| Tim Curry | ... | Himself | |
| Andy Fickman | ... | Himself - Filmmaker | |
| John Landis | ... | Himself - Filmmaker | |
| Jack Lemmon | ... | Himself (archive footage) | |
| Michael Musto | ... | Himself - Columnist, 'The Village Voice' | |
| Camille Paglia | ... | Herself - Prof. of Humanities and Media Studies | |
| RuPaul | ... | Narrator | |
| John Waters | ... | Himself - Filmmaker | |
| Damon Wayans | ... | Himself (archive footage) | |
| Robin Williams | ... | Himself (archive footage) |
Directed by | |||
| Kevin Burns | |||
Writing credits | ||
| Jean-Louis Ginibre | (book) | |
| Kevin Burns | ||
| David Comtois | ||
| Steven Smith | ||
Produced by | |||
| Natalie Artin | .... | associate producer | |
| Kevin Burns | .... | executive producer | |
| Gregory S. Cohan | .... | post-production producer | |
| Jean-Louis Ginibre | .... | associate producer | |
| Scott Hartford | .... | co-executive producer | |
| Rick Hull | .... | producer | |
| John Landis | .... | executive producer | |
| Kim Sheerin | .... | co-executive producer | |
| Gary Simson | .... | producer | |
Film Editing by | |||
| Damon Brewster | |||
| David Comtois | |||
| Bert Glatstein | |||
| Molly Shock | |||
Makeup Department | |||
| Tracy Richards | .... | makeup artist | |
Production Management | |||
| Shannon Schaefer | .... | production manager | |
Sound Department | |||
| Albert Alonso | .... | sound | |
| Jim Baldree | .... | sound mixer | |
| Albert Delgado | .... | sound | |
| Francis Kalfas | .... | sound (as Fran Kalfas) | |
| Dave Losko | .... | sound | |
| Mark Lyons | .... | sound | |
| Sheila O'Neal | .... | sound | |
| Chiara Roy | .... | sound | |
Visual Effects by | |||
| Taka Ikari | .... | title designer | |
Editorial Department | |||
| Justin Bitton | .... | post-production coordinator | |
| Dustin Ebsen | .... | on-line editor | |
| Lonnie Goodwin | .... | assistant editor | |
Other crew | |||
| Steven Belgard | .... | publicist | |
| Bianca Cioffi | .... | clearance coordinator | |
| Matt Cunningham | .... | researcher | |
| Amber Isbilen | .... | production assistant | |
| Brandon Kennedy | .... | researcher | |
| Mary Kochones | .... | director: rights & clearance (as Mary DeMaria) | |
| Joe Lessard | .... | clearance coordinator | |
| Steven J. Peña | .... | business & legal affairs | |
| Amy Prenner | .... | publicist | |
| Atoy Wilson | .... | production accountant | |
| Jonathan Garda | .... | production assistant (uncredited) | |
Thanks | |||
| Mario Marchiaro | .... | special thanks | |
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| Star Wars: The Legacy Revealed | Indiana Jones and the Ultimate Quest | Behind the Planet of the Apes | Star Wars Tech | Look, Up in the Sky! The Amazing Story of Superman |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section |
The only adjective that would fit this movie is ""cute"". This documentary tries to look into the appeal of transvestitism in Hollywood; while it is off to a good start it looses it's way towards the middle and ultimately fails to make a point. One of the major flaws I found was that it favours male-to-female cross-dressers, portraying them almost as ""heroic"" while gender-bending females only wear suits to get closer to power or fulfil a heterosexual male sexual fantasy. I find depressing to think that gender roles remain as strict as ever in the world of gender-bending, or rather in the seemingly tiny minds of the academic critics interviewed. These distinguished people drone on and on about common knowledge and all seem to agree, which makes for pretty bland information. Another issue with this movie is that it associates transvestites with homosexuality and transsexuality without admitting it. Or rather, it never clearly addresses the issue or tries to separate the three categories.. The actors interviewed are interesting but don't really get in depth about their experiences, and all that is left are details about brands of fishnets or high heels.. Tim Curry looks like he'd rather be dead than talk about RHPS again.