Eliezer and Uriel Shkolnik are father and son as well as rival professors in Talmudic Studies. When both men learn that Eliezer will be lauded for his work, their complicated relationship reaches a new peak.
A gang in a Volvo have staked out a flat; when its occupants leave to walk their dog, the six break into the place. One keeps his eyes on a stopwatch: they have only ten minutes before the ... See full summary »
Johannes Stjärne Nilsson
The narrative revolves around police officer Amadeus Warnebring, tone-deaf scion of a distinguished musical family, and his attempts to track down a group of six guerilla percussionists whose anarchic public performances are terrorizing the city. The drumming set pieces correspond to an avant-garde score with four hilariously titled movements. Where the short involved the six drummers imaginatively using standard apartment furnishings as their instruments, the feature unleashes them on an unspecified city's civic and cultural institutions. Including an amusing backstory for each of the soberly dressed drummers as well as their nemesis, music-hating investigator Warnebring, the film creates a treat for the eyes and ears from the dull, repetitive sounds of everyday life. Written by
Palm Springs Internation Film Festival
Inventive, intense, funny, zany, and oddly warm film...excellent
Sound of Noise (2010)
An absurdist, zany, intense, unpredictable film. Rather amazing, really, if you can let go of an ordinary sense of plot and progression.
At the center is a group of drummers who agree to perform a series of pieces by a cutting edge composer all around the city. But their instruments become found objects, heavy machinery, office items, hospital equipment (and hospital patient), so that their performances are intrusive, dangerous, illegal, and wonderfully outrageous.
And funny. Sometimes you laugh aloud, sometimes you just are amused and amazed.
In opposition to this group is a detective who grew up in a family of musicians but who is tone deaf. And he as a special ability to track the musical perps in their crimes--which you'll see.
Kudos should also go to the filmmakers themselves, who make this craziness very fluid and beautiful. Contemporary Stockholm is shown as complex and beautiful and modern and not a Swedish Ikea stereotype.
Finally there is a kind of interpersonal plot that is sort of fun and thin and helps hold the various performance pieces together. Maybe anything more intense on this score would have watered down the absurdist heights of the best of it, but this subplot does have a feel-good pops quality that the rest of the movie avoids. And it's the rest of the movie--mainly the "music" as it happens before your eyes--that is what counts. Great stuff!
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