Roland Sallinger is an LA cop who after nearly being killed by his greedy partner, and eventually being forced to retire for medical reasons, flees to San Antonio, Texas, after being asked ...
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After serving 6 years for a crime he didn't commit, Shane Daniels is released from jail with an apology from the State of Arizona. Within hours of his freedom, he unluckily bears witness to... See full summary »
A hard core Interpol Agent is assigned to an Eastern European task force to target gun trafficking and dope running throughout the Balkans. While investigating a Russian gun dealer, his ... See full summary »
Matt is an elite ex-cop whose life has gone down hill since he was kicked off the Force. After a rough encounter with a mysterious henchman, Matt is brought face to face with his only ... See full summary »
Renée Elise Goldsberry
A mercenary gets involved in a mission that threatens the lives of his kin. In order to succeed, he must break into one of the most wellguarded prisons in Eastern Europe and free the son of the most notorious drug lord in the world today.
Don E. FauntLeRoy
Roger Guenveur Smith
Roland Sallinger is an LA cop who after nearly being killed by his greedy partner, and eventually being forced to retire for medical reasons, flees to San Antonio, Texas, after being asked to work as a bodyguard for the daughter of a wealthy businessman. The businessman had been a colleague of Sallinger years before, when they were both cops. When mobsters kidnap the businessman's daughter, he hunts them down to rescue her and protect her. Written by
This is the second film in which Liezl Carstens co-starred with Steven Seagal. They first acted together in Urban Justice, in which Carstens played Linda, the wife of Simon Ballister's (Steven Seagal) son. See more »
About halfway through the film, the other characters in the film begin to refer to Seagal's character, Roland Sallinger, as "Roland Ballinger" for no particular reason. See more »
And so Steven Seagal continues his prolific career in straight-to-video product with THE KEEPER, another film completely indistinguishable from the dozens he's made since evacuating our cinema screens back in the 1990s. It's a completely serviceable movie that plays out as a string of action sequences well executed but completely unmemorable; there are scenes of Seagal fighting in hand-to-hand combat with bad guys, disarming bad guys and engaging in shoot-outs with bad guys. The plot is weak and the script limited; essentially, this is one of those action-star-as-bodyguard movies featuring our hero risking his life to save a young woman from the clutches of kidnappers.
The good things? The film is ably directed and the fight sequences short, snappy and well-handled. Seagal is pretty poor, it has to be said, and there's still far too much distraction from his copious use of doubles (not content with a mere body double in the fight sequences, he now employs a hair double for back-of-the-head shots). Thankfully his voice is only dubbed in the opening scene, which is something. The unfamiliar supporting cast is very bland with the notable exception of Liezl Carstens, who I found quite smouldering as the sultry young damsel-in-distress; if ever an actress could pull off the unconvincing romantic scenes involving her and Seagal's character, it would be her.
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