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Frank Martin puts the driving gloves on to deliver Valentina, the kidnapped daughter of a Ukranian government official, from Marseilles to Odessa on the Black Sea. En route, he has to contend with thugs who want to intercept Valentina's safe delivery and not let his personal feelings get in the way of his dangerous objective.
Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Stephen Campbell Moore
Detective Sergeant Tom Brant who is dispatched to take down a serial killer hell bent on killing off the police force one by one. "The Blitz" manages to slip through the grasp of Tom every time, and with the precious lives of his colleagues diminishing one by one, Tom is led to the question: if we can't protect our own, then what good are we? Written by
The screenplay for this film was featured in the 2007 Blacklist; a list of the "most liked" unmade scripts of the year. See more »
When Weiss gets into the cab he sits with his back to the driver. In the next shot the cab is seen with the only passenger in the back sitting facing the driver, but in the next shot Weiss is again sitting with his back to the driver See more »
There he is. There's Breckney. Get an appetite...
Whoa! Aaah! Get... Get away! Get them away!
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Performed by KING MIDAS SOUND
Written by Martin / Robinson / Hitomi
Published by Just Isn't Music (PRS) / Westbury Music Limited / Copyright Control
Licensed Courtesy of Hyperdub See more »
English bobbies never have it easy. Especially in South London, where crime is unfocused and crude. Stress levels escalate, when a serial cop killer starts roaming the streets capping seemingly random coppers to his ever-growing collection. The local Dirty Harry - the crass, foul mouth and incessantly drinking at pubs while on duty DS Tom Brant (Jason Statham) gets recalled to service - after being recently suspended for a bout of vigilantism against a adolescent trio of car thieves. Despite apparent burnout Brant intends to pull through and implement some well-deserved on the murderer - one despondent psycho with severe remorse towards the bobby community Barry Weiss (Aidan Gillen). Together with new super intendant and privately queer Porter Nash (Paddy Considine) the net quickly tightens around the neck of postal Londoner...
Verging on some commentary on violence, which ventures somewhere along the lines of Dirty Harry type justice, director Elliott Lester attempts to instill a more sincere down-to-earth feeling. The criminal is far from brilliant, at times bumbling, but still managing to keep ahead of the even more incompetent London bobbies. Aidan Gillen's character falls to close to the Scorpio Killer, once again inducing a sense of kinship with the aged Eastwood classic. Nonetheless Jason Statham, basically a one role actor, fails to overreach into more dramatic territory, feeling much better in tune with crass one-liners and his general tough guy persona, making all attempts to diverge sound weirdly contrived. Together with a disinterested Considine and rather rough performances by other cast "Blitz" feels overwhelmingly hollow with any potential comment crudely covered by plodding story-build and uninspired writing.
The movie also features some of the worst procedural cop drama on celluloid, but then again maybe this is owed to overly perfect portrayals of criminal persecution in the United States? Having just one suspect the London police fronted by Brant and Nash fail to put him under surveillance or even bring him in for questioning, instead allowing Blitz to strike again. Police folly follows suit when they are unable to keep the suspect locked up due to lack of evidence - despite one police woman seeing the culprit murder a boy with her own eyes. Uneven, unfocused and clearly in search of better scripting "Blitz" attempts to connect a more dramatically induced thriller with a typical Statham adrenaline rush, wholly failing on both counts.
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