Filmmaker Kimberly Reed returns home for her high school reunion, ready to reintroduce herself to the small town as a transgender woman and hoping for reconciliation with her long estranged... See full summary »
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Filmmaker Kimberly Reed returns home for her high school reunion, ready to reintroduce herself to the small town as a transgender woman and hoping for reconciliation with her long estranged adopted brother Marc. Things are complicated by the shocking revelation that Marc may be the grandson of Orson Wells and Rita Hayworth, forcing Kim and her family to explore questions of sexual orientation, identity, severe trauma and love. Written by
Anonymous
This is a magnificent documentary, the sort of film that reminds one why documentaries are made. The maker clearly thinks that she knows the general shape of the film at the beginning - returning to her hometown after transitioning to being a woman, about to see her old high school friends for the first time with her new body and true identity - but instead finds that it's much more about her brother and his ongoing identity crises - who is he, who is he becoming - than about her own questions of place and home. Kim seems to answer for herself the age-old question of whether one can or cannot go home again but finds that the question is being raised over and over again for the people around her who face their own issues of loved ones lost and gained.
This film avoids any sense of predictability or forced sentiment, continually surprising the viewer and rewarding attention to detail, both by the audience and the makers. Absolutely magnificent. It will surprise from beginning to end.
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This is a magnificent documentary, the sort of film that reminds one why documentaries are made. The maker clearly thinks that she knows the general shape of the film at the beginning - returning to her hometown after transitioning to being a woman, about to see her old high school friends for the first time with her new body and true identity - but instead finds that it's much more about her brother and his ongoing identity crises - who is he, who is he becoming - than about her own questions of place and home. Kim seems to answer for herself the age-old question of whether one can or cannot go home again but finds that the question is being raised over and over again for the people around her who face their own issues of loved ones lost and gained.
This film avoids any sense of predictability or forced sentiment, continually surprising the viewer and rewarding attention to detail, both by the audience and the makers. Absolutely magnificent. It will surprise from beginning to end.