In 2074, when the mob wants to get rid of someone, the target is sent 30 years into the past, where a hired gun awaits. Someone like Joe, who one day learns the mob wants to 'close the loop' by transporting back Joe's future self.
Damien and Leito return to District 13 on a mission to bring peace to the troubled sector that is controlled by five different gang bosses, before the city's secret services take drastic measures to solve the problem.
A futuristic prison movie. Protagonist and wife are nabbed at a future US emigration point with an illegal baby during population control. The resulting prison experience is the subject of ... See full summary »
In the year 2044, a man working for a group of killers called "Loopers" (they work for the mob and kill people who are sent blindfolded back in time from the year 2074 by their bosses) recognizes a victim as himself. He hesitates resulting in the escape of his older self. Written by
Emily Blunt revealed that she agreed to star in the movie after reading half of the script. She didn't even know what her character was. See more »
When Paul Dano's character Seth is at young Joe's apartment waiting for the hit men to kill him, his nose is runny /not running / runny again. See more »
Time travel has not yet been invented. But thirty years from now, it will have been. It will be instantly outlawed, used only in secret by only the largest criminal organizations. It's nearly impossible to dispose of a body in the future... I'm told. Tagging techniques, whatnot. So when these criminal organizations in the future need someone gone, they use specialized assassins in our present called "Loopers." And so, my employers in the future nab the target, they zap them back to...
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I would have thought it doubtful that anyone could have anything new to add to the sci-fi sub category of time travel movies. After watching Looper yesterday, i'm happy to report that Rian Johnson has removed those doubts and given me hope that sci-fi in Hollywood can be more than just empty spectacle.
First off i would say, don't get discouraged from watching the film if you think its going to be too complex or difficult to follow. To follow the story and recognise characters motivations does require a little concentration, but not to the point that you wont enjoy the action beats and other more visceral elements.
The story is well constructed, information and plot points are presented at an entertaining and well judged pace. There are some nice little throw away visual references and metaphors which, if you catch them, add a nice texture to the story and stop it feeling too clinical in its plotting.
The script is tight, hard edged and very dry in its humour, the actors are fantastic. I think its fair to say that Joseph Gordon-Levitt is well on his way to being "one to watch", Bruce Willis pops back to life here, clearly enjoying himself again, (although i wouldn't say this is solely a Bruce Willis movie in that definition).
This is a brilliant movie experience, its an wholly original and entertaining idea, that the writer/director has managed to successfully transpose to film without, it would appear to a layman, pressure or interference from external sources.
No matter how much of a good time you will have watching this film (and you will), Hollywood could stand to learn much more from it.
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