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Directed by | |||
| Derrick Borte | |||
Writing credits | ||
| Randy T. Dinzler | (story) (as Randy Dinzler) | |
| Derrick Borte | (written by) | |
Produced by | |||
| Adam Betteridge | .... | executive producer | |
| Derrick Borte | .... | producer | |
| Scott Floyd Lochmus | .... | co-producer (as Scott Lochmus) | |
| Tom Luse | .... | executive producer | |
| Doug Mankoff | .... | producer | |
| Juan A. Mas | .... | producer: Spokane unit (as Juan Mas) | |
| Peter Principato | .... | executive producer | |
| David Rogers | .... | executive producer | |
| Andrew Spaulding | .... | producer | |
| Jessica Stamen | .... | co-producer | |
| Sheetal Vinod Talwar | .... | executive producer (as Sheetal V. Talwar) | |
| Paul Young | .... | executive producer | |
| Kristi Zea | .... | producer | |
Original Music by | |||
| Nick Urata | |||
Cinematography by | |||
| Yaron Orbach | (director of photography) | ||
Film Editing by | |||
| Janice Hampton | |||
Casting by | |||
| Pam Dixon | |||
| Shay Griffin | |||
Production Design by | |||
| Kristi Zea | |||
Art Direction by | |||
| Paul Kelly | |||
Set Decoration by | |||
| Frank Galline | |||
Costume Design by | |||
| Renee Ehrlich Kalfus | |||
Makeup Department | |||
| Daniel Erdman | .... | personal hair stylist: Demi Moore, Spokane | |
| Roxanne Ferguson | .... | key hair stylist (as H. Roxanne Ferguson) | |
| Kelsie Gigandet | .... | personal hair stylist: Demi Moore | |
| Trista Jordan | .... | key makeup artist: Spokane | |
| Taylor Knight | .... | hair department head | |
| Tracey Levy | .... | personal makeup artist: Demi Moore | |
| Mike Meyers | .... | key hair stylist: Spokane | |
| Kevin Paynther | .... | hair stylist | |
| Stephanie Ponder | .... | makeup artist | |
| Judy Ponder-Patton | .... | makeup department head (as Judy Ponder) | |
| Donna M. Premick | .... | makeup department head (as Donna Premick) | |
| Taci Van Leuven | .... | assistant makeup artist: Spokane (as Taci Vanleuven) | |
Production Management | |||
| Scott Floyd Lochmus | .... | post-production supervisor | |
| Kathie McCallister | .... | post-production supervisor | |
| Caleb Womble | .... | production manager | |
Art Department | |||
| Bil Barnes | .... | swing (as Bil 'Horndogger' Barnes) | |
| Dwight Benjamin-Creel | .... | property master | |
| Arma Benoit | .... | props buyer | |
| Dan Beyer | .... | set decorator: Spokane | |
| Craig Binkley | .... | property master: Spokane | |
| Kevin Fleming | .... | scenic charge | |
| Michael Galloway | .... | art department production assistant | |
| David Gunter | .... | swing | |
| Michelle Ihnot | .... | on-set dresser | |
| Derrick Kardos | .... | additional graphic artist | |
| Mark Keever | .... | swing | |
| Andrew Leary | .... | props assistant | |
| Drew Meyers | .... | swing | |
| Javed Noorullah | .... | set dresser | |
| Katrina Rice | .... | props | |
| Ryan Shelor | .... | props | |
| Angela J. Smith | .... | on-set dresser: Spokane | |
| Andy G. Strauss | .... | picture car coordinator | |
| Mike Sullivan | .... | scenic charge | |
| Cedar Valentine | .... | art department coordinator (as E. Cedar McClure) | |
| Richard Blake Wester | .... | leadman | |
| Jay Womer | .... | construction | |
Sound Department | |||
| Chris Clifford | .... | boom operator: Spokane Unit | |
| Charles Deenen | .... | sound effects editor | |
| Robert Dehn | .... | sound studio manager | |
| Mary H. Ellis | .... | sound mixer (as Mary Ellis) | |
| Jason Gaya | .... | adr mixer (as Jason 'Frenchie' Gaya) | |
| Corey J. Grasso | .... | adr mixer (as Corey Grasso) | |
| Steven Iba | .... | assistant sound editor | |
| Richard Kitting | .... | sound mixed by | |
| Zach Michaelis | .... | foley mixer | |
| Jay Nierenberg | .... | sound designer | |
| Jay Nierenberg | .... | sound supervision | |
| Todd Niesen | .... | dialogue editor | |
| Angelo Palazzo | .... | sound effects editor | |
| Jonathan Pendergrass | .... | foley editor | |
| Drew Ponder | .... | boom operator | |
| Jack Rametta | .... | adr mixer | |
| Jose Sanchez | .... | sound utility | |
| Tom Taylor | .... | sound mixer: Spokane Unit | |
| Vicki Vandegrift | .... | foley artist (as Vicki O'Reilly Vandergrift) | |
| Jonathan Wales | .... | sound mixed by | |
| Tim Walston | .... | sound effects editor | |
| Ryan Young | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Phil Proctor | .... | special effects technician | |
Visual Effects by | |||
| J. Cody Baker | .... | visual effects assistant | |
| Des Carey | .... | visual effects supervisor | |
Stunts | |||
| Robert Brubaker | .... | stunt player (as Bob Brubaker) | |
| David Paul Lord | .... | stunt player (as David Lord) | |
| Anderson Martin | .... | stunt player | |
| Lonnie R. Smith Jr. | .... | stunt coordinator (as Lonnie Smith) | |
Casting Department | |||
| Bryan Burra | .... | casting assistant | |
| Sandy Holt | .... | adr voice casting | |
| Patrick Ingram | .... | extras casting | |
Costume and Wardrobe Department | |||
| Linda Brenick | .... | costumer | |
| Nancy Collini | .... | costumer: David Duchovny | |
| Rebecca Cook | .... | wardrobe supervisor | |
| Rebecca Cornwall | .... | wardrobe assistant | |
| Rhonney Greene | .... | key costumer | |
| Mary Linda Gruskin | .... | costumer | |
| Meta Issa | .... | costumer | |
| Melanie Mascioli | .... | costumer | |
| Carol Sadler | .... | costume supervisor | |
| Elizabeth Shelton | .... | associate costume designer | |
| Eulyn Womble | .... | costumer: Demi Moore | |
Editorial Department | |||
| Joe Binford Jr. | .... | first assistant editor | |
| Ian Kennedy | .... | post-production consultant | |
| Tim Maffia | .... | digital color grading | |
| Heather Mason | .... | editorial production assistant | |
| David Mayer | .... | avid technician | |
| Joëlle Taar | .... | assistant editor | |
Music Department | |||
| Al Clay | .... | music score mixer | |
| Al Clay | .... | music score producer | |
| Vicki Hiatt | .... | music editor | |
| Susan Jacobs | .... | music supervisor | |
| Lisa Jaime | .... | music editor | |
| David Majzlin | .... | composer: stock music | |
| Adam Peters | .... | orchestrator | |
| Peter Oso Snell | .... | music editor | |
| Albert Thrower | .... | music clearances | |
Transportation Department | |||
| Javon Adams | .... | driver | |
| Shannon Freeman | .... | van driver | |
| Cindy Parker | .... | transportation coordinator | |
| J.L. Parker | .... | transportation captain | |
| Janet Perrotti | .... | driver: cast trailer | |
| Patricia Sammons | .... | driver | |
| Ralph Strickland | .... | driver: cast | |
Other crew | |||
| Shelly Bancroft | .... | acquisition consultant: Premiere Picture | |
| Marjorie Chodorov | .... | production accountant | |
| Chris Compton | .... | adr loop group | |
| Maria Conti | .... | consultant | |
| Mitch Davis | .... | production assistant | |
| Ilda Diffley | .... | production executive: Echo Lake | |
| Jarrett Echols | .... | production assistant | |
| Travis Fowler | .... | assistant: Andrew Spaulding | |
| Molly Franken | .... | assistant production coordinator | |
| Jason Garrett | .... | financier | |
| Mike Groner | .... | insurance broker | |
| Amber Grunte | .... | location manager | |
| Adam Hamilton | .... | photo double | |
| Adam Hamilton | .... | stand-in | |
| Kent Hamilton | .... | insurance agent | |
| Mariah Breitel Hembree | .... | post script services (as Mariah Breitel) | |
| Gail Hunter | .... | script supervisor | |
| Meghan Johns | .... | assistant: Peter Principato | |
| Kenyea Johnson | .... | office production assistant | |
| Samuel Jerome Johnson | .... | set location production assistant | |
| Fiona Kihlstrom | .... | financier | |
| Hakan Kousetta | .... | production legal advisor: financing | |
| Erin Lander | .... | adr loop group | |
| Lynnette Layman | .... | assistant: Lauren Hutton | |
| Toney Lewis | .... | chef | |
| Bill McCrillis | .... | chef assistant | |
| Nan McCulloch | .... | food stylist | |
| Rob Meisenholder | .... | co-first assistant accountant | |
| Lisa Momberger | .... | assistant: Demi Moore, Spokane | |
| Carlotta Montanari | .... | voice | |
| Stephanie Morales | .... | key craft service | |
| Susan Muir | .... | completion bond guarantor | |
| Nadia Naguib | .... | financier | |
| Bridget Nichols | .... | stand-in: kate | |
| John Fitzgerald Page | .... | stand in: Gary Cole | |
| Elizabeth Palmore | .... | production assistant | |
| Jim Pavledakes | .... | craft service assistant | |
| David Peck | .... | Consultant | |
| J.P. Pettinato | .... | consultant to producers | |
| Noelle M. Pflum | .... | production coordinator | |
| Senia Phillips | .... | animal trainer | |
| Tristan Rayos | .... | data IO support | |
| Mark Reinking | .... | assistant: Demi Moore (as Mark 'Hunter' Reinking) | |
| Mike Riley | .... | location manager | |
| Crystle Roberson | .... | assistant: Derrick Borte | |
| Allison Robin | .... | product placement | |
| Steven Rogers | .... | Consultant | |
| Rebecca Many Rosenberg | .... | assistant: Paul Young | |
| Marcus Searancke | .... | financier | |
| Hakim Shakoor | .... | chef assistant | |
| Lisa G. Shillingburg | .... | first assistant accountant | |
| Kyle Smithers | .... | production assistant | |
| Mark Spencer | .... | key set production assistant | |
| Stan Swofford | .... | medic coordinator | |
| Alena Walker | .... | financier (as Alena Trower) | |
| Dana Wasdin | .... | set production assistant | |
| Ricky R. Weaver | .... | set production assistant | |
| Rebecca Napier White | .... | production assistant | |
| Charles Williams | .... | location production assistant | |
| Seth Zimmerman | .... | assistant location manager | |
| Irwin M. Rappaport | .... | production attorney (uncredited) | |
Thanks | |||
| Ava Lauren Borte | .... | special thanks | |
| Ella Archer Borte | .... | special thanks | |
| Sandra Kahlert Borte | .... | special thanks | |
| John Carpenter | .... | the producers wish to thank | |
| Guido Giordano | .... | special thanks | |
| Paul Hook | .... | special thanks | |
| Andrew Hurwitz | .... | special thanks | |
| Doug MacLaren | .... | special thanks | |
| David Prensky | .... | in memory of | |
| Mary Vernieu | .... | special thanks | |
| James Zea | .... | in memory of | |
| Recent Posts (updated daily) | User |
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| Full cast and crew | Company credits | External reviews |
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This is a film all salespeople should watch, because it hammers close to home, and contains some nuggets of techniques to impart. Playing out like a social satire on consumerism and advertising, and just about poking fun at everyone who's guilty of keeping up with the Joneses, in literal fashion here a family of four becomes the quintessential personification of just those successful people whom we all aspire to become, emulate, or just plain desire to excel over.
We're introduced to what seemed like the perfect household, where Steve (David Duchovny) spends his time mowing the lawn and playing golf and you wonder how and how much dough and bacon he brings home. Kate (Demi Moore) occupying her time with all things necessary to look hot and beautiful, Jenn (Amber Heard) being the beautiful teenage daughter who's the flower of the school, and Mick (Ben Hollingsworth) the geeky but popular boy whose toys and gadgets make him the go to guy. Recently moving into a new neighbourhood, the Jones family soon become the envy of their neighbours, with everyone lapping up what they drive, drink, wear and have. If you want to be with the cool crowd, then you need to well, keep up with the Joneses.
Until of course the facade is pulled back, and we realize that it's all about in-your-face yet sublime piece of advertising, where product placement both in the reel, and don't forget the real world, are pretty much featured everywhere, allowing you to make mental note to get that golf club, or that Audi sports car if you have the dough. It's about the selling of a concept lifestyle, and this form of getting the word out, through actual talking about, and sampling the product, is nothing but a real world kind of inception, with the planting of mindshare firmly in the minds of the masses.
As mentioned, it's a must for sales people to watch, as it dwells on relationships or the lack thereof, when we fervently pursue numbers that define the occupation, with revenues, sales and profits being the sole focus of existence. Will we trade relationship for that climb up the corporate ladder? Will we not team up with fellow colleagues to ensure we capitalize on each other's strengths? And why not also go all out with joint marketing efforts? It also pays off for looking physically attractive, because like it or not, a beautiful face with the right kind of networking contacts and connections, get plenty of doors opened.
There's plenty to like from this Derrick Borte film from a Randy T. Dinzler story, which examines the effect of consumerism on relationships between family members, neighbours and society in general, critiquing in a nice manner without adding insult to injury when we see shades of ourselves in one or more of the characters. There's plenty of sharp wit, cheeky winks and double meanings going around, that you can't help but to chuckle at, and with the characters, who exercise the mantra of not mixing business with personal, but soon find themselves, through their various character arc subplots, crossing the line with various consequences.
In similar vein with Thank You For Smoking, The Joneses had plenty going for it as you sit back and watch society's faults and woes on display, with a dash of comedy and a tinge of pathos thrown in. For the cynic in me I would have liked it if it had ended on a bleaker note given how society self-destructs when some of us spend beyond our means just to show off, but I guess again in times like these where most parts of the world are bouncing out of a recession, that glimmer of hope about the light at the end of the tunnel would likely be more welcome. Highly recommended, and I'll not hesitate to shortlist this film as one of the best of this year!