Scott Thorson, a young bisexual man raised in foster homes, is introduced to flamboyant entertainment giant Liberace and quickly finds himself in a romantic relationship with the legendary pianist. Swaddled in wealth and excess, Scott and Liberace have a long affair, one that eventually Scott begins to find suffocating. Kept away from the outside world by the flashily effeminate yet deeply closeted Liberace, and submitting to extreme makeovers and even plastic surgery at the behest of his lover, Scott eventually rebels. When Liberace finds himself a new lover, Scott is tossed on the street. He then seeks legal redress for what he feels he has lost. But throughout, the bond between the young man and the star never completely tears. Written by
Jim Beaver <firstname.lastname@example.org>
The tailor uses the wrong end of the tape to measure Scott's waist during the montage where Liberace takes him shopping for a suit. See more »
[Final love song]
Why do I love you? I love you not only for what you are, But for what I am when I'm with you I love you not only for what you have made of yourself, But for what you are making of me. I love you for ignoring the possibilities of the fool in me, And for accepting the possibilities of the good in me. Why do I love you? I love you for closing your eyes to the discords in me, And for adding to the music in me by worshipful listening. I love you for helping me to construct of my ...
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For a film about a gay relationship - I had my doubts when I discovered the two male leads were to be played by straight men, but I couldn't be more convinced by their on-screen personas.
The kitch was eye-wateringly OTT, Douglas superbly needy yet controlling and Damon sucked into the whole charade. Rob Lowe's performance had me recoiling with his creepiness/plastic surgery face and it couldn't be farther from his more mainstream performances. For a role that appeared for only a few minutes - it stuck with me long after the film was over.
All in all, a very solid biopic film that unfortunately won't be Oscared as its been shown as TV movie in the USA. A great shame - Douglas and Damon deserve nominations - their *chemistry* is totally believable.
Final point - either Douglas is a superb pianist or the CGI of his hands on the keyboard is first rate!
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