Roland Sallinger is an LA cop who after nearly being killed by his greedy partner, and eventually being forced to retire for medical reasons, flees to San Antonio, Texas, after being asked ...
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Renée Elise Goldsberry
A mercenary gets involved in a mission that threatens the lives of his kin. In order to succeed, he must break into one of the most wellguarded prisons in Eastern Europe and free the son of the most notorious drug lord in the world today.
Don E. FauntLeRoy
Roger Guenveur Smith
Roland Sallinger is an LA cop who after nearly being killed by his greedy partner, and eventually being forced to retire for medical reasons, flees to San Antonio, Texas, after being asked to work as a bodyguard for the daughter of a wealthy businessman. The businessman had been a colleague of Sallinger years before, when they were both cops. When mobsters kidnap the businessman's daughter, he hunts them down to rescue her and protect her. Written by
This is the second film in which Liezl Carstens co-starred with Steven Seagal. They first acted together in Urban Justice, in which Carstens played Linda, the wife of Simon Ballister's (Steven Seagal) son. See more »
About halfway through the film, the other characters in the film begin to refer to Seagal's character, Roland Sallinger, as "Roland Ballinger" for no particular reason. See more »
As Steven Seagal is no longer in his prime, so is the character he portrays in The Keeper. Some things haven't changed of course, No matter what name he goes by, he is still the same butt kicking rogue he has always portrayed, with the facial expression of a Maori Head.
The plot seems kind of pointless, but then again that is the least of worries in a Seagal film. He is recruited from California to help a wealthy ex-cop and an old friend who lives in Texas, and is in need of a body guard for his daughter. She has been kidnapped by some business rivals. The first question we ask is why, turn to Seagal. Strangely enough, the character asks that very question in one scene. The answer he gets makes little sense.
So this is the first of a few things that needs to be fixed in The Keeper. There is also the matter of Seagal's acting, which was never very good to begin with, but now, at his present age of fifty something, is sounds like he is struggling to even get words out, let alone deliver lines. Unless you have a good speaker system, you may have to turn the volume way up to hear. the climax was okay, but the ending is terrible, almost non existent, another couple minutes would have been nice.
Quite frankly though, I don't care that much. The fact that Seagal can still hold my attention despite the fact that he's losing it, must count for something. I still have many to see, but from those I have, I'd say this is about average, maybe a little less.
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