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Date Night (2010)

PG-13  |   |  Comedy, Crime, Romance  |  9 April 2010 (USA)
6.3
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Ratings: 6.3/10 from 114,135 users   Metascore: 56/100
Reviews: 201 user | 240 critic | 37 from Metacritic.com

In New York City, a case of mistaken identity turns a bored married couple's attempt at a glamorous and romantic evening into something more thrilling and dangerous.

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Cast

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Storyline

Phil and Claire Foster are a couple who have been married for several years. Their days consists of them taking care of their children and going to work and coming home and going to bed. But they find time to have a date night wherein they go out and spend some time together. When another couple they know announce that they're separating because they're in a rut, Phil feels that he and Claire could be too. So when date night comes Phil decides to do something different. So they go into the city and try to get into a new popular restaurant. But when it's full and still wanting to do this, Phil decides to take the reservation of a couple who doesn't show up. While they're having dinner two men approach them and instructs them to stand up and go with them. They think the men are with the restaurant and want to talk to them about taking someone else's reservation. But it appears the couple whose reservation they took crossed someone and the two men work for this person. The men are after ... Written by rcs0411@yahoo.com

Plot Summary | Plot Synopsis

Taglines:

On April 9th One Night Can Change Your Life. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for sexual and crude content throughout, language, some violence and a drug reference | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Release Date:

9 April 2010 (USA)  »

Also Known As:

Una noche fuera de serie  »

Box Office

Budget:

$55,000,000 (estimated)

Opening Weekend:

£1,272,405 (UK) (23 April 2010)

Gross:

$98,711,404 (USA) (3 September 2010)
 »

Company Credits

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Technical Specs

Runtime:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In all of Mark Wahlberg's scenes, he is shirtless. His scenes were carefully filmed at specific angles to avoid showing a tattoo of Bob Marley that he has on his left shoulder. See more »

Goofs

At the end of the chase scene (right before the Audi and the cab are separated by the Suburban), the connected cars take a right around a corner. Watch closely - the rear wheels of the cab turn, making the stunt possible. See more »

Quotes

[first lines]
Oliver Foster: [early morning] Dad? Mom? Can I have breakfast?
Phil Foster: Honey, don't move.
Charlotte Foster: [running in] Mommy! Daddy! Pile driver!
[jumps on mom]
Charlotte Foster: I love you!
Claire Foster: How do you have so many knees?
See more »

Crazy Credits

There are outtakes at the beginning and the end of the end credits. See more »

Connections

Featured in The Tonight Show with Jay Leno: Episode #20.169 (2012) See more »

Soundtracks

Moving On
Written and Performed by Morgan Page
Courtesy of Quango Music Group, Inc. o/b/o Nuance Recordings
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Kill Shots and Potato Skins
12 April 2010 | by (Dallas, Texas) – See all my reviews

Greetings again from the darkness. Most married couples can probably relate to the grind of a life absorbed with work and parenting. Sometimes the fantasy turns into having a quiet moment of solitude. Heck, even "date night" can devolve into just another responsibility tacked on at the end of a long week. This is the premise for director Shawn Levy's film. The best part? It doesn't matter at all.

The reason this film works is not the plot or script, but rather the talents of the two funniest people in showbiz today: Steve Carell and Tina Fey. The two seem to have an exceptional comedic connection that brings out a timing that reminds of the best comedy teams of all time.

Sometimes what makes for the funniest comedy is putting "normal" people into exceptional situations and let them react. Here, Carell and Fey are just a typical suburban couple trying to re-ignite the luster of an all too comfortable marriage. The motivation comes when their friends (Mark Ruffalo and Kristen Wiig) announce they are splitting. This starts Carell and Fey off on a series of skits that would make Seinfeld proud.

The nightmare begins when the couple "steals" a reservation in a hot new restaurant and assume the identity of, what turns out to be a couple of low level thieves. The multitude of skits that follow include supporting work from dirty cops (Common and Jimmi Simpson), the real reservation holders (funny James Franco and Mila Kunis), a mob boss (Ray Liotta), a corrupt city official (William Fichtner) and a "security expert" in the eternally shirtless Mark Wahlberg.

The approach of the film reminds me of "After Hours", "Adventures in Babysitting" and "The Out of Towners". Some of the best comedy occurs when the main players aren't tossing out incessant one-liners. Think back to Cary Grant's screwball comedies. He was not a bumbling idiot or a stand-up comedian walking through life. His characters were reactionary to the odd-ball situations in which he was placed. That is the approach of Carell and Fey, and I hope they pursue future projects together.


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