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Directed by | |||
| Hue Rhodes | |||
Writing credits | ||
| Hue Rhodes | (written by) | |
Produced by | |||
| David Alpert | .... | executive producer | |
| Wren Arthur | .... | executive producer | |
| Mark Burton | .... | producer | |
| Steve Buscemi | .... | executive producer | |
| Stephen Dyer | .... | line producer | |
| David Engel | .... | executive producer | |
| David S. Greathouse | .... | co-executive producer (as David Greathouse) | |
| Jeremy Kopp | .... | co-executive producer | |
| Spike Lee | .... | executive producer | |
| Lawrence Mattis | .... | producer | |
| Kelly McCormick | .... | producer | |
| Akua Murphy | .... | associate producer | |
| Stanley Tucci | .... | executive producer | |
| Matt Wall | .... | producer | |
Original Music by | |||
| David Torn | |||
Cinematography by | |||
| Giles Nuttgens | (director of photography) | ||
Film Editing by | |||
| Annette Davey | |||
Casting by | |||
| Heidi Levitt | |||
| Latrell Manuel | (uncredited) | ||
Production Design by | |||
| Rosario Provenza | |||
Set Decoration by | |||
| Marcia Calosio | |||
Costume Design by | |||
| Lisa Jensen | |||
Makeup Department | |||
| Gretchen Bright | .... | makeup department head | |
| Sheila Trujillo | .... | key assistant makeup artist | |
Production Management | |||
| Stuart Macphee | .... | post-production supervisor | |
| John N. Ward | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Craig Borden | .... | first assistant director | |
| Michael Feldman | .... | second second assistant director | |
| Angie Meyer | .... | key second assistant director | |
| Matt Wall | .... | second unit director | |
Art Department | |||
| Alan Chao | .... | art department coordinator | |
| Jason Davis | .... | property master | |
| Brian DeLara | .... | on-set dresser | |
| Ronald O. Jaynes | .... | construction coordinator | |
| Leigh Anne Montaño | .... | set decorations shopper/buyer (as Leigh Anne Stoudenmire) | |
| Kristen Rakes | .... | art department production assistant | |
| Dan Sissons | .... | property master | |
| Gary Thomas | .... | storyboard artist | |
Sound Department | |||
| James Bailey | .... | foley artist | |
| Brett Becker | .... | utility sound | |
| David Brownlow | .... | sound mixer | |
| Chris David | .... | sound re-recording mixer | |
| Brian Dunlop | .... | sound effects editor | |
| Cole Gittinger | .... | boom operator | |
| Robert Jackson | .... | sound designer | |
| Robert Jackson | .... | supervising sound editor | |
| Goeun Lee | .... | foley editor | |
| Tim Limer | .... | sound recordist | |
| Travis MacKay | .... | adr recordist | |
| Michael Miller | .... | adr mixer | |
| Geordy Sincavage | .... | foley mixer | |
| Matt Snedecor | .... | adr recordist | |
| Michael Suarez | .... | adr recordist | |
| Eric Thompson | .... | adr mixer | |
| Callie Thurman | .... | assistant sound editor | |
Special Effects by | |||
| Doug Butts | .... | special effects technician | |
| Scott Hastings | .... | special effects coordinator | |
Visual Effects by | |||
| Joseph DiValerio | .... | visual effects | |
| William Kessler | .... | motion graphics | |
| Chris Ward | .... | digital intermediate producer | |
Stunts | |||
| Mark Brooks | .... | stunt coordinator | |
| Matthew Lee Christmas | .... | stunt double | |
| David Ott | .... | stunt double: full fire burn | |
| David Ott | .... | stunt performer | |
| Mark Rayner | .... | stunts | |
| Jay Torrez | .... | stunts | |
Camera and Electrical Department | |||
| Adam Achiardi | .... | electrician | |
| Troy Anderson | .... | set lighting technician | |
| Robert E. Arnold | .... | grip (as Robert Arnold) | |
| Bradley Barnes | .... | lighting technician | |
| Kenneth Coblentz | .... | dolly grip | |
| Joe Abraham Dean | .... | lighting console programmer | |
| Dan Delgado | .... | gaffer | |
| Frank Eyers | .... | 24 frame playback operator | |
| Kristopher Hardy | .... | assistant camera | |
| Cathy Kanavy | .... | still photographer | |
| Craig Kohlhoff | .... | Steadicam operator | |
| Lauren Petzke | .... | additional electrician | |
| Gabriel Pfeiffer | .... | first assistant camera: "a" camera | |
| Gary Sauer | .... | grip | |
| Paige Thomas | .... | camera operator | |
| Paige Thomas | .... | director of photography: second unit | |
| Corey Weintraub | .... | second assistant camera: "a" camera | |
Casting Department | |||
| Jill Dupont | .... | casting associate | |
| Lisa Essary | .... | casting associate | |
| Lauren Fernandes | .... | casting associate | |
| Dann Fink | .... | adr voice casting | |
| Angelique Midthunder | .... | casting director: New Mexico | |
Costume and Wardrobe Department | |||
| Deborah Andrews | .... | cutter/fitter | |
| Roberta Souder Langhofer | .... | key set costumer | |
| Cassidy Zachary | .... | set costumer | |
Editorial Department | |||
| Prince Bagdasarian | .... | high definition coordinator | |
| Julius Friede | .... | digital intermediate colorist | |
| David Graubard | .... | digital intermediate senior systems engineer | |
| Jon Pehlke | .... | on-line editor | |
| Sarah Priestnall | .... | digital intermediate producer | |
| David Vendette | .... | assistant editor | |
Music Department | |||
| Dondi Bastone | .... | music supervisor | |
| Sam Zeines | .... | music editor | |
Thanks | |||
| Robert Nickson | .... | special thanks | |
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| Chicago | Taking Woodstock | Heartbreak Ridge | Hollywood, je t'aime | The Prize Winner of Defiance, Ohio |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
John (Steve Buscemi), a recovering gambler, is sent back to Las Vegas by his employer to research insurance fraud. Along the way he must face junkyard thugs, a crippled stripper and try to maintain a relationship with his less-than-stable girlfriend (Sarah Silverman).
This story is somehow based on the writings of Dante Aligheri. I don't see it. I freely admit by knowledge of "Inferno" and "Paradiso" is not on the level it could be, but this had to be a very loose interpretation to say the least. However, regardless of the source material, the finished product is a gem that sadly did not get the full attention it deserved. This should have been a major theatrical release and success rather than a film festival darling.
Sure, it has that "independent" feel to it, like a darker "Garden State"... but if people like Wes Anderson can make it big off of the indie film feeling, why not this film? Steve Buscemi has a huge cult following, as does Sarah Silverman. Buscemi was what attracted me to this film -- he has never failed to disappoint me in any of his roles from "Big Lebowski" to "Ghost World" to "Reservoir Dogs". One of the biggest flaws another indie film, "Floundering", made was using Buscemi too little.
The directing is tight, the story is tight... the word "tight" is really the way to describe this film. The pace keeps steady, with never a dull moment despite not really being anything close to an action film. John is a perfect everyman inserted into odd situations (did I mention the nudists?) so we can both sympathize with him, yet enjoy that he has quirks we wouldn't, and weaknesses we do not. It is as though watching our best friend on an adventure.
If you missed this one on the festival circuit (and let's be frank, most of us do not have the luxury of attending them), please do yourself a favor and rent this film, or perhaps even purchase it. I think it's the kind of film that will have a strong word-of-mouth fan base, and it would be in your best interest to discover it before all your friends have first. So many films slip under the radar... don't let "Saint John of Las Vegas" be one of them.