising sea levels, Earth's land mass looks exactly as it does when the film was made. See more »
Archivist of the future:
Welcome to the global Ark-ive, a vast storage structure located 800 km north of Norway. It contains the artwork from every national museum. There are pickled animals, stacked up, two by two; every film, every book, every scientific report, all stored on banks of servers. But the conditions we're experiencing now were actually caused by our behavior in the period leading up to 2015. In other words: we could have saved ourselves. We could have saved ourselves, but we didn't.
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The film contrasts a bleak future that we are heading towards with the current way people carry on as usual. The archivist (Pete Postlethwaite) looks after the best of the planets museum exhibits, and looks back from the year 2055 at how we got there. He observes a group in Bedfordshire stopping a potential wind farm from getting through planning, an entrepreneur in India starting a low cost airline, a woman surviving in Nigeria torn by Shell's oil extraction, children exiled from Iraq and a man retired from the oil industry living in New Orleans during and after Hurricane Katrina. The scenarios show how complicated it can be to make a difference, but that its something we need, and must, do.
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