| Julia McKenzie | ... | Miss Marple | |
| Elliot Cowan | ... | Wally Hudd | |
| Emma Griffiths Malin | ... | Gina Elsworth | |
| Joan Collins | ... | Ruth Van Rydock | |
| Penelope Wilton | ... | Carrie Louise Serrocold | |
| Brian Cox | ... | Lewis Serrocold | |
| Jordan Long | ... | Whitstable Ernest | |
| Sarah Smart | ... | Mildred | |
| Maxine Peake | ... | Jolly Bellever | |
| Alexei Sayle | ... | Dr Maverick | |
| Liam Garrigan | ... | Stephen Restarick | |
| Tom Payne | ... | Edgar Lawson | |
| Nigel Terry | ... | Christian Gulbrandsen | |
| Ian Ogilvy | ... | Johnny Restarick | |
| Alex Jennings | ... | Inspector Curry | |
| Sean Hughes | ... | Sergeant Lake | |
| rest of cast listed alphabetically: | |||
| Jamie McLeod-Ross | ... | Convict #1 (uncredited) | |
Directed by | |||
| Andy Wilson | |||
Writing credits | ||
| Agatha Christie | (novel) | |
| Paul Rutman | (screenplay) | |
Original Music by | |||
| Dominik Scherrer | |||
Cinematography by | |||
| Peter Greenhalgh | (director of photography) | ||
Film Editing by | |||
| Matthew Tabern | |||
Production Design by | |||
| Jeff Tessler | |||
Art Direction by | |||
| Miranda Cull | |||
Costume Design by | |||
| Andrea Galer | |||
Makeup Department | |||
| Alison Elliott | .... | makeup designer | |
| Julie Kendrick | .... | makeup artist | |
| Natalie Reid | .... | makeup artist | |
Production Management | |||
| Kate Stannard | .... | post-production supervisor | |
Art Department | |||
| Tim Bonstow | .... | props buyer | |
| Fred Foster | .... | stand-by construction | |
| Paul Gilpin | .... | supervising art director | |
| Jim Grindley | .... | prop master | |
| Andrew Lavin | .... | stand-by art director | |
| Richard MacMillan | .... | stand-by props (as Richard Macmillian) | |
| Robert Muskett | .... | stand-by construction (as Bob Muskett) | |
| Mike Rawlings | .... | dressing props | |
| Neil Smith | .... | stand-by props | |
| Mike Syson | .... | dressing props | |
| Gus Wookey | .... | construction manager | |
| Naomi Moore | .... | assistant production buyer (uncredited) | |
| Jay Pales | .... | prop storeman (uncredited) | |
Sound Department | |||
| John Downer | .... | supervising sound editor | |
| Sarah Morton | .... | dialogue editor | |
| Ashley Reynolds | .... | boom operator | |
| Andrew Sissons | .... | sound recordist | |
| Nigel Squibbs | .... | dubbing mixer | |
| Naomi Dandridge | .... | adr recordist (uncredited) | |
| Tom Deane | .... | adr mixer (uncredited) | |
| Simon Epstein | .... | foley mixer & editor (uncredited) | |
| Nigel Squibbs | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Graham Longhurst | .... | special effects coordinator | |
Stunts | |||
| Tom Lucy | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Richard Brierley | .... | focus puller | |
| Paul Donachie | .... | camera operator | |
| Ben Gibb | .... | clapper loader | |
| Woody Gregson | .... | clapper loader | |
| Jamie Harcourt | .... | camera operator | |
| Jimmy Harris | .... | best boy | |
| Paul Hatchman | .... | grip | |
| David Hedges | .... | focus puller | |
| Gavin Walters | .... | lighting gaffer | |
| Stephen Cornacchia | .... | camera trainee: dailies (uncredited) | |
| Paul Donachie | .... | a-camera/steadicam operator (uncredited) | |
| Simon Muir | .... | assistant grip (uncredited) | |
| Adam Walker | .... | electrician (uncredited) | |
Casting Department | |||
| Susie Parriss | .... | casting | |
Costume and Wardrobe Department | |||
| Miranda King | .... | costume supervisor | |
| Gini Lewis | .... | costume assistant | |
| Nadine Powell | .... | assistant costume designer | |
| Diana Wyand | .... | costume assistant | |
Editorial Department | |||
| Simon Giblin | .... | on-line editor | |
| Kevin Horsewood | .... | telecine colourist | |
| Amar Ingreji | .... | assistant editor | |
Music Department | |||
| Richard Hammarton | .... | composer: additional music | |
Transportation Department | |||
| David Grose | .... | transportation captain (uncredited) | |
Other crew | |||
| Kim Armitage | .... | script supervisor | |
| Julie Burnell | .... | production executive | |
| Erin Duffy | .... | production secretary | |
| Faiza Hosenie | .... | production coordinator | |
| Peter Mares | .... | publicist | |
| Ben Newman | .... | script editor | |
| Caroline Russell | .... | production accountant | |
| Joanna Sanders | .... | assistant production accountant | |
| Patrick Smith | .... | publicist | |
| Mark Walledge | .... | assistant location manager | |
| Tracey Waller | .... | title design | |
| Chris White | .... | location manager | |
| Julie Burnham | .... | unit nurse (uncredited) | |
| Kelly Mauchlen | .... | location assistant (uncredited) | |
| Recent Posts (updated daily) | User |
|---|---|
| Filming location? | LadyCaroline |
| Julia McKenzie resembles Mrs. Doubtfire! | theodoreb |
| Don't get it | holger_haase |
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| They Do It with Mirrors | Agatha Christie's Miss Marple: Sleeping Murder | Agatha Christie Marple: The Moving Finger | Love Actually | Imperium: Augustus |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb UK section |
I mean, Helen Hayes and Bette Davis - you're not going to beat it, so why redo it? Julia McKenzie stars as Miss Marple in this version of "They Do it With Mirrors," also starring Brian Cox, Penelope Wilton, and Elliot Cowan.
Ruth Van Rydock (Joan Collins) asks Miss Marple to find out what's going on with her sister Carrie-Louise, as there have been some strange happenings at her home. Carrie Louise has two daughters, Gina, who is adopted, and Mildred, her biological daughter, and she is currently married to her third husband, Lewis Serrocold (Brian Cox). Add this to the fact that Carrie Louise runs a training school for ex-cons on her property, and the place has lots of potential for problems.
Marple goes to stay at the house and learns that a fire destroyed most private papers; then Christian, Carrie Louise's stepson from her first marriage, is killed, and a note is found warning that someone is trying to poison Carrie-Louise. Then someone else is murdered.
The script for this stuck more to the actual story than some of these adapted mysteries do - there are some situations added, but nothing huge. Wilton was a very different Carrie-Louise, younger and rather than being fragile, as Davis was, she's more of an airhead, and her characterization works well. Ian Ogilvy is a visiting ex-husband, and it was nice to see him again as I really liked him on "The Saint." All in all, a good adaptation, and I really like McKenzie's Marple. Joan Collins was wasted in a small role; and she can do a better American accent than what she did here.