| Photos (See all 25 | slideshow) | Videos (see all 15) |
| LeBron James | ... | Himself | |
| Dru Joyce | ... | Himself | |
| Romeo Travis | ... | Himself | |
| Sian Cotton | ... | Himself | |
| Willie McGee | ... | Himself |
Directed by | |||
| Kristopher Belman | |||
Writing credits(in alphabetical order) | ||
| Kristopher Belman | written by | |
| Brad Hogan | written by | |
Produced by | |||
| Scott Balcerek | .... | associate producer | |
| Kristopher Belman | .... | producer | |
| Maverick Carter | .... | executive producer | |
| Stephanie DeNatale | .... | co-producer | |
| Jimmy Iovine | .... | executive producer | |
| LeBron James | .... | executive producer | |
| Brian Joe | .... | co-producer | |
| Kevin Mann | .... | producer | |
| Harvey Mason Jr. | .... | producer | |
| Matthew Perniciaro | .... | producer | |
Original Music by | |||
| Harvey Mason Jr. | |||
Cinematography by | |||
| Kristopher Belman | |||
| Johnny Ching | |||
| Travis Cook | |||
| Dabling Harward | |||
| Brian Joe | |||
| Chris Lytwyn | |||
| Humberto Ramirez Jr. | |||
Film Editing by | |||
| Scott Balcerek | |||
Production Management | |||
| Graham Stumpf | .... | post-production supervisor | |
Sound Department | |||
| Brad Brock | .... | foley mixer | |
| Mark Camperell | .... | production sound consultant | |
| Michael Ferdie | .... | sound editor | |
| Terry Garcia | .... | assistant sound editor | |
| Tiffany S. Griffith | .... | adr editor | |
| Tiffany S. Griffith | .... | dialogue editor | |
| Gary A. Hecker | .... | foley artist | |
| Scott Hecker | .... | supervising sound editor | |
| Chris Jenkins | .... | sound re-recording mixer | |
| Micah Jenkins | .... | boom operator | |
| Bill Meadows | .... | sound recordist | |
| Frank A. Montaño | .... | sound re-recording mixer | |
| Brad North | .... | adr editor | |
| Jay Petach | .... | sound recordist: Cincinnati | |
| Derek Pippert | .... | foley editor | |
| Chauncey Taylor | .... | sound mixer | |
| Joel Trent | .... | sound mixer | |
Visual Effects by | |||
| Christine Carr | .... | visual effects supervisor | |
| Michael Carter | .... | flame artist | |
| Stefan Nadelman | .... | visual effects supervisor | |
| Blake Taylor | .... | compositor | |
Camera and Electrical Department | |||
| Harris Charalambous | .... | additional cinematographer | |
| Andrew Dutton | .... | digital technician | |
| Dabling Harward | .... | camera operator | |
| John Lange | .... | additional cinematographer | |
| Daniel Madsen | .... | assistant camera | |
| Donnie Schneider | .... | key grip | |
Editorial Department | |||
| Gilbert Carreras | .... | color timer | |
| Tom Moser | .... | assistant editor | |
Music Department | |||
| Matt Franko | .... | music preparation | |
| Brad Haehnel | .... | additional score mixer | |
| Dabling Harward | .... | music editor | |
| Paul S. Henning | .... | musician: violin | |
| Matt Lewkowicz | .... | synth programming | |
| Abraham Libbos | .... | orchestrator | |
| Deborah Lurie | .... | composer: additional music | |
| Victor Pesavento | .... | music preparation | |
| Peter Rotter | .... | orchestra contractor | |
| Jason Ruder | .... | music editor | |
| Lee Scott | .... | music editor | |
| Steven L. Smith | .... | music preparation | |
| Derek Somaru | .... | music editor | |
Other crew | |||
| Noor Ahmed | .... | production legal | |
| Glenn D. Feig | .... | production counsel | |
| Matt Woodall | .... | post production coordinator | |
Thanks | |||
| Eytan Elbaz | .... | special thanks | |
|
|
|
|
|
| Hoop Dreams | Fathers of the Sport | Through the Fire | American Teen | My Life: The Fate of a Phenom |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
To be honest, one of the best documentaries I've ever seen. A truly feel good movie. I'd heard about Lebron James, but never really knew much about him. Then my son and me watched the movie. To say it was inspiring (especially for the little guy) would be a gross understatement. The best part of the movie was finding out that Lebron became who he is today, because of a small group of people that became his extended family. As a parent, and a fellow human being, its hard not to have tears well up at the end of this one, because we all want to be loved. They all found that love - in each other. The side effect was an amazing basketball story.