Southland (2009–2013)

TV Series  |  TV-MA  |   |  Crime, Drama, Thriller
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Ratings: 8.5/10 from 19,345 users  
Reviews: 59 user | 17 critic

The lives of Police Officers working for the Los Angeles Police Department.


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Top 250 TV #209 | Won 2 Primetime Emmys. Another 13 wins & 25 nominations. See more awards »



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Series cast summary:
 Officer John Cooper (43 episodes, 2009-2013)
 Detective Sammy Bryant / ... (43 episodes, 2009-2013)
 Detective Lydia Adams (43 episodes, 2009-2013)
 Officer Ben Sherman (43 episodes, 2009-2013)
 Officer Dewey Dudek (27 episodes, 2009-2013)
 Officer Chickie Brown (19 episodes, 2009-2011)
 Sergeant Terry Hill (19 episodes, 2011-2013)
 Detective Daniel Salinger (18 episodes, 2009-2011)
 Detective Ruben Robinson (18 episodes, 2012-2013)


The lives of Police Officers working for the Los Angeles Police Department.

Plot Summary | Add Synopsis


Crime | Drama | Thriller


TV-MA | See all certifications »

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Release Date:

9 April 2009 (USA)  »

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Sound Mix:



Aspect Ratio:

1.78 : 1
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Did You Know?


The song that is played over the show's opening credits during Seasons 1 and 2 is a brief selection from "Canção do Mar" ("Song of the Sea"), by Portuguese singer songwriter Dulce Pontes. The piece was also used in the movie Primal Fear (1996), which was co-written by "Southland" creator Ann Biderman. A version recorded by British singer Sarah Brightman under the title "Harem" was a crossover hit for Brightman in 2003. See more »


Throughout the series, real Los Angeles thoroughfares or sections are named (e.g. Rodeo, Florence, Vermont), while scenery is nowhere near the real life locations. Even fictitious addresses aren't within the range seen on the real street (e.g. 1024 Rodeo Rd. can't exist on a street that only goes as far east as the 2000 West block). See more »


Referenced in Séries express: Episode #2.23 (2009) See more »


Canção do Mar (Song of the Sea)
Written by Frederico de Brito & Ferrer Trindade
Performed by Dulce Pontes
See more »

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User Reviews

This has been a long time coming....
26 May 2009 | by (Virginia) – See all my reviews

Over the past twenty years we have seen an absolute invasion of cop shows and crime dramas on the small screen. Some have been highly acclaimed, like "NYPD Blue", and others have been long running, like "Law and Order". But all those shows developed notoriety based on strong characters and overly developed drama, a combination that seemed to be a necessary formula for prime time. The end result was entertainment at the cost of realism and integrity, as show plots became as convoluted as the characters. Think "The Shield", except that show had a very narrow focus. Now there's "Southland", and after the first few episodes it becomes immediately apparent that it is a show that will not be well received because it is vastly different than what has appeared before. Simply put, it will not live up to mass market expectations of what should constitute a crime drama. This is unfortunate. "Southland" offers a different perspective. It is simplistic without sacrificing depth, an effect achieved by cutting out unnecessary interactions and plot developments. The scope of coverage is revolutionary as well, with the portrayal of several different divisions--patrol, homicide, organized crime. The characters are developed and highlighted by both their strengths and flaws, making their statements through the performance of their duty without becoming preachy or pathetic. They are not all perfect and selfless, but instead are presented as basically moral and slightly jaded. It is not a testament as a whole of the LAPD, therefore it does not require the presentation of issues that are unnecessary to the purpose of the show--racism, sexism, corruption. The continuity is beneficial, and unusual enough to be revolutionary. The acting is solid. The greatest surprise is Regina King, who appears as a socially struggling homicide detective, a drastic change from the often overbearing or domineering African-American female roles she has been stuck in. Her portrayal of a heartfelt but complex detective is spot on. C. Thomas Howell delivers an absurdly believable rendition of an alcoholic, barrel-driven patrolman. Michael Cudlitz and Ben McKenzie are the most intriguing, as they are the rookie/veteran partnership who have common integrity and incredibly different backgrounds, yet manage to work together without the clichéd buddy-buddy relationship. And the subject matter? Raw, gritty, realistic, without fanciful or violent action scenes. From the mundane, to the absurd, to the disturbing. The difficulties of police work are highlighted, and obstacles are not always overcome. It has been many years since a television show has delivered a straightforward, pulse-pounding episode, as evidenced by number seven, "Derailed". If you dislike crime dramas or cop shows, you obviously won't like Southland. For the rest, it will probably be a toss-up. Stop looking at what the show doesn't present, and focus instead on what it does offer, and you will discover how exceptional it is.

85 of 94 people found this review helpful.  Was this review helpful to you?

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