When the initial Cylon attack against the Twelve Colonies fails to achieve complete extermination of human life as planned, twin Number Ones (Cavils) embedded on Galactica and Caprica must improvise to destroy the human survivors.
Two families, the Graystones and the Adamas, live together on a peaceful planet known as Caprica, where a startling breakthrough in artificial intelligence brings about unforeseen consequences. A spin-off of the Sci Fi Channel series "Battlestar Galactica" set 50 years prior to the events of that show.
When an old enemy, the Cylons, resurfaces and obliterate the 12 colonies, the crew of the aged Galactica protects a small civilian fleet - the last of humanity - as they journey toward the fabled 13th colony of Earth.
Edward James Olmos,
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The number One Cylon brothers Cavil organize a massive coordinate simultaneous attack to destroy the twelve colonies, but it fails to wipe out human life or break the human spirit. They now orchestrate deceptive actions, infiltrating surviving communities, notably aboard flagship Battlestar Galactica and Samuel Anders's human trainees class on planet colony Caprica. Both sides must confront existential as well as pragmatical challenges to battle for survival. Written by
I hate to say it, but the Galactica stable are really losing their touch.
The story is half stock footage from the series and half filler. OK, we learn some details like HOW Ellen Tigh got out alive - but we knew she did. We see some trivia, like who Caprica Six met just before the raid, but who cares? We see some familiar Cylons in unfamiliar and unexpected places, generally risking throwing off continuity.
We don't see the things I really wanted to know. I wanted to see the Cylon worlds. I wanted to see WHY the Cylons chose to attack, and why now. I want to see WHY they chose to infiltrate Earth, and why that way. I want to learn the Cylon choices and motivations and psychology.
Oddly, the costume designer was shown in the credits before the writer. I guess the writing is less important than the consulting producer and other illusory titles. Jane Epperson wrote this one, as well as being the executive producer. Ron Moore wasn't in the critical credits. Where was he? Perhaps if he'd spent more time on this than Virtuality he'd have gotten one good product.
While the visuals were good, what I feel is the now increasingly tired end of a series. How long will they keep scraping the bottom? I guess as long as they think they can make money at it.
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