Iconic writer, director, actor, comedian and musician Woody Allen allowed his life and creative process to be documented on-camera for the first time. With this unprecedented access, ... See full summary »
A feature documentary on African American ballerina Misty Copeland that examines her prodigious rise, her potentially career ending injury alongside themes of race and body image in the elite ballet world.
This documentary focuses on the role of the casting director in movie making and particularly on Marion Dougherty. She began work in the late 1940s sending up and coming young actors to be cast in the then new medium of television. It wasn't until the 1970s that the contribution on casting directors was recognized in film credits and even today there is no Oscar awarded for that role in filmmaking. Written by
Director Tom Donahue interviewed over 240 people for the film, but only 57 interviews made it into the movie. Sending emails to those who did not make the cut was a heartbreaking experience. See more »
No casting couch nonsense here...unsung heroes of TV and cinema get their due
Casting actors and actresses for movies and television shows would seem to be a thankless job, until one realizes that without the proper person in a role, the whole project might seem ill-conceived. East coast casting agent Marion Dougherty and her west coast counterpart, Lynn Stalmaster are the two principles spotlighted here, paving the way for their associates and colleagues to get the recognition they deserve for working with filmmakers in making the best casting choices possible. Despite a terrible early performance on TV's "Naked City", Dougherty took another chance on actor Jon Voight in 1968, sending him to meet with director John Schlesinger for "Midnight Cowboy"; Schlesinger and Jerome Hellman tested Voight but really wanted Michael Sarrazin for the part of Joe Buck, who wasn't available, causing Dougherty to actually push for Voight--as an agent might. This documentary from Tom Donahue includes some surprise commentators and lots of film clips. I would have liked to see more examples of movies in which the casting was off, but Donahue and his subjects are too polite to embarrass anyone. The intention is to shed light on an unsung profession and how it affects the show business world, and this is accomplished with great style. *** from ****
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