Umay is a young woman of Turkish descent, fighting for an independent and self-determined life in Germany against the resistance of her family. Her struggle initiates a dynamic, which results in a life-threatening situation.
In 'Gegen die Wand' Cahit, a 40-something male from Mersin in Turkey has removed everything Turkish from his life. He has become an alcoholic drug addict and at the start of the movie wants... See full summary »
What a Man: The young teacher Alex is abandoned by his girlfriend Caroline and therefore begins a journey in search of himself. But how he overcomes the pitfalls out there for a modern man? And what is it that makes a man a man?
In Hamburg, Ibrahim "Ibo" Secmez, of Turkish descent, wants to direct the first German kung-fu movie. For now, he makes commercials for his uncle's kebab restaurant. Titzie, an aspiring ... See full summary »
Jesper is a soldier in the German army. Although his brother was killed whilst serving in Afghanistan, he nevertheless reports for a new tour of duty in this war zone. He and his unit are ... See full summary »
September 1980. Mustafa 'Mehmet Ali Alabora' and his wife, who're both laborers are married for 5 years. The couple has nothing to do with politics and spend their days happily with their 3... See full summary »
Memet Ali Alabora,
When their ship is sunk in the first world war, in the Indian ocean, 50 men have to cross infinite stretches of sea and desert, avoid enemies, find allies and finally make it home to Germany. A breathtaking real-live odyssey.
German-born Umay flees her oppressive marriage in Istanbul, taking her young son Cem with her. She hopes to find a better life with her family in Berlin, but her unexpected arrival creates intense conflict. Her family is trapped in their conventions, torn between their love for her and the traditional values of their community. Ultimately they decide to return Cem to his father in Turkey. To keep her son, Umay is forced to move again. She finds the inner strength to build a new life for herself and Cem, but her need for her family's love drives her to a series of ill-fated attempts at reconciliation. What Umay doesn't realize is just how deep the wounds have gone and how dangerous her struggle for self-determination has become... Written by
Independent Artists Filmproduktion
Reserving judgement since I don't know how true-to-life the movie is
This kind of story is only really interesting if it is true to life. I don't know what the day to day texture of life tends to be like for Turks in Germany -- I don't even know if the characters are ethnic Turks or Kurds -- so I have to trust the movie. But I don't know whether I should. Yes, the outlines of the plot come from a true story. I can forgive the movie for ignoring that Germany and Turkey have both signed the Hague Abduction Convention, which would allow the father to get his son back. Yes, many parts of the Muslim world share the sense that honor is tied to being able to control one's women, and honor killings happen. Yes, some children in a family may acculturate differently than others. And, yes, it was nuanced. But that does not necessarily mean that the nuances are there in life rather than only in the director's head. Ingmar Bergman comes to mind, and Amos Gitai (some of whose movies I somehow forced myself to watch all the way through). My suspicions were also raised by When We Leave's contemplative quiet, which is common in this kind of art movie but not in real life. But, let me re-emphasize, I don't really know that the picture is a fantasy, I only suspect.
0 of 1 people found this review helpful.
Was this review helpful to you?