Scott Thorson, a young bisexual man raised in foster homes, is introduced to flamboyant entertainment giant Liberace and quickly finds himself in a romantic relationship with the legendary pianist. Swaddled in wealth and excess, Scott and Liberace have a long affair, one that eventually Scott begins to find suffocating. Kept away from the outside world by the flashily effeminate yet deeply closeted Liberace, and submitting to extreme makeovers and even plastic surgery at the behest of his lover, Scott eventually rebels. When Liberace finds himself a new lover, Scott is tossed on the street. He then seeks legal redress for what he feels he has lost. But throughout, the bond between the young man and the star never completely tears. Written by
Jim Beaver <email@example.com>
According to an interview with Michael Douglas at the Television Critics Association Winter Press Tour, Debbie Reynolds, who plays Liberace's mother in this film, was personally acquainted with the real Liberace and appeared as a guest on his variety show. Douglas also said that when he was younger, his father, Kirk Douglas, had a Palm Springs home down the street from one of Liberace's homes, and although Michael Douglas never met Liberace, he did occasionally see him in the neighborhood. See more »
At the funeral Mass at the film's end, the congregation's response to the priest's opening liturgical greeting "The Lord be with You" is .."and with your spirit". This is a well known change made recently. The funeral takes place in 1987 where the liturgical response would still have been, "And also with you." See more »
All of a sudden we're sounding like a gay Lucy and Ricky. "Oh, Ricky, you wouldn't fuck me up the ass if you loved me!"
Why am I the Lucy?
Because I'm the bandleader with the nightclub act.
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For a film about a gay relationship - I had my doubts when I discovered the two male leads were to be played by straight men, but I couldn't be more convinced by their on-screen personas.
The kitch was eye-wateringly OTT, Douglas superbly needy yet controlling and Damon sucked into the whole charade. Rob Lowe's performance had me recoiling with his creepiness/plastic surgery face and it couldn't be farther from his more mainstream performances. For a role that appeared for only a few minutes - it stuck with me long after the film was over.
All in all, a very solid biopic film that unfortunately won't be Oscared as its been shown as TV movie in the USA. A great shame - Douglas and Damon deserve nominations - their *chemistry* is totally believable.
Final point - either Douglas is a superb pianist or the CGI of his hands on the keyboard is first rate!
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