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In Nepal, a venerable monk, Geshe Lama Konchog, dies and one of his disciples, a youthful monk named Tenzin Zopa, searches for his master's reincarnation. The film follows his search to the Tsum Valley where he finds a young boy of the right age who uncannily responds to Konchog's possessions. Is this the reincarnation of the master? After the boy passes several tests, Tenzin takes him to meet the Dalai Lama. Will the parents agree to let the boy go to the monastery, and, if so, how will the child respond? Central to the film is the relationship the child develops with Tenzin. Written by
A young monk was given the sacred task of finding The One - the reincarnated child of his master who recently passed away. It proved almost too confusing and stressful for him: "Because I never planned for my life, you see. Everything was planned by Geshe-la: You are going to do this, you'll do that. So I always say 'yes', just follow, and I didn't think at all about what is going to happen next." Yet he came through, following the signs, guidance from older monks and his instincts.
An interesting character study indeed, of a simple, obedient youth who came from a humble village at the poorest corner of Earth, grew up in a convent, ended up shaping a world event through sheer devotion of religious faith. This is no laughing matter - this zealous personality actually believes everything he dreamed and imagined as the godly truth.
One interesting scene that's perhaps the most revealing moment of the film, is when this monk after hours of meditation, appeared spiritually enchanted by the harmonious nature, told the camera: "Everybody would dance, every nature, tree would dance... Such as this flower, so beautiful, happy and free." He unplugged the flower from the back of his ear and started mimicking dancing movement, then suddenly realized the flower would live no longer... so he said: "But sorry anyway, I... I took permission from the tree."
It is not hard to imagine what would become of that adorable, bright, innocent little "unmistaken" child. Any amusement I might have felt earlier was completely overshadowed by sadness and grief, after watching the 2nd half of this extremely objective and unflinchingly passive documentary.
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