Roland Sallinger is an LA cop who after nearly being killed by his greedy partner, and eventually being forced to retire for medical reasons, flees to San Antonio, Texas, after being asked ... See full summary »
This movie tells the story of a man who goes undercover in a hi-tech prison to find out information to help prosecute those who killed his wife. While there he stumbles onto a plot involving a death-row inmate and his $200 million stash of gold.
Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
An undercover cop infiltrates an underworld subculture of Los Angeles street racers looking to bust a hijacking ring, and soon begins to question his loyalties when his new street racing friends become the prime suspects.
A newbie guard for an armored truck company is coerced by his veteran coworkers to steal a truck containing $42 million. But a wrinkle in their supposedly foolproof plan divides the group, leading to a potentially deadly resolution.
Roland Sallinger is an LA cop who after nearly being killed by his greedy partner, and eventually being forced to retire for medical reasons, flees to San Antonio, Texas, after being asked to work as a bodyguard for the daughter of a wealthy businessman. The businessman had been a colleague of Sallinger years before, when they were both cops. When mobsters kidnap the businessman's daughter, he hunts them down to rescue her and protect her. Written by
This is the second film in which Liezl Carstens co-starred with Steven Seagal. They first acted together in Urban Justice, in which Carstens played Linda, the wife of Simon Ballister's (Steven Seagal) son. See more »
(at around 1 min) Flying Cessna Citation 2 in 180 degree flyby shot is different from jet that lands and is towed into hanger. Different numbers and jet in air has handles with red arrows painted back of cockpit windows and plane on ground doesn't have them. See more »
And so Steven Seagal continues his prolific career in straight-to-video product with THE KEEPER, another film completely indistinguishable from the dozens he's made since evacuating our cinema screens back in the 1990s. It's a completely serviceable movie that plays out as a string of action sequences well executed but completely unmemorable; there are scenes of Seagal fighting in hand-to-hand combat with bad guys, disarming bad guys and engaging in shoot-outs with bad guys. The plot is weak and the script limited; essentially, this is one of those action-star-as-bodyguard movies featuring our hero risking his life to save a young woman from the clutches of kidnappers.
The good things? The film is ably directed and the fight sequences short, snappy and well-handled. Seagal is pretty poor, it has to be said, and there's still far too much distraction from his copious use of doubles (not content with a mere body double in the fight sequences, he now employs a hair double for back-of-the-head shots). Thankfully his voice is only dubbed in the opening scene, which is something. The unfamiliar supporting cast is very bland with the notable exception of Liezl Carstens, who I found quite smouldering as the sultry young damsel-in-distress; if ever an actress could pull off the unconvincing romantic scenes involving her and Seagal's character, it would be her.
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