When two brothers organize the robbery of their parents' jewelry store the job goes horribly wrong, triggering a series of events that sends them, their father and one brother's wife hurtling towards a shattering climax.
Philip Seymour Hoffman,
In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
The year is 1750. Europe is in a ravaged state following a plague. Victor Moritz and Rufolf de Sevre are gamblers, frequenters of elegant casinos and fashionable brothels. Rudolf is a young... See full summary »
Jack is a shy and awkward man who drives a limo and lives an unassuming life. His friend and co-worker, Clyde, and his wife Lucy, feel sorry for Jack and set him up on a blind date with Connie. Connie shares Jack's shyness and awkwardness, but through each other they seem to be able to find solace within themselves. Trouble might be brewing in paradise though, as Clyde and Lucy's marriage stumbles just as Jack and Connie's relationship grows. Written by
This always happens.
Whenever there's anything good, it fucks up.
It fucked up, but it fucked up because *we* forgot.
No, you fucked it up because you made a fucking toast!
Because I love you. We all love you. We forgot the food because you were being loved. That's the important thing to remember.
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For its humor, emotional honesty, and glimpse of almost unfathomable decency in a world as untidy as Hoffman's Rastafarian locks, this film rises to a place among my all time favorites-- along with David Mamet's "State and Main". Although Hoffman's wonderfully imagined writer in the Mamet film shares some of Jack's ingenuous sensibility, Glaudini's writing and Hoffman's embodiment invest the doughy type with the necessary twiggy fiber to make the character heart-achingly real. Trailers and reviews give lots of specifics about plot, but thankfully do not catalogue all the film's pleasures. Jack and his boating date, Connie, are both outsiders and both uncannily patient-- driven perhaps more by uncompromising values than by fear. Clyde and Lucy, the aggressively magnanimous pair who mentor the new couple provide an important counterpoint. And all four actors in these central roles leave their egos someplace outside the frame enabling us to enjoy every surprising ripple of character. With the plot's unfolding, we are not taken for a ride but for a journey.
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