Richard Hannay, a mining engineer on holiday from the African colonies, finds London socialite life terribly dull. Yet it's more then he bargained for when secret agent, Scudder, bursts ... See full summary »

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Cast

Cast overview, first billed only:
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Victoria Sinclair
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Sir George Sinclair
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Professor Fisher
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Hellory Sinclair
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Scudder
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Captain Kell
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Vicar / Wakeham
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Ackerman
Peter Stark ...
Engel
Del Synnott ...
London Constable
Roger De Courcey ...
Ventriloquist
David Gallacher ...
Professor's Butler
James Bryce ...
Concierge at Club
Stewart Preston ...
Waiter at Club
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Storyline

Richard Hannay, a mining engineer on holiday from the African colonies, finds London socialite life terribly dull. Yet it's more then he bargained for when secret agent, Scudder, bursts into his room and entrusts him a coded notebook with map, concerning the impending start of World War I. In no time both German agents and the British law are chasing him, ruthlessly coveting the Roman numerals code, which Hannay believes he must crack himself. Masquerading as a liberal party pundit, Richard also gets stuck with parliamentary candidate Sir George Sinclair's sister Victoria. They must survive with the secrets and decide who they can trust and how to keep it from others. Written by KGF Vissers

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28 December 2008 (UK)  »

Also Known As:

39 Lépcsőfok  »

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Trivia

The ventriloquist on the train who helps Hannay to avoid the police, is Roger De Courcey a well known British performer, who used to appear with a teddy bear named 'Nookie Bear'. See more »

Goofs

A one point Hannay is being chased by a bi-plane which fires at him with twin machine guns. These guns are firing through the propeller. This requires a synchronization gear (aka an interrupter gear). The scene takes place in 1914 but the first synchronization gear was not installed on an aircraft until March 1915. See more »

Quotes

Richard Hannay: Well at least you're only a spy and not a suffragette.
Victoria Sinclair: Well, actually I'm a spy /and/ a suffragette.
Richard Hannay: Oh Lord!
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Connections

Version of The 39 Steps (1959) See more »

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User Reviews

 
Right Steps for me!
12 January 2009 | by (United Kingdom) – See all my reviews

I really, really enjoyed this. I thought it was light-hearted, entertaining, captured the spirit of the period without getting bogged down in pedantic detail and it fairly zipped along. It was a new version with its own contemporary axes to grind/boxes to tick and on that basis, it worked like a charm for me. And speaking of charm, I think Rupert Penry-Jones is grossly under-rated as an actor and here, he was just perfectly cast and wonderfully skilled in a role almost tailor-made for someone with a light touch and a bit of dash about him. I don't know where people get the idea RPJ is wooden and can't do comedy-his way of commenting with a straight face and a twinkle in his eye is just lovely. Too subtle for some, maybe. And charm? Even when the character was making a klutz of himself he had buckets of charm. Too many nicely detailed moments to count. As to the portrayal of the character of Richard Hannay, it seemed to me truer to the concept of the ordinary man caught up in great events than many others have been. He was presented right from the start as a man looking for something, a man uncertain of his place in the world who was thrown into a situation beyond his control but who did his best, who used what experience and skills he had acquired in life to get himself out of trouble. But he was also a fallible human being who did get out of his depth and who didn't have the perfect answer to everything. People either want an all-knowing, superman-type, one-bound-and-he-was-free hero or they don't. That doesn't make any alternative a wimp or a wet. Hannay here was a clever, talented and resourceful person but also bewildered, confused and scared. I wasn't mad about the addition of the Victoria character but she struck me as far more believable and attractive than any of the introduced love interests that went before. Madeleine Carroll was gorgeous but passive (a stock Hitchcock heroine, quelle surprise!) and the others are just forgettable. I liked the notion that they were both prejudiced and opinionated (a nod to some of the now unacceptable, though of-their-time, opinions stated in Buchan's original) but that they came round to each other as they saw what the other was capable of. And their sarky/comic exchanges were a treat!

Of course it went for shameless audience pleasing and none the worse for that. It obviously succeeded on that score because it got excellent viewing figures-almost 7 and a half million. The romance was delightfully schmaltzy and of course it was sexed up. Hitchcock started that, after all, with his handcuffs and stockings. Big wow-sex did not begin in 1963 and in any case, the Edwardian era (OK, I know this was set in 1914 and George V's reign but it didn't disappear overnight!) wasn't exactly noted for its prudishness, from the top of the social scale down. This was a piece of escapist fiction, not an academic commentary on post-Edwardian, pre-World War One social mores. I loved this and I will love watching it again, so I have ordered the DVD to do just that. And I hope they hire Rupert Penry-Jones to do further Hannays, especially Greenmantle and Mr Standfast. So there!


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