Behind the Candelabra (2013)

TV Movie  |  TV-MA  |   |  Biography, Drama, Romance  |  7 June 2013 (UK)
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Ratings: 7.0/10 from 30,411 users  
Reviews: 151 user | 252 critic

Based on the autobiographical novel, the tempestuous 6-year relationship between Liberace and his (much younger) lover, Scott Thorson, is recounted.



(screenplay), (book), 1 more credit »
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Won 2 Golden Globes. Another 38 wins & 44 nominations. See more awards »



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Cast overview, first billed only:
Bob Black
Assistant Director
Tom Roach ...
Stunt Actor
Shamus Cooley ...
Camera Assistant
John Smutny ...
Sound Mixer
Rose Carracappa
Joe Carracappa
George Liberace
Dora Liberace
Billy Leatherwood


Scott Thorson, a young bisexual man raised in foster homes, is introduced to flamboyant entertainment giant Liberace and quickly finds himself in a romantic relationship with the legendary pianist. Swaddled in wealth and excess, Scott and Liberace have a long affair, one that eventually Scott begins to find suffocating. Kept away from the outside world by the flashily effeminate yet deeply closeted Liberace, and submitting to extreme makeovers and even plastic surgery at the behest of his lover, Scott eventually rebels. When Liberace finds himself a new lover, Scott is tossed on the street. He then seeks legal redress for what he feels he has lost. But throughout, the bond between the young man and the star never completely tears. Written by Jim Beaver <>

Plot Summary | Plot Synopsis


"Too much of a good thing is wonderful"


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Parents Guide:





Release Date:

7 June 2013 (UK)  »

Also Known As:

Liberace  »

Filming Locations:


Company Credits

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Technical Specs


Sound Mix:

Aspect Ratio:

1.78 : 1
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Did You Know?


The New York Times obituary for composer Marvin Hamlisch, who died on August 6, 2012, said that before his death he had already completed the score for this film (which didn't air until nearly a year after his death). The movie is dedicated to Hamlisch. See more »


The tailor uses the wrong end of the tape to measure Scott's waist during the montage where Liberace takes him shopping for a suit. See more »


Liberace: I don't want to see you depressed. When you have a sad face, I get sad.
See more »


Referenced in Chelsea Lately: Episode #7.89 (2013) See more »


Sincerely Yours
Written by Liberace and Paul Francis Webster
Piano Performed by Randy Kerber
See more »

Frequently Asked Questions

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User Reviews

Finally a film that suits Soderbergh's voyeuristic and clinical style.
11 September 2013 | by (Suffolk, England) – See all my reviews

It's starting to look like 2013 is Soderbergh's year. Side Effects and Behind The Candelabra seem to be my favourite of his career so far, though that's only relatively, as I'm not a big fan of him. I do have Out Of Sight on my to see list coming up soon and I do need to give Traffic another watch before I make any final assessment on him. Although Soderbergh is frequently the director, cinematography and editor on his projects, he may be efficient but he's far too clinical, pushing the audience as an observer that it's difficult to feel emotionally involved in his films. I can't get excited for his half-baked premises that most likely haven't been fulfilled to their potential. However, Behind The Candelabra may be the first film I've seen of his that suits his style ideally. His style is still distant and voyeuristic, but in this bizarre world where Liberace adopts his lover for a son and pays for plastic surgery to make him look like himself, it feels more deliberate to keep us at a distance.

Instead, the scenes of dramatic conflict, decision and choice are played off for jokes and it's really effective, always earning belly laughs with its brilliant one-liners without feeling like it's silly. Perhaps its nervous laughter but it makes for an entertaining and interesting film. Michael Douglas is terrific as Liberace. I've never seen him take a character on like this. He's nearly up there with Sean Penn's Milk. It feels like it's been a while since Matt Damon has been in films I've wanted to watch and with this and Elysium, I've forgotten how reliable a lead he is. The characters inhabit a flashy world, but its kept on the costumes and sets which are incidental more than anything and the style of the film is kept subtle, besides a great choice of swooping cameras. It does have its flaws with nearly soap opera-esque structure and conflict but my expectations were very low so this is a pleasant surprise. I think I even prefer it to Side Effects.


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