| Julia McKenzie | ... | Miss Marple | |
| Sean Biggerstaff | ... | Bobby Attfield | |
| David Buchanan | ... | John Carstairs | |
| Siwan Morris | ... | Florrie | |
| Helen Lederer | ... | Marjorie Attfield | |
| Georgia Moffett | ... | Frankie Derwent | |
| Samantha Bond | ... | Sylvia Savage | |
| Richard Briers | ... | Wilson | |
| Freddie Fox | ... | Tom Savage | |
| Rik Mayall | ... | Alec Nicholson | |
| Hannah Murray | ... | Dorothy Savage | |
| Rafe Spall | ... | Roger Bassington | |
| Natalie Dormer | ... | Moira Nicholson | |
| Warren Clarke | ... | Commander Peters | |
| Mark Williams | ... | Claude Evans | |
| Basher Savage | ... | Young George Savage | |
| Sarah Ridgeway | ... | Young Sylvia | |
| Rupert Savage | ... | Young Jack Savage | |
| rest of cast listed alphabetically: | |||
| Aaron King | ... | Butler (uncredited) | |
| Chris Mansfield | ... | Wilson the Butler - Younger (uncredited) | |
Directed by | |||
| Nicholas Renton | |||
Writing credits | ||
| Agatha Christie | (based on the novel by) | |
| Patrick Barlow | (screenplay) | |
Original Music by | |||
| Dominik Scherrer | |||
Cinematography by | |||
| Gavin Finney | (director of photography) | ||
Film Editing by | |||
| Kevin Lester | |||
Casting by | |||
| Susie Parriss | |||
Production Design by | |||
| Jeff Tessler | |||
Art Direction by | |||
| Miranda Cull | |||
Costume Design by | |||
| Andrea Galer | |||
Makeup Department | |||
| Alison Elliott | .... | makeup designer | |
| Julie Kendrick | .... | makeup artist | |
| Natalie Reid | .... | makeup artist | |
Production Management | |||
| Kate Stannard | .... | post-production supervisor | |
Art Department | |||
| Tim Bonstow | .... | props buyer | |
| Fred Foster | .... | stand-by construction | |
| Paul Gilpin | .... | supervising art director | |
| Jim Grindley | .... | prop master | |
| Andrew Lavin | .... | stand-by art director | |
| Richard MacMillan | .... | stand-by props (as Richard Macmillian) | |
| Robert Muskett | .... | stand-by construction (as Bob Muskett) | |
| Mike Rawlings | .... | dressing props | |
| Neil Smith | .... | stand-by props | |
| Mike Syson | .... | dressing props | |
| Gus Wookey | .... | construction manager | |
| Naomi Moore | .... | assistant production buyer (uncredited) | |
| Craig Price | .... | prop storeman (uncredited) | |
Sound Department | |||
| John Downer | .... | supervising sound editor | |
| Sarah Morton | .... | dialogue editor | |
| Ashley Reynolds | .... | boom operator | |
| Andrew Sissons | .... | sound recordist | |
| Nigel Squibbs | .... | dubbing mixer | |
| Naomi Dandridge | .... | adr recordist (uncredited) | |
| Tom Deane | .... | adr mixer (uncredited) | |
| Simon Epstein | .... | foley mixer & editor (uncredited) | |
| Nigel Squibbs | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Graham Longhurst | .... | special effects coordinator | |
Visual Effects by | |||
| Chris Mortimer | .... | visual effects supervisor | |
| Earle Stuart Callender | .... | visual effects producer (uncredited) | |
| Metin Gungor | .... | senior matte painter (uncredited) | |
| Iain Read | .... | visual effects artist (uncredited) | |
| Simon Rowe | .... | visual effects (uncredited) | |
| Yolanda Rubio | .... | visual effects artist (uncredited) | |
Stunts | |||
| Tom Lucy | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Richard Brierley | .... | focus puller | |
| Paul Donachie | .... | camera operator | |
| Ben Gibb | .... | clapper loader | |
| Woody Gregson | .... | clapper loader | |
| Jimmy Harris | .... | best boy | |
| Paul Hatchman | .... | grip | |
| David Hedges | .... | focus puller | |
| Gavin Walters | .... | lighting gaffer | |
| Paul Donachie | .... | a-camera/steadicam operator (uncredited) | |
| Simon Muir | .... | assistant grip (uncredited) | |
| Adam Walker | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Miranda King | .... | costume supervisor | |
| Gini Lewis | .... | costume assistant | |
| Nadine Powell | .... | assistant costume designer | |
| Diana Wyand | .... | costume assistant | |
Editorial Department | |||
| Simon Giblin | .... | on-line editor | |
| Kevin Horsewood | .... | telecine colourist | |
| Amar Ingreji | .... | assistant editor | |
Music Department | |||
| Richard Hammarton | .... | composer: additional music | |
Transportation Department | |||
| David Grose | .... | transportation captain (uncredited) | |
Other crew | |||
| Julie Burnell | .... | production executive | |
| Natalie Cheary | .... | publicist | |
| Sue Hills | .... | script supervisor | |
| Thomas Hirst | .... | production secretary | |
| Faiza Hosenie | .... | production coordinator | |
| Peter Mares | .... | publicist | |
| Ben Newman | .... | script editor | |
| Robin Pim | .... | location manager | |
| Caroline Russell | .... | production accountant | |
| Joanna Sanders | .... | assistant production accountant | |
| Patrick Smith | .... | publicist | |
| Mark Walledge | .... | assistant location manager | |
| Tracey Waller | .... | title design | |
| Julie Burnham | .... | unit nurse (uncredited) | |
| Kelly Mauchlen | .... | location assistant (uncredited) | |
| Recent Posts (updated daily) | User |
|---|---|
| Rupert Savage | lookn4smitty |
| Rubbish | peterjerome8 |
| The gun - ENDING SPOILERS | kristoffer-holmquist |
| Flying Squad | boomcoach |
| The ending - SPOILER!!! | kornegayn |
| Music? | lioni-meyer |
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| Miss Marple: Nemesis | Murder She Said | Dead Man's Folly | The Constant Gardener | One Is Guilty |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb UK section |
Indescribably preposterous! Slightly better than a poke in the eye with a sharp stick...SLIGHTLY! Absolute rubbish!!
Nothing more need be said about this grotesquely mutilated (Miss Marple does not appear in Dame Agatha's original, sniff, sniff.) perversion of Agatha Christie's moderately readable, but by no means vintage, whodunit. It has been "revised" beyond recognition by the screen writer (whose name I do not know, nor do I wish to know it) and were it not for the fact that this website requires that the utterly dismissible (In the instant case, the subject ghastly flop) be discussed at length (ten line minimum comment...can you imagine? What can these people be thinking of?) I should not have wasted any more of the readers time than it would have taken to read the opening volley! My apologies but, it seems the entertainment industry's appetite for discourse upon itself has no limits. Alas!