Mei, a young girl whose memory holds a priceless numerical code, finds herself pursued by the Triads, the Russian mob, and corrupt NYC cops. Coming to her aid is an ex-cage fighter whose life was destroyed by the gangsters on Mei's trail.
When his mentor is taken captive by a disgraced Arab sheik, a killer-for-hire is forced into action. His mission: kill three members of Britain's elite Special Air Service responsible for the death of his sons.
A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
Homeless and on the run from a military court martial, a damaged ex-special forces soldier navigating London's criminal underworld seizes an opportunity to assume another man's identity -- transforming into an avenging angel in the process.
Frank Martin puts the driving gloves on to deliver Valentina, the kidnapped daughter of a Ukranian government official, from Marseilles to Odessa on the Black Sea. En route, he has to contend with thugs who want to intercept Valentina's safe delivery and not let his personal feelings get in the way of his dangerous objective.
Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Stephen Campbell Moore
Detective Sergeant Tom Brant who is dispatched to take down a serial killer hell bent on killing off the police force one by one. "The Blitz" manages to slip through the grasp of Tom every time, and with the precious lives of his colleagues diminishing one by one, Tom is led to the question: if we can't protect our own, then what good are we? Written by
The screenplay for this film was featured in the 2007 Blacklist; a list of the "most liked" unmade scripts of the year. See more »
During the chase through West London which reaches a train depot north of Paddington, Southern Railways operated trains can be seen which do not operate out of Paddington station. Similarly in the depot,third rail operated electric class 313 trains are seen which do not operate from Paddington. See more »
I finally said fuck it, I'll take the law into my own hands, so I broke into the peado's house at four in the morning and I smashed his bollocks with a baseball bat until they fucking popped
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The trailers for BLITZ caught my interest, seeming to promise a contemporary, British take on the first DIRTY HARRY movie; a cop thriller with a morally ambiguous anti-hero facing a grandiose, psychopathic villain. And that's more or less what you get, although it's also something an ensemble piece with much of the screen time taken up by a number of sub-plots, somewhat like BROOKLYN'S FINEST.
The early scenes of the film are a little too frantic, and seem to be put together without too much care initially making the film a little unwelcoming; at first seeming uncomfortably redolent of the lower end of of Danny Dyer's filmography. Once things settle down however, it's a fairly predictable but entertaining film with good performances, solid action and rather more interesting characters than you'd expect. I haven't read the source material (a novel of the same name by Ken Bruen), but I suspect it's at least partly responsible for giving the film a grittier, pulpier feel than you'd associate with Statham. The Dubstep soundtrack helps give the film a contemporary vibe appropriate to its South London setting.
It certainly wont be as well remembered as DIRTY HARRY, but BLITZ is one of Statham's strongest vehicles to date.
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