Director Josh Tickell takes us along for his 11 year journey around the world to find solutions to America's addiction to oil. A shrinking economy, a failing auto industry, rampant ... See full summary »
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Director Josh Tickell takes us along for his 11 year journey around the world to find solutions to America's addiction to oil. A shrinking economy, a failing auto industry, rampant unemployment, an out-of-control national debt, and an insatiable demand for energy weigh heavily on all of us. Fuel shows us the way out of the mess we're in by explaining how to replace every drop of oil we now use, while creating green jobs and keeping our money here at home. The film never dwells on the negative, but instead shows us the easy solutions already within our reach. Written by
Rebecca Harrell
Fuel weaves a web of connection between US energy/petrol policy and the environmental and foreign policies that ensue from petrol dependence. Without being preachy, the narrator spins a yarn that takes him from the happy-go-lucky days of an Australian childhood to the US where he begins to mature in his views about energy and the most effective means to make a difference.
The film is stuffed with celebrities, the obligatory genuflection to a star-struck culture that can't imagine much if Cher, Willie Nelson, or Bono aren't hyping it. This aside, probably the most important aspect of the narrator's tale is how he realized that he wasn't going to get squat done if he didn't begin to work collectively. This is the most powerful message of his film. The last third of the move details all of the energy solutions afoot right now, which can be implemented with the right pressure on Congress. It's inspiring folks.
There only seemed to be one glaring error. This has to do with his calculus regarding the use of ethanol. I would suggest everyone read Alcohol Can Be a Gas for a more intelligent discussion on ethanol. The other bone to pick is the matter of environmental racism. Americans are likely more predisposed to any card but the infamous race card. The rebound effects for his own mother, however, demonstrate that good old saying by the big J himself, "That which you do to the Least of my brothers, that's what you do onto me."
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Fuel weaves a web of connection between US energy/petrol policy and the environmental and foreign policies that ensue from petrol dependence. Without being preachy, the narrator spins a yarn that takes him from the happy-go-lucky days of an Australian childhood to the US where he begins to mature in his views about energy and the most effective means to make a difference.
The film is stuffed with celebrities, the obligatory genuflection to a star-struck culture that can't imagine much if Cher, Willie Nelson, or Bono aren't hyping it. This aside, probably the most important aspect of the narrator's tale is how he realized that he wasn't going to get squat done if he didn't begin to work collectively. This is the most powerful message of his film. The last third of the move details all of the energy solutions afoot right now, which can be implemented with the right pressure on Congress. It's inspiring folks.
There only seemed to be one glaring error. This has to do with his calculus regarding the use of ethanol. I would suggest everyone read Alcohol Can Be a Gas for a more intelligent discussion on ethanol. The other bone to pick is the matter of environmental racism. Americans are likely more predisposed to any card but the infamous race card. The rebound effects for his own mother, however, demonstrate that good old saying by the big J himself, "That which you do to the Least of my brothers, that's what you do onto me."