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Poetry (2010)
"Shi" (original title)

 -  Drama  -  11 February 2011 (USA)
7.8
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Ratings: 7.8/10 from 5,818 users   Metascore: 89/100
Reviews: 32 user | 138 critic | 19 from Metacritic.com

A sixty-something woman, faced with the discovery of a heinous family crime and in the early stages of Alzheimer's disease, finds strength and purpose when she enrolls in a poetry class.

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Title: Poetry (2010)

Poetry (2010) on IMDb 7.8/10

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Cast

Credited cast:
...
Mija
...
Jongwook
Hira Kim ...
M. Kang
Nae-sang Ahn ...
Kibum's father
Myeong-shin Park ...
Heejin's mother
Rest of cast listed alphabetically:
Yong-taek Kim
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Storyline

A sixty-something woman, faced with the discovery of a heinous family crime and in the early stages of Alzheimer's disease, finds strength and purpose when she enrolls in a poetry class.

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

Release Date:

11 February 2011 (USA)  »

Also Known As:

Poetry  »

Box Office

Budget:

KRW 1,300,000,000 (estimated)

Opening Weekend:

$18,900 (USA) (11 February 2011)

Gross:

$355,044 (USA) (12 August 2011)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

|

Color:

Aspect Ratio:

1.85 : 1
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Connections

Featured in Ebert Presents: At the Movies: Episode #1.21 (2011) See more »

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User Reviews

 
Ambitious Yet Subtle
31 March 2011 | by (United States) – See all my reviews

Excellent film that fits in with familiar themes for the director, concerning an individual largely overwhelmed by changing cultural values and socioeconomic demands - yet acting quietly but with clear intent to create a meaningful space. Yun Jeong-hie, emerging from retirement for this role, is stately by means of presenting an understated and seemingly unremarkable facade. Never pandering, and only expressing specific emotions in credible forms for the character.

Poet Kim Yong-taek serves a sort of explicatory role without the usually awful trappings, spurring and drawing out Mi-ja's motivations and internal struggle in a logical context of poetry without pretense or contrivance. Her natural capacity for empathy and the difficulty of maintaining that perspective in a world of deeply cynical pragmatists provides deeply personal conflict, and it is much more meaningful for that ambitious subtlety.


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