| Videos (see all 6) |
| Norman Reedus | ... | John Rollins | |
| Heather Stephens | ... | Mary Rollins | |
| Claire Holt | ... | Lindsey Rollins | |
| Richard Riehle | ... | Jude Weatherby | |
| Darcy Fowers | ... | Miranda Weatherby | |
| Matthew McNulty | ... | Sheriff Milton | |
| Laurence Belcher | ... | Michael Rollins | |
| Vladimir Yossifov | ... | Scarecrow (as Vladimir Yosifov) | |
| Todd Jensen | ... | Banker Chapman | |
| Michael McCoy | ... | Mr. Peterson | |
| Kalina Green | ... | Little Girl | |
| Erbi Ago | ... | Randy | |
| Atanas Srebrev | ... | Tommy |
Directed by | |||
| Martin Barnewitz | |||
Writing credits | ||
| Todd Farmer | (characters) | |
| Todd Farmer | written by | |
Produced by | |||
| Jeffery Beach | .... | co-producer | |
| John Cappilla | .... | line producer | |
| Andrew Pfeffer | .... | producer | |
| Phillip J. Roth | .... | co-producer | |
| William Sherak | .... | executive producer | |
| Jason Shuman | .... | executive producer | |
| Valeria Stefanova | .... | production executive | |
| Robert G. Tapert | .... | executive producer (as Rob Tapert) | |
| J.R. Young | .... | executive producer | |
Original Music by | |||
| Joseph LoDuca | |||
Cinematography by | |||
| Lorenzo Senatore | |||
Film Editing by | |||
| Matt Michael | |||
Casting by | |||
| Sunday Boling | |||
| Gillian Hawser | (casting: UK) | ||
| Meg Morman | |||
Production Design by | |||
| Bobby Michaels | (as Bobi Michailovski) | ||
Art Direction by | |||
| Asen Bozilov | (as Asen Bojilov) | ||
Set Decoration by | |||
| Svilen Kratunkov | |||
Costume Design by | |||
| Maria Mladenoza | (as Maria Mladenova) | ||
Makeup Department | |||
| Iveta Petrova | .... | makeup artist | |
| Petya Simeonova | .... | assistant special makeup effects | |
| Yana Stoyanova | .... | key special makeup effects artist | |
| Greta Velikova | .... | key makeup artist | |
Production Management | |||
| Jack Schuster | .... | post-production supervisor | |
Special Effects by | |||
| Vasko Dikov | .... | special effects | |
| Georgi Drinov | .... | special effects assistant | |
| Ivan Drinov | .... | special effects assistant | |
| Stoyan Drinov | .... | special effects assistant | |
Visual Effects by | |||
| Benjamin H. Bernard | .... | lead visual effects artist | |
| Ryan Spike Dauner | .... | visual effects supervisor (as Ryan Dauner) | |
Stunts | |||
| Parvan Parvanov | .... | stunt coordinator (as Tzatzata) | |
Casting Department | |||
| Daniel Pintauro | .... | casting associate: US | |
| Natasha Roth | .... | casting production assistant | |
| Ivo Simeonov | .... | extras casting | |
| Jonas Talkington | .... | casting: Bulgaria | |
Costume and Wardrobe Department | |||
| Marieta Duncheva | .... | wardrobe assistant | |
| Nikolai Kirilov | .... | wardrobe assistant | |
| Vladimir Yossifov | .... | wardrobe supervisor (as Vladimir Yosifov) | |
Editorial Department | |||
| Grits Carter | .... | post-production coordinator | |
| Laura Jans | .... | final colorist (as Laura Jans Fazio) | |
| Travers Morgan | .... | assistant editor | |
Music Department | |||
| Peter Albrechtsen | .... | additional music | |
| Steve Damstra II | .... | composer: additional music | |
| Mads Heldtberg | .... | composer: additional music | |
| Tobias Hylander | .... | composer: additional music | |
| Cory Milano | .... | music editor | |
Transportation Department | |||
| Martin Dimitrov | .... | driver | |
| Rosen Dimitrov | .... | transportation coordinator | |
| Petur Georgiev | .... | driver | |
| Albena Georgieva | .... | driver | |
| Ivo Ginovski | .... | driver | |
| Ilian | .... | driver | |
| Nikolai Ivanov | .... | driver | |
| Dimitur Lentchev | .... | driver (as Dimitur Lenchev) | |
| Nikolai Milev | .... | transportation captain | |
| Dimo Penkov | .... | driver | |
| Valio Sakaliiski | .... | driver | |
| Dencho Salabashev | .... | driver | |
| Petar Slavchev | .... | driver (as Peter Slavchev) | |
| Liubomir Slavov | .... | driver (as Lubo Slavov) | |
| Vasko | .... | driver | |
| Peter Vatzov | .... | driver (as Peter Vatsov) | |
| Ilia Zaprianov | .... | driver | |
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| Children of the Corn III: Urban Harvest | Boogeyman 3 | The Tailor of Panama | Our Daily Bread | The Astronaut Farmer |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Some years ago, distribution company Ghost House Pictures acquired a screenplay written by Todd Farmer in order to make a movie about the supernatural experiences suffered by a family on a remote farm.However, when screenwriter Mark Wheaton joined to the project, he decided to substantially change the story and adjust it to the structures from Asian horror cinema.The result was the atrocious movie The Messengers.2 years after that movie, Ghost House Pictures decided to wheel out Farmer's screenplay to make a movie out of it and sell it as a prequel with the title Messengers 2: The Scarecrow.Needless to say, my expectations for this film were minimum...however, I ended up taking a nice surprise with it.It may not be an excellent film, but it is competent and it is hugely superior to The Messengers.
Because of the trailers and title from the film, I expected Messengers 2: The Scarecrow to be an absurd "slasher" film with a scarecrow killing people.And, on some way, it was like that...but not on the way I expected to see.The emphasis from the movie is not on blood and deaths, but on the atmosphere of angst which generates the credible situation from the main characters.The alleged supernatural events keep their ambiguity until the end, making us to ask ourselves if there is any evil influence on the farm or if everything is due to the frail mental state from the main characters, exacerbated by their anguish and untrue future.I was surprised of finding those mature elements on a straight-to-DVD prequel.
As for the cast, Heather Stephens makes a competent work, but Norman Reedus tends to exaggerate without noticing that a more subtle performance would have been more appropriate to the tone from the film.The screenplay is generally good, but the characters occasionally do stupid things, whose bad decisions make some things convenient.And the ending is not bad by itself, but it does not seem to totally suit in the context of the movie.As for the direction, Martin Barnewitz shows a good control of the minimalistic narrative, and he also made a competent work on the "jump" scenes.Finally, I liked to see the absolute absence of digital effects.
If it was not for the unnecessary incursion in the horror genre the movie makes in the ending, I would consider Messengers 2: The Scarecrow as a thriller with subtle supernatural details which emphasize the drama and make the atmosphere richer.However, I cannot deny the fails from the movie, and the fact that it is not very memorable, so I can recommend it, not as a great movie, but as a competent prequel which ended up being much better than the previous film.