A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth ... See full summary »

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Cast

Credited cast:
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Pegah Ahangarani ...
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Kamand Amir Soleymani ...
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Khatereh Asadi ...
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Vishka Asayesh ...
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Ra'na Azadivar ...
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Pantea Bahram ...
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Pouri Baneai ...
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Afsaneh Bayegan ...
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Afsaneh Chehreh Azad ...
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Shaghayegh Dehghan ...
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Sahar Dolatshahi ...
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Storyline

A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show. Written by Venice Film Festival

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20 January 2010 (France)  »

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User Reviews

 
A conceptual poem
23 January 2013 | by (United Kingdom) – See all my reviews

This is only my second Kiarotami film, the first was Certified Copy, 20 minutes into that I was going to give up, mainly because HE the character infuriated me beyond belief. I stayed with it and was soon after totally immersed. Approaching this film, I now was forewarned that I would be asked to think and reflect, to that end I had not read any prior comments. The set up is easy to understand; a room full of actresses watching a well known play, but that is the premise only, at least I could be aware that it could not possibly be happening in real time and this was a performance of a performance, the reactions are staged as much as the play we do not see. Where does its meaning reside I do not really know nor want to know, you can give it a feminist meaning, a political meaning and aesthetic meaning and surely it is all of these and perhaps more or perhaps less, Asking for meaning almost always diminishes true art


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