A man takes his thoroughly-British daughter to his home country, India. There, he arranges a marriage to someone she considers a fool. The daughter attempts to outwit them, but the groom quietly and patiently hatches his own plan.
Two straight guys pretend to be gay in order to secure a Miami apartment. When both of them fall for their roommate Neha, hilarity ensues as they strive to convince one and all that they're gay, secretly trying to win her heart.
Two friends are searching for their long lost companion. They revisit their college days and recall the memories of their friend who inspired them to think differently, even as the rest of the world called them "idiots".
Salaam Namaste is about two Indians who have left their houses to make a life on their own, and how they meet and how they tackle their own relationships and problems and overcome them themselves without their families.
About a guy whose life didn't quite turn out how he wanted it to and wishes he could go back to high school and change it. He wakes up one day and is seventeen again and gets the chance to rewrite his life.
After breaking up with his childhood sweetheart, a young man finds solace in drugs. Meanwhile, a teenage girl is caught in the world of prostitution. Will they be destroyed, or will they find redemption?
London-based Jai Vardhan Singh and Meera Pandit meet, fall in love, and she introduces him to her family. Shortly thereafter, they decide to part as she wants to re-locate to India to restore heritage buildings, while he re-locates to America. Restauranteur Veer Singh attempts to convince Jai to pursue her, as he had pursued Harleen Kaur back in 1965 India, but Jai moves on and falls in love with Caucasian Jo, while Meera is all set to get marry her employer, Vikram Joshi. Written by
Imtiaz Ali has made 3 films now - Socha Na Tha, Jab We Met and Love Aaj Kal - he seems to be getting better and better with each film.He seems to be becoming a better director as well as writer with each film.
It is very rare to find Hindi films where people talk like people - with conversations having logical conclusions and transitions. This whole film is built on people having conversations and learning about each other and figuring themselves out through these conversations. I remember Siskel & Ebert lamenting on their show that in the movies, people mention that they have professions and yet never seem to be working at their so called job - but in this film, they do. The script
oh the script! Very smart, no dumbing down, no manipulative
melodrama. I recently saw (500) Days of Summer and thematically and in tone these two are similar.
Also technically, Ali seems to have grown tremendously as a director - he is very good here in terms of shooting on location without getting unnecessarily enamoured or indulgent.
This movie has three performances really - Saif, Deepika and Rishi Kapoor. All have done tremendous justice to their characters; they are also very fortunate that the script provided them with 3-dimensional characters. A special mention for the young Brazilian lady who plays Harleen Kaur in the movie - she is so breathtakingly beautiful and very convincingly Indian.
The only blemish for me was Pritam's music and the song placement of that twist song. Pritam was so brilliant in Jab We Met that he actually accentuated the viewing pleasure of that film - but here, his music - though not bad - seems to distract from it.
As good as this film is, something tells me that Imtiaz Ali is just getting started and that he is a lot more gutsy and genuinely hatke than we have seen so far. And that is a wonderfully scary thought.
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