In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
Damien and Leito return to District 13 on a mission to bring peace to the troubled sector that is controlled by five different gang bosses, before the city's secret services take drastic measures to solve the problem.
A futuristic prison movie. Protagonist and wife are nabbed at a future US emigration point with an illegal baby during population control. The resulting prison experience is the subject of ... See full summary »
In the year 2044, a man working for a group of killers called "Loopers" (they work for the mob and kill people who are sent blindfolded back in time from the year 2074 by their bosses) recognizes a victim as himself. He hesitates resulting in the escape of his older self. Written by
When Sarah is doing multiplication tables with Cyd, the first tile we see him place (56) moves repeatedly between shots - it's correctly on 7x8 from his point of view, but the tile is on 7x9 when we move to her point of view. The next tile (32), which he supposedly places on 8x3, is actually placed on 7x8, adjacent to the incorrectly-placed first tile from Sarah's point of view See more »
Time travel has not yet been invented. But thirty years from now, it will have been. It will be instantly outlawed, used only in secret by only the largest criminal organizations. It's nearly impossible to dispose of a body in the future... I'm told. Tagging techniques, whatnot. So when these criminal organizations in the future need someone gone, they use specialized assassins in our present called "Loopers." And so, my employers in the future nab the target, they zap them back to...
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i always approach a film especially when it is classified as scifi with liberal suspension of disbelief. because it is only through that that i was able to appreciate such scifi gems as Stargate and Fifth Element and many other that were otherwise written off by these so-called critics.
Looper is one of those films that should be appreciated by its message more than its genre. it uses the science fiction medium, complete with action stunts and wonders, as an apt and well-sculpted vehicle to a very beautiful message of self-sacrifice and positive reinforcement parenthood. the film goes to extra length to make the story plausible and solid and the actors, including the 'rainmaker' child, did a marvelous job of pulling it off.
i've always believed that the soul of any film, even as i appreciate great plot twists and great special fx and great acting and direction (yeah, i said great too many times!), is the message and/or portrait it intends to get across. Looper made a kill for it.
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