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In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.

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Cast

Cast overview, first billed only:
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Joe
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...
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Abe
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Cid
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Old Joe's Wife (as Summer Qing)
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Beatrix
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...
...
Dale
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Zach
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Gat Man
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Storyline

In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.

Plot Summary | Plot Synopsis

Taglines:

Hunted by your future. Haunted by your past. See more »


Motion Picture Rating (MPAA)

Rated R for strong violence, language, some sexuality/nudity and drug content | See all certifications »

Parents Guide:

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Details

Official Sites:

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Release Date:

28 September 2012 (USA)  »

Also Known As:

Looper: Asesinos del futuro  »

Filming Locations:

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Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend:

$20,801,552 (USA) (28 September 2012)

Gross:

$66,468,315 (USA) (28 December 2012)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The red car Joe drives is a mark 1 Mazda MX5 (aka Miata). The car was originally manufactured between 1990 and 1998 as is in keeping with Joe's late 20th century "retro" style. See more »

Goofs

When Joe is talking to Cid in the kitchen at night, Cid has a noticeable gap in one of his front teeth. In the next scene Cid is talking to his mother Sarah and still has a very wobbly baby tooth where the gap was previously. See more »

Quotes

[first lines]
Joe: Time travel has not yet been invented. But thirty years from now, it will have been. It will be instantly outlawed, used only in secret by only the largest criminal organizations. It's nearly impossible to dispose of a body in the future... I'm told. Tagging techniques, whatnot. So when these criminal organizations in the future need someone gone, they use specialized assassins in our present called "Loopers." And so, my employers in the future nab the target, they zap them back to...
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Connections

References Pulp Fiction (1994) See more »

Soundtracks

I Want to See the Bright Lights Tonight
Written by Richard Thompson
Performed by Richard Thompson and Linda Thompson
Courtesy of Island Records Limited
Under license from Universal Music Enterprises
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Frequently Asked Questions

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User Reviews

 
Refreshingly original
27 September 2012 | by (New Zealand) – See all my reviews

Sitting here the day after viewing Rian Johnson's Looper, parts of it are still falling in to place. Standing out amongst this years crop of mostly underwhelming sequels and comic book adaptations, Looper thunders onto the screen, showing, much like Inception did two years ago, that there is a place in 2012 for fresh material and just how good it can be when it's done right.

The film tells the story of Joe (Joseph Gordon-Levitt), a hit-man for an organised crime syndicate tasked with assassinating targets sent from the future. After being confronted with his future self (Bruce Willis) and failing to perform, Young Joe is forced to track down Old Joe and finish the job before being tracked down himself by the nefarious mob led by Abe (Jeff Daniels). However there is much more to the story than the basic premise, and Johnson isn't afraid to keep details close to his chest until later in the film than most movies of this type, so I won't spoil them here.

While certainly paying subtle homage to its predecessors, Looper is a stunningly original sci-fi masterpiece, vastly superior to any of the higher profile action releases this year. While certainly made on a much larger playing field than Johnson's previous work (Brick, The Brothers Bloom), there is still a small-scale, independent feel to the film, and it benefits from clearly staying completely under the control of the young director. Delivering excitement sprinkled with thoughtful themes of personal sacrifice, he offers us much to chew on.

Johnson understands that a successful action film doesn't need an explosion every ten minutes, and allows ample time for developing character and story, something which will likely divide audiences. Looper is very deliberately constructed, and after the highly charged opening establishing the intricate time-travel premise and direction of the plot, Johnson scales back the action almost too much as he ambitiously juggles the many and varied story elements he has created. Thankfully, any weakness in the middle of the film is largely overshadowed as Johnson launches the third act with such ferocity that the stark change of pace leaves you breathless.

Despite the problems in the middle of the film, Looper overcomes its flaws purely by being that rare beast in Hollywood nowadays, the totally original script. Not an adaptation, not a sequel or remake, but a fresh idea from the mind of an immensely talented young film-maker. In a perfect world, Looper would be the game changer it deserves to be, slapping Hollywood studios across the face and announcing that not everything has to be a PG-13 franchise based on a comic book. It's unlikely that this will the case, and it remains to be seen whether or not the film will even be a success, but it's encouraging to see that there are young auteurs at work who are fighting to craft new and exciting stories, even if we only get to see the results every year or two.

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