A teenage girl living in California suburbia devises a metaphysical experiment designed to save the world from what she sees as an impending doom...but the results of such an experiment prove to be both beneficial and destructive.
A dark comedy which chronicles the final day in the life of self-proclaimed artist and genius, K. Roth Binew. Binew is a dreamer who elevates his drab and somewhat pitiful existence into a ... See full summary »
A Secret Service agent is framed as the mole in an assassination attempt on the President. He must clear his name and foil another assassination attempt while on the run from a Secret Service Protective Intelligence Division agent.
A Stanford law-school dropout named Jillian escapes to the anonymity of Los Angeles to figure out what she wants to do with her life, and on the day of her college boyfriend's birthday, she... See full summary »
When the daughter of a psychiatrist is kidnapped, he's horrified to discover that the abductors' demand is that he break through to a post traumatic stress disorder suffering young woman who knows a secret...
Ben Kalman is aging: he has heart problems, his marriage is over, he's lost a fortune after being caught cutting corners in his East Coast car business, and he's sleeping with as many women as possible - the younger the better. He's chosen his current girlfriend, Jordan, because her father can help him get a new auto dealership; she's asked him to escort her daughter, Allyson, 18, on a visit to a Boston college campus. He behaves badly, and there are consequences to his love life, his finances, and his relationship with his daughter and grandson. Is there anywhere he can turn? Written by
This film shares its title with a Neil Diamond song sung by Johnny Cash at the beginning of the film. Johnny Cash was known as "the man in black" due to his propensity for wearing all black. Michael Douglas' character spends most of the film wearing black clothing and only occasionally wears anything except black. See more »
When my father gave me this place years ago, I used to dream about these girls. Every night, dreams, all kinds of dreams about 'em. But then I'd see them coming back after graduation. They'd come to homecomings, ballgames. They'd sit at the same tables, eat the same food. And I'd look at them and I noticed, they don't stay like this. None of 'em. They put on years and pounds and wrinkles. And I got one like that at home. So. And we can talk to each other. I know her and I'll always know her.
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A creepy character drags us through his own disintegration
This movie is unlike any you are likely to see this year or the next few years. It seems somewhat like a French or Euro remake in that the story revolves around a man who "flaunts convention" and sleeps with any young woman who pleases him, even though his family (ex-wife, adult offspring) are well aware of his bedroom adventures and taunt him about his behavior.
His current girlfriend, who apparently knows something of and tolerates his loose standards, presses him to go with her daughter to a college admission interview over a weekend out of town. When he seduces the daughter, it is a shocking turn of events that marks this film as strikingly different. When she reveals the blatant transgression, the shocks continue. (Am I in Paris here?) So much for the first third or so of the film, which really amounts to the set-up. Disaster follows Michael Douglas' character around like a bad haircut. His chance for a comeback in business, and life, is squashed by the influential relations of his now ex-girlfriend and he descends farther into a world only he would want to inhabit.
With a more traditional storyline, this is where he would either become some sort of psycho killer or pull himself up and out to rebuild his life. Nothing doing here. There is a lot more down and self degradation to follow. He's on a mission.
I was wondering what could trigger not just a moral collapse, but that of a human being who, were are told, was one day the toast of the business world in New York and made so many millions that he had a college library named after him. You see, Ben Kalman, the main character, behaves like someone with no moral backbone at all, someone who either knows no limits or is bent on self destruction.
Fearing that the audience couldn't figure this thing out for themselves, the movie serves an explanation up complete, as if Ben Kalman, victim of himself, could somehow suddenly understand why he was doing what he was doing and consider the idea of change. All too pat, and not believable to boot. We are made to, forced to, care about a deeply flawed character and given an explanation that just doesn't hold water. If he were capable of this level of creepiness, it seems very unlikely that he would have risen to such heights and been loved and adored by so many. Obviously, there must have been some deep character flaw in him all along, but we have no idea what it might have been.
Otherwise decent people do, every day, go off the deep end. Some people commit acts of unkindness, even violence, for which friends and family can never forgive. How can one bit of unfortunate news about possible health problems send a man so far away from his grounding on planet earth and cause him to ruin everything in his life? I don't know, which is one reason, although this is a startlingly original movie with good to great acting all around, that I ultimately don't care about it and wish I could forget it.
There was one truly wise scene with DeVito discussing why he never chases young women that was almost worth the price of admission.
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