In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
Damien and Leito return to District 13 on a mission to bring peace to the troubled sector that is controlled by five different gang bosses, before the city's secret services take drastic measures to solve the problem.
A futuristic prison movie. Protagonist and wife are nabbed at a future US emigration point with an illegal baby during population control. The resulting prison experience is the subject of ... See full summary »
In a futuristic world that has embraced ape slavery, Caesar, the son of the late simians Cornelius and Zira, surfaces after almost twenty years of hiding out from the authorities, and prepares for a slave revolt against humanity.
J. Lee Thompson
In the year 2044, a man working for a group of killers called "Loopers" (they work for the mob and kill people who are sent blindfolded back in time from the year 2074 by their bosses) recognizes a victim as himself. He hesitates resulting in the escape of his older self. Written by
Emily Blunt revealed that she agreed to star in the movie after reading half of the script. She didn't even know what her character was. See more »
Before Joe's first meeting with Abe, Kid Blue is messing around with his gun, eventually winding up pointing it at Joe and cocking the hammer. The film cuts to a shot of Joe, then to a shot of Kid Blue pointing the gun at Joe with the hammer uncocked. The next shot of Kid Blue shows him with his thumb on the cocked hammer. See more »
Time travel has not yet been invented. But thirty years from now, it will have been. It will be instantly outlawed, used only in secret by only the largest criminal organizations. It's nearly impossible to dispose of a body in the future... I'm told. Tagging techniques, whatnot. So when these criminal organizations in the future need someone gone, they use specialized assassins in our present called "Loopers." And so, my employers in the future nab the target, they zap them back to...
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I wish the writer had finished the movie he started
Don't get me wrong; this movie is very well made. It was well acted, shot and directed. I was never bored.
But I started out watching a movie about a hit man who shoots mob victims sent back in time from the future, and knows that his final victim will be his older self. Interesting idea--even if it's not very plausible. But okay, let's just run with it. That's the movie I saw in the trailers, the one I expected to see.
So, when his future self comes back, present-day self hesitates for a moment and future self gets the drop on him and runs off. Now present-day self must hunt down and kill future self. Also interesting.
But then, it's all about a telekinetic farm kid who will one day rule the world with an iron fist. . . er, brain. . . if he isn't stopped.
Huh. . . ? Where the hell did that come from? I know, I know, it's foreshadowed by showing us that 10% of the population has trivial telekinetic powers. They can make coins float above their hands.
But to me, this film starts one story and then switches in mid-stream to a story stemming from a second, unrelated science fiction premise.
While it was refreshing that the movie didn't just turn into a series of action sequences in which JGL tries to kill BW (which would have been a pretty one-sided conflict, admittedly) I found this shift in emphasis to be far more distracting than Joseph Gordon-Levitt's prosthetic nose. Which I never had a problem with.
Anyway, I appear to be the only one bothered by this so just go ahead and enjoy the movie.
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