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Date Night (2010)

PG-13 | | Comedy, Crime, Romance | 9 April 2010 (USA)
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In New York City, a case of mistaken identity turns a bored married couple's attempt at a glamorous and romantic evening into something more thrilling and dangerous.

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4 wins & 8 nominations. See more awards »

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Storyline

Phil and Claire Foster are a couple who have been married for several years. Their days consists of them taking care of their children and going to work and coming home and going to bed. But they find time to have a date night wherein they go out and spend some time together. When another couple they know announce that they're separating because they're in a rut, Phil feels that he and Claire could be too. So when date night comes Phil decides to do something different. So they go into the city and try to get into a new popular restaurant. But when it's full and still wanting to do this, Phil decides to take the reservation of a couple who doesn't show up. While they're having dinner two men approach them and instructs them to stand up and go with them. They think the men are with the restaurant and want to talk to them about taking someone else's reservation. But it appears the couple whose reservation they took crossed someone and the two men work for this person. The men are after ... Written by rcs0411@yahoo.com

Plot Summary | Plot Synopsis

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Hit The Town. 4.9.2010. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for sexual and crude content throughout, language, some violence and a drug reference | See all certifications »

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Details

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Release Date:

9 April 2010 (USA)  »

Also Known As:

Una noche fuera de serie  »

Box Office

Budget:

$55,000,000 (estimated)

Opening Weekend:

$25,207,599 (USA) (11 April 2010)

Gross:

$98,711,404 (USA) (5 September 2010)
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Technical Specs

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2.35 : 1
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Did You Know?

Trivia

Ray Liotta and William Fichtner worked together in Grand Theft Auto: Vice City (2002). Liotta did the voice of the game's protagonist, Tommy Vercetti, while Fichtner provided the voice of his lawyer Ken Rosenberg. Fichtner's character, District Attorney Frank Crenshaw, may possibly be based on Rosenberg, as they are both lawyers. While Liotta's character, Joe Miletto, might possibly be based on Vercetti, as they are both crime bosses. See more »

Goofs

In the scene where the Audi is stuck to the cab the two cops shoot out the front window of the Audi. The window shatters when the bullet hits it. Front windshields are made out of laminated safety glass and do not shatter. See more »

Quotes

[first lines]
Oliver Foster: [early morning] Dad? Mom? Can I have breakfast?
Phil Foster: Honey, don't move.
Charlotte Foster: [running in] Mommy! Daddy! Pile driver!
[jumps on mom]
Charlotte Foster: I love you!
Claire Foster: How do you have so many knees?
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Crazy Credits

There are outtakes at the beginning and the end of the end credits. See more »

Connections

References Fat Albert and the Cosby Kids (1972) See more »

Soundtracks

God Created Woman
Written by A.B. O'Neill and Jerry Abbott
Performed by A.B. O'Neill
Courtesy of funkymonk music ltd
By Arrangement with Zync Music Group, LLC
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Frequently Asked Questions

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User Reviews

 
better, or maybe just funnier, than expected thanks to the two leads and some supporting work
11 April 2010 | by (United States) – See all my reviews

The director Shawn Levy sadly doesn't inspire a lot of enthusiasm going into one of his movies. At best he's competent at what he does, and some years back made a halfway clever and original 'movie'-comedy (Big Fat Liar), but mostly has kept to Fox studio commercialism like Cheaper by the Dozen and the Night at the Museum movies. And yet, he (or just the studio) must have had the insight to put together two of the funniest people working right now- not to mention with shows back-to-back on Thursday nights on NBC- Steve Carrel and Tina Fey, because they help elevate anyone's work by a longshot. This isn't to say that Josh Klausner's script may not have some laughs, but where exactly I can't be sure, since most of his contributions would appear to come from the super-conventional story aspects (as my own mother put it, "I don't know, looks like The Out of Towners, or that Blind Date movie from the 80's").

So yeah, basic premise, married couple looking for a little change (their friends are splitting up), go out to 'The City' (NYC of course) and to a very nice restaurant. In a move that could come out of a Seinfeld episode, they can't get a reservation so Carrel overhears a waitress calling for someone else for a reservation and he decides they should take it since they're no-shows. The "Tripplehorns", as it turns out, have some shady dealings with some bad dues with guns, and so the Fosters, our confused heroes, go on the run in the city. Whenever the movie focuses on the core plot of all of this, it's by the numbers stuff, save for a climax that ratchets up the absurdity of everyone involved (including good actors playing decent-to-mediocre baddies like William Fichtner and Ray Liotta).

It's when Fey and Carrel are allowed to play loose with the script that it strikes the iron. Their timing is impeccable, and they have chemistry together, which is crucial. And when they come across some other supporting characters, like Mark Wahlberg's (VERY) shirtless ex-military guy with all of his high-tech equipment, or the "real" Tripplehorns played by James Franco and Mila Kunis, there's further hilarity that ensues from the interactions and precise timing. That's all you need sometimes in a comedy that's based in formula, is two character to at least semi care about (and, perhaps more wisely than a Hollywood rom-com can be given credit for, it has painfully normal characters here, nothing too complicated), and who are funny in semi-funny situations. Even a ridiculous car chase where the Fosters hit a cab and the two are connected bumper to bumper through the streets is funny just because of the acting. Given the right mood and timing they could read a census report and get a few chuckles from the pauses and inflections.

So, if you're looking for something masterfully done, look elsewhere. If you just want to see two stars who are funny be funny almost despite some of the limitations in the script, Date Night deserves a chance. At the least you get to see the two show off their "skills" in a strip-club scene, and, did I mention Mark Whalberg doesn't have on a shirt?


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