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Behind the Candelabra (2013)

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A chronicle of the tempestuous six year romance between megastar singer, Liberace, and his young lover, Scott Thorson.

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(screenplay), (book) | 1 more credit »
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1,070 ( 299)
Won 2 Golden Globes. Another 41 wins & 48 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Lou
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Assistant Director
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Director
Tom Roach ...
Stunt Actor
Shamus Cooley ...
Camera Assistant
John Smutny ...
Sound Mixer
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Rose Carracappa
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Joe Carracappa
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George Liberace
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Dora Liberace
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Storyline

Scott Thorson, a young bisexual man raised in foster homes, is introduced to flamboyant entertainment giant Liberace and quickly finds himself in a romantic relationship with the legendary pianist. Swaddled in wealth and excess, Scott and Liberace have a long affair, one that eventually Scott begins to find suffocating. Kept away from the outside world by the flashily effeminate yet deeply closeted Liberace, and submitting to extreme makeovers and even plastic surgery at the behest of his lover, Scott eventually rebels. When Liberace finds himself a new lover, Scott is tossed on the street. He then seeks legal redress for what he feels he has lost. But throughout, the bond between the young man and the star never completely tears. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Plot Synopsis

Taglines:

"Too much of a good thing is wonderful"


Certificate:

TV-MA | See all certifications »

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Details

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Release Date:

7 June 2013 (UK)  »

Also Known As:

Liberace  »

Filming Locations:

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Box Office

Budget:

$23,000,000 (estimated)
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Company Credits

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Technical Specs

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Aspect Ratio:

1.78 : 1
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Did You Know?

Trivia

Steven Soderbergh is particularly famous for his fast rhythm shooting and editing, with ideas clearly conceived beforehand and no running over schedule. According to Matt Damon, filming was completed on a Friday and Soderbergh had edited a first cut by the following Monday. See more »

Goofs

In the shopping montage set in 1977 a California license plate with a 1AAA111 format is shown. California did not use this format until 1980. See more »

Quotes

Liberace: All of a sudden we're sounding like a gay Lucy and Ricky. "Oh, Ricky, you wouldn't fuck me up the ass if you loved me!"
Scott Thorson: Why am I the Lucy?
Liberace: Because I'm the bandleader with the nightclub act.
See more »

Connections

Features The 54th Annual Academy Awards (1982) See more »

Soundtracks

It's Beginning to Look Like Christmas
Written by Meredith Willson
Performed by Johnny Mathis
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
See more »

Frequently Asked Questions

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User Reviews

 
A triumph
11 June 2013 | by (london uk) – See all my reviews

This is a first-rate piece of work by Mr Soderbergh and his team (kudos to Ellen Mirojnick's flamboyant costumes and Howard Cummings' outrageous interiors). The otherwise excellent screenplay by Richard LaGravanese loses a little steam around two-thirds of the way through, but recovers to give a genuinely touching conclusion.

Nominally this is a biopic. In fact, it uses the biopic format to examine a particular relationship in depth. The narrative focus is on the dynamic between two people rather than the inner turmoil of one. This, as well as the director's good taste, has kept at bay the sprawling pretentiousness and sentimentality which usually infest the genre, regardless of how good the central performances are: films as diverse as LA VIE EN ROSE and MILK have been scuppered in this way. Not so BEHIND THE CANDELABRA, which is an altogether more sophisticated affair.

The acting is dazzling. Michael Douglas, in a beautifully-written role, communicates the complexity of a real human being, not just a two-dimensional celebrity. At the same time, he gives full value to Liberace's famous showmanship. A star performance, sure - the subject demands it - but also much, much more.

Matt Damon is a revelation. For me, up till now, he has represented the worst kind of dead-behind-the-eyes, don't-dare-express-anything movie acting. The nearest I came to thinking any different was his turn as the scout in the Coen Brothers' remake of TRUE GRIT. In BEHIND THE CANDELABRA he displays a range I never thought he had in him. The character moves from naivety through rage to despair and on to quiet understanding. Really, really terrific.

The two leads create a totally believable relationship between their characters, in all its aspects. A triumph.

The icing on the cake is the supporting cast, led by Dan Aykroyd and Scott Bakula, and spangled with cameos from Rob Lowe, Debbie Reynolds, Bruce Ramsay, Cheyenne Jackson and Paul Reiser.

Here in England we're fortunate to see this film on big screens. As is well known, it was financed by a TV company (HBO) and will not be released theatrically in the USA. That tells a sad story about the American movie industry, from which an independent-minded artist like Mr Soderbergh is wise to walk away.


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