It's the 1930s. The Republic Day Ball is in progress in Zonguldak, a coal mining town in Turkey. Among the invited guests are the newcomers to this small and boring town: Halit, an engineer... See full summary »
Mertkan has a simple life in Istanbul: 'working' as an office-boy in his dad's construction company, hanging out with his male friends in malls and discos, cruising with his dad's 4-wheel ... See full summary »
Nihal G. Koldas
A small, poor village leaning over high rocky mountains, facing the immense sea, flanked by olive yards. Villagers are simple and diligent people who struggle to cope with a harsh nature. ... See full summary »
In an apartment building where neighbors, friends, and family are living in close quarters, three male protagonists encounter three phases of manhood in Turkish society. Directors Reha ... See full summary »
Celal, lives an unhappy family life with his wife Sevilay and his child in a small town. Celal and his brother Cemal, running an electrician shop which doesn't go well. They are in debt. ... See full summary »
Mustafa (Osman Inan) is a hard-working and ambitious agricultural merchant who is cold and austere towards his family. One day he has a brain hemorrhage on a business trip and goes into a ... See full summary »
10 to 11 is the story of a passionate collector Mithat and the concierge of the building, Ali. For Mithat Istanbul is as vast as his collections and for Ali is nothing more than a few ... See full summary »
Pandora's Box must be kept closed. Once it is opened nothing is the same anymore. When Nusret joins the lives of her children in a most unexpected way, the status quo balancing the relationships of the three siblings changes drastically. Apparently it is Nesrin, whose story we mainly watch. None of her relations as a wife, a mother, a daughter and a sister are in a healthy condition. But through the narrative we find out that she was and still is the most responsible one of the three siblings. Also she cares a lot for her son, who apparently studies in a costly private university. Compared to Güzin, who is already a pathetic looser, Nesrin should have been the more successful sister with her marriage and motherhood. But she has got an obsessive instinct for control, stemming from her feeling of perfectness. She doesn't lie like Güzin or she is hardworking and prudent unlike Mehmet. This righteousness ego even allows her to intrude into her son's private sphere, because what she does is the right thing and serves to the good of everyone in the last analysis. Murat is not an evil guy or something. His encounter with the thief on the street just reflects that he is a normal person just like everyone. He is afraid of violence and death. Probably in his early twenties, he just tries to escape and Mehmet's lodge is apparently a suitable hermitage. The cutest irony of the movie is the comfortable friendship of Murat with her grandmother he didn't know before. Named after her deceased husband, Nusret really enjoys asking Murat's name again and again. Finally she is happy to have her companion. Anyway the meaningless life in the city is not worth to live for Nusret, especially when she must be the prisoner in an apartment house surrounded by concrete or in a nursing home. Although being considered as useless by her mother, it is only Murat who realizes that Nusret deserves more than that. The story is full with sad things and a happy end is arguable. The Alzheimer theme is unpleasant for the audience and it reminds one the death of parents as well as one's own. Maybe the only remedy to feel happy right after watching this movie is to adopt Mehmet's nihilism.
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