In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
Damien and Leito return to District 13 on a mission to bring peace to the troubled sector that is controlled by five different gang bosses, before the city's secret services take drastic measures to solve the problem.
A futuristic prison movie. Protagonist and wife are nabbed at a future US emigration point with an illegal baby during population control. The resulting prison experience is the subject of ... See full summary »
In a futuristic world that has embraced ape slavery, Caesar, the son of the late simians Cornelius and Zira, surfaces after almost twenty years of hiding out from the authorities, and prepares for a slave revolt against humanity.
J. Lee Thompson
In the year 2044, a man working for a group of killers called "Loopers" (they work for the mob and kill people who are sent blindfolded back in time from the year 2074 by their bosses) recognizes a victim as himself. He hesitates resulting in the escape of his older self. Written by
A diner was built in the small town of Thibodaux, LA (about an hour west of New Orleans) where all of the diner interior/exterior scenes were shot. Locals saw the diner set and kept asking the film crew on when the new diner was going to open. Director Rian Johnson was later told that the diner set was still standing after Hurricane Isaac moved through in September 2012. See more »
The young Joe is right-handed, the older one played by Bruce Willis, is left-handed. See more »
Time travel has not yet been invented. But thirty years from now, it will have been. It will be instantly outlawed, used only in secret by only the largest criminal organizations. It's nearly impossible to dispose of a body in the future... I'm told. Tagging techniques, whatnot. So when these criminal organizations in the future need someone gone, they use specialized assassins in our present called "Loopers." And so, my employers in the future nab the target, they zap them back to...
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To begin, Looper is a sci-fi film set in the future, dealing with the implications of time-travel, although it is very much a film about the past. The film is all about the past, how it affects the present and the future and how it drives people with the majority of the film building characters and establishing plot.
Anyone looking for an action film will be sorely disappointed because this is first and foremost a writer's film, focusing on plot, character and dialogue. As mentioned above, the brunt of the film falls on development, more so than action set-pieces and CGI. The portions of the city and the near future Johnson has created, whilst some may see as unoriginal, I see as tributary. A lawless country split socially in half, poverty on one side, excess on the other, the world Johnson has manufactured carries an air similar to that of Alfonso Cuaron's Children of Men, a comparably important sci-fi film in the struggle to build the credibility of the genre in the realm of modern cinema.
Not only is the film intelligent, it also acts as a courier for Johnson, a director of hit (Brick) and miss (The Brothers Bloom) repute following his sophomore outing.
If you support intelligent science fiction in the intellectual vein of Inception and Primer, Looper is a film sitting firmly in the middle of the two. Break the box office with this film and bring intelligence back to film-making.
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