| Pilar López de Ayala | ... | Angélica | |
| Filipe Vargas | ... | Marido | |
| Leonor Silveira | ... | Mãe | |
| Ricardo Trêpa | ... | Isaac | |
| Ana Maria Magalhães | ... | Clementina | |
| Isabel Ruth | ... | Criada | |
| Luís Miguel Cintra | ... | Engenheiro | |
| José Manuel Mendes | ... | Dr. Matias | |
| Carmen Santos | ... | Mulher do Fotógrafo | |
| Sofia de Portugal | ... | Enfermeira | |
| Ricardo Aibéo | ... | Mendigo | |
| Paulo Matos | ... | Homem da Gabardine | |
| Adelaide Teixeira | ... | Justina | |
| António Reis | ... | António | |
| Sara Carinhas | ... | Freira | |
| Susana Sá | ... | D. Rosa | |
| Daniela Costa | ... | Amiga Angélica 1 | |
| José Carlos Coutinho | ... | Padre | |
| Sónia Botelho | ... | Amiga Angélica 4 (as Sónia Botelho da Silva) | |
| Luís Machado | ... | Médico | |
| Susana Figueiredo | ... | Amiga Angélica 3 | |
| Afonso Bonito | ... | Feitor | |
| Maria Luísa Maia Pinto | ... | 2ª Senhora | |
| Maria Marques Gomes | ... | 1ª Senhora | |
| Andreia Vasconcelos | ... | Amiga Angélica 2 |
Directed by | |||
| Manoel de Oliveira | |||
Writing credits | ||
| Manoel de Oliveira | (screenplay) | |
Produced by | |||
| Jacques Arhex | .... | co-executive producer | |
| Leon Cakoff | .... | co-producer | |
| François d'Artemare | .... | producer | |
| Renata de Almeida | .... | producer | |
| Maria João Mayer | .... | producer | |
| Luis Miñarro | .... | producer | |
Cinematography by | |||
| Sabine Lancelin | |||
Film Editing by | |||
| Valérie Loiseleux | |||
Production Design by | |||
| Christian Marti | |||
| José Pedro Penha | |||
Costume Design by | |||
| Adelaide Maria Trêpa | |||
Makeup Department | |||
| Helena Batista | .... | assistant makeup artist | |
Production Management | |||
| Mireia Ibars | .... | post-production supervisor | |
| Rocío Martagón | .... | production manager: Spain | |
| João Montalverne | .... | production manager | |
Second Unit Director or Assistant Director | |||
| João Salomão | .... | second assistant director | |
| Bruno Sequeira | .... | first assistant director | |
Sound Department | |||
| Ricardo Leal | .... | boom operator | |
| Henri Maïkoff | .... | sound | |
| Vladan Nedeljkov | .... | foley artist | |
| Joan Olivé | .... | sound re-recording mixer | |
| Jaume Puig | .... | sound consultant: Dolby | |
| Aleksandra Stojanovic | .... | foley artist | |
Visual Effects by | |||
| Miguel Almeida | .... | compositor | |
| Christophe Croidieu | .... | compositor | |
| Venancio David | .... | compositor | |
| Christian Guillon | .... | visual effects consultant | |
| Celso Leite | .... | compositor | |
| Eugénio Marques | .... | visual effects producer | |
| Pedro Rolo | .... | virtual set | |
| Philippe Szabo | .... | visual effects supervisor | |
| Ricardo Nuno Leonardo Viana | .... | animation | |
Stunts | |||
| João Gaspar | .... | stunt coordinator | |
Costume and Wardrobe Department | |||
| Sara Cerejeira | .... | additional wardrobe | |
| Yara Jerónimo | .... | wardrobe assistant | |
Editorial Department | |||
| Victor Martos | .... | color timer | |
| Laura Sanchez | .... | digital intermediate coordinator | |
| Enric Sebastià | .... | digital intermediate colorist | |
Other crew | |||
| Jorge Caixinha | .... | production assistant | |
| Sandra Canais | .... | accountant | |
| Sandra Fanha | .... | location manager: pre-production | |
| Pedro Gonçalves | .... | production assistant | |
| Carlos Jordao | .... | production assistant | |
| Jorge Llama | .... | promotion manager | |
| Vanessa Oliveira | .... | production assistant | |
| Rita Simão | .... | production coordinator | |
| Paula Vaz | .... | production assistant | |
| Recent Posts (updated daily) | User |
|---|---|
| Terrible | plkldf |
| chopin | lucad_99 |
|
|
|
|
|
| Word and Utopia | Torremolinos 73 | Flame and Citron | Eccentricities of a Blonde-haired Girl | Anxiety |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Portugal section |
I was informed before the showing that Director Manoel de Oliviera was over 100 years old when he directed this film. So I took that into consideration. That may be one of the reasons I did not walk out half way through the screening.
However, in retrospect, this is not a bad film, but one that is very personal (for the director) to the extent it may not connect with everyone. Many inserts to the film (e.g. the labourers in the field) may have no bearing to the story but they were there. And an average Joe like me couldn't understand the reason why they were there. Metaphor, poetry, or scenery diversion may be the reasons but I could not tell.
In a sense it is a story about a young photographer losing his mind, and eventually his health, as a result of the escalating obsession following an encounter with a beautiful, dead woman. That I can relate to. But the story could definitely be told in a more lively, and less arty fashion to appeal to a larger audience.