| Layton Matthews | ... | Morbius | |
| Chad Grimes | ... | Travis | |
| Santiago Craig | ... | Hagen | |
| Zelieann Rivera | ... | Elizabeth | |
| Cole Braxton | ... | Little Boy | |
| Zach Cumer | ... | Thomas | |
| Crow Garrett | ... | Connor | |
| rest of cast listed alphabetically: | |||
| Judy Ben-Asher | ... | Girlfriend / Mr. Skinny (voice) | |
| Frederick Edwards | ... | Bar Love Interest | |
| John Eslinger | ... | Smithson | |
| Sarah Finn | ... | Bar Patron | |
| Nathan Ginn | ... | Mr. Skinny | |
| Mira Hull | ... | Bar Patron | |
| Stephanie Joyce | ... | Red Room Woman | |
| Tyane Langford | ... | Bar Patron | |
| Mark Maltzer | ... | Lawyer | |
| Taylor Newcomer | ... | Juliet | |
| Terry Spector | ... | Boyfriend | |
| Tony Yeatropoulos | ... | Demon (voice) | |
Directed by | |||
| Pearry Reginald Teo | (as Pearry Teo) | ||
Writing credits(in alphabetical order) | ||
| Stephanie Joyce | screenplay | |
| Pearry Reginald Teo | story (as Pearry Teo) | |
Produced by | |||
| Shannon Banal | .... | co-producer | |
| Ehud Bleiberg | .... | executive producer | |
| Keith Collea | .... | line producer | |
| Nicholas Donnermeyer | .... | co-producer | |
| John Eslinger | .... | executive producer | |
| Stephanie Joyce | .... | producer | |
| Roman Kopelevich | .... | executive producer | |
| Mark Maltzer | .... | executive producer | |
| Glen Tackett | .... | executive producer | |
| Will Turner | .... | behind the scenes producer | |
Original Music by | |||
| Timothy Andrew Edwards | |||
Cinematography by | |||
| Darin Meyer | |||
Film Editing by | |||
| Damian Drago | |||
Production Design by | |||
| Clifton Dance | |||
Art Direction by | |||
| Catherine Joyce | |||
Makeup Department | |||
| Quin Davis | .... | special makeup effects artist | |
| Kate Dixson | .... | key makeup artist (as Kate Dixon) | |
| Heather Levitt | .... | hair stylist | |
| Alyssa Rosner | .... | key hair stylist | |
| Cassandra Sparrold | .... | assistant makeup artist | |
Production Management | |||
| Theresa Algots | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Annelle Lynne | .... | second assistant director | |
Sound Department | |||
| Arturo Carrillo | .... | sound effects editor | |
| Michael C. Clark | .... | sound mixer | |
| Miriam Cole | .... | audio post coordinator | |
| Leobardo Ledon | .... | adr recordist | |
| Leobardo Ledon | .... | foley recordist | |
| Michael Mcdonald | .... | sound re-recording mixer | |
| Michael Mcdonald | .... | supervising sound editor | |
| Sam Polito | .... | lead audio | |
| G.W. Pope III | .... | sound designer | |
| Jason Price | .... | boom operator | |
| John W. Rampey | .... | sound editor | |
| Todd Smith | .... | dialogue editor | |
| Alex Ullrich | .... | foley artist | |
| Michael Woodward | .... | sound effects editor | |
Special Effects by | |||
| Jason Collins | .... | special makeup effects designer: Autonomous F/X, inc. | |
| Francisco Guerra | .... | special effects makeup | |
| Elvis Jones | .... | special effects makeup | |
Camera and Electrical Department | |||
| Mark Braun | .... | camera operator: "a" camera | |
| Tina Carbo | .... | "a" camera operator | |
| Tina Carbo | .... | "a" camera operator: Glide Camera Operator | |
| Tina Carbo | .... | glide camera operator | |
| Frederick Duarte | .... | grip | |
| Gavin Fisher | .... | camera operator | |
| Derek Griffith | .... | camera operator (credit only) | |
| Jackie Lee James | .... | camera operator | |
| James Miller | .... | key grip | |
| William Leonardo Molina | .... | first assistant camera | |
| Julie Newsome | .... | second assistant camera | |
| Tom Smith | .... | grip | |
| Will Turner | .... | gaffer | |
| Ian Van Cleve | .... | first assistant camera: "b" camera | |
| Doug Van Zee | .... | grip | |
| Josh Zientarski | .... | first assistant camera: "a" camera | |
Costume and Wardrobe Department | |||
| Sandy Smith-Distel | .... | wardrobe (as Sandy Distel) | |
Editorial Department | |||
| Damian Drago | .... | digital intermediate editor | |
| Hugh Jardon | .... | assistant editor | |
| Michael Mintz | .... | digital film colorist | |
| Alan Pao | .... | digital intermediate producer | |
| Sebastian Perez-Burchard | .... | digital intermediate supervisor | |
Other crew | |||
| Hugh Jardon | .... | assistant to director and producer | |
| Annelle Lynne | .... | script supervisor | |
| Thomas Morales | .... | production assistant | |
| Greg Nagy | .... | assistant to producer | |
| Heather Toll | .... | office manager | |
|
|
|
|
|
| Memento | Darkness Falls | Liberata Me | Hocus Pocus | The King of the Kickboxers |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Gotta admit, I was pretty excited to check this movie out. Combine the weird cover with a positive user comment here that said it's one of the sickest flicks he's seen, plus seeing a couple stylish screens of the film....I was ready for some Necromentia. Son of a bitch.
The story plays out as this anthology dealy, with basically three characters all interweaving with one another in some way. And to be honest with you bozos, it's nothing special. I'm already forgetting how they did connect, and I must say, that's a good thing. Instead of describing each character and his dilemma I'll just say the film revolved around revenge, love, redemption, and some silly nilly torture and necromancy.
Thinking about the flick I really can't think of anything truly memorable. The film even though wasn't my cup of tea, I can see that it was a labor of love. It's camera-work was stylish, the make-up alright, and hell, even during the credits they had cool symbols scrolling with the names. The acting and writing was all very mediocre, and at times boring. Not a good thing for only an 82 minute flick.
I'm a sucker for sing-a-longs, so that scene with the suicidal pig man....that was some good entertainment. Instead of going down this silly necromancy, demon realm (in a dumb tunnel) thingy, they should have maintained the focus on the truly bizarre. As that pig man scene was something altogether different and well-done.
Necromentia isn't anything I'm recing out anytime soon. The story was kinda dull, the characters unlikeable, the writing weak, but the flick had a touch of love, a splash of style and a sprinkle of originality that shows that the film-makers do have some promise.