In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
With the help of a mysterious pill that enables the user to access 100 percent of his brain abilities, a struggling writer becomes a financial wizard, but it also puts him in a new world with lots of dangers.
In the year 2154, the very wealthy live on a man-made space station while the rest of the population resides on a ruined Earth. A man takes on a mission that could bring equality to the polarized worlds.
As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.
Joe is classified as a "looper", a job in which his employers use time travel to send men from the future to be killed into the past, where Joe can properly dispose of their bodies. However, to tie up loose ends and erase the evidence of his ever being a looper, Joe knows that one day his future self will be sent back for him to kill. When this day comes, Joe's future self is prepared and escapes, and the two men struggle separately in the past trying to evade capture and attempting to fulfill their own personal agendas. Written by
The script originally called for Joe to move to Paris when he got older, which is why he spends the early scenes trying to learn French. However, Rian Johnson soon realized that they didn't have the money to shoot in Paris. He considered using New Orleans to "stand in" for Paris, but rejected that idea. The Chinese distributor for the film offered to pay for the crew to film in Shanghai, and Johnson accepted, both because it solved the Paris problem, and because he felt Shanghai better reflected the future setting of the movie. See more »
Late in the movie, when they are in the field, there are rows of some crop (maybe peanuts) then in another scene, the field is freshly plowed. Then there is grass or corn shown in the field. See more »
Time travel has not yet been invented. But thirty years from now, it will have been. It will be instantly outlawed, used only in secret by the largest criminal organizations. It's nearly impossible to dispose of a body in the future... I'm told. Tagging techniques, whatnot. So when these criminal organizations in the future need someone gone, they use specialized assassins in our present called "loopers." And so, my employers in the future nab the target, they zap him back to me, ...
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To begin, Looper is a sci-fi film set in the future, dealing with the implications of time-travel, although it is very much a film about the past. The film is all about the past, how it affects the present and the future and how it drives people with the majority of the film building characters and establishing plot.
Anyone looking for an action film will be sorely disappointed because this is first and foremost a writer's film, focusing on plot, character and dialogue. As mentioned above, the brunt of the film falls on development, more so than action set-pieces and CGI. The portions of the city and the near future Johnson has created, whilst some may see as unoriginal, I see as tributary. A lawless country split socially in half, poverty on one side, excess on the other, the world Johnson has manufactured carries an air similar to that of Alfonso Cuaron's Children of Men, a comparably important sci-fi film in the struggle to build the credibility of the genre in the realm of modern cinema.
Not only is the film intelligent, it also acts as a courier for Johnson, a director of hit (Brick) and miss (The Brothers Bloom) repute following his sophomore outing.
If you support intelligent science fiction in the intellectual vein of Inception and Primer, Looper is a film sitting firmly in the middle of the two. Break the box office with this film and bring intelligence back to film-making.
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