Directed by | |||
| Richard Parry | |||
Produced by | |||
| Richard Parry | .... | producer | |
| Mark Sandell | .... | associate producer | |
| Vaughan Smith | .... | producer | |
Cinematography by | |||
| Richard Parry | |||
| Vaughan Smith | |||
Film Editing by | |||
| John Mister | |||
Sound Department | |||
| Rob Hughes | .... | sound re-recording mixer | |
Editorial Department | |||
| Simon Graham | .... | on-line editor | |
Other crew | |||
| Mike Fury | .... | production staff | |
|
|
|
|
|
| Arena: Mentioned in Dispatches | Paragraph 175 | Creation | The Yellow Rolls-Royce | The Fight for Peace |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb UK section |
Blood Trail, which had its US premiere at Austin's SXSW Film Festival, provides a biographical examination of war photographer Robert King's experiences and growth as he spends 15 years covering the world's worst conflicts in Bosnia, Chechnya and Iraq among other places. It shows his transition from naive novice looking for adventure to a cynical veteran. The film takes us on a complicated journey and shows us some incredibly disturbing pictures along the way. We don't learn that much that is new about the tragic nature of war as much as we learn about what it is like to report on war to a mostly uncaring world.
King is a complex and entertaining figure who seems to be fleeing his own difficult childhood and in some sort of search for meaning. The film is worthwhile, particularly for those interested in understanding media coverage of war. King's growth and development process as he matures is also interesting since we are able witness his increasingly complex relationship with his subjects. The changing nature of war coverage as seen in the last segment on Iraq is enlightening as well since we see the increasing ability of governments to manipulate and control the coverage of war.