JW now lives in exile and is more determined than ever to find out what happened to his missing sister Camilla. Every trace leads him to the world of organized crime in Stockholm. Jorge is ... See full summary »
When JW becomes a drug runner in order to maintain his double life, his fate becomes tied to two other men: Jorge, a fugitive on the run from both the Serbian mafia and the police, and mafia enforcer Mrado, who is on the hunt for Jorge.
At first glance, you might think the Johan Falk series was some sort of libertarian fantasy--intrepid lone hero breaks all the petty rules of society to struggle against titanic forces of evil. But of course it's just the opposite--Johan Falk is slick propaganda for the police state.
Why does Johan have to be the lone hero in the first place? Because the powers of law and order are hobbled by all those silly rules of due process and civil liberties, and the only answer (as the stories repeatedly assert) must be a huge increase in the surveillance, regulatory, and policing power of the state. Take that, Ayn Rand! To be sure, the show is extremely well made, with lots of action, fancy houses, and hot actors. And also lots of hokum about the takeover of Europe by criminal forces to justify our only salvation, a total police state. And do NOT even whisper the word "Fascism," or Johan will ridicule you as politically correct eunuch.
I hear this is Dick Cheney's favorite show. He probably watches it on the local state-funded, "liberal" PBS station.
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