A man takes his thoroughly-British daughter to his home country, India. There, he arranges a marriage to someone she considers a fool. The daughter attempts to outwit them, but the groom quietly and patiently hatches his own plan.
Two straight guys pretend to be gay in order to secure a Miami apartment. When both of them fall for their roommate Neha, hilarity ensues as they strive to convince one and all that they're gay, secretly trying to win her heart.
Two friends are searching for their long lost companion. They revisit their college days and recall the memories of their friend who inspired them to think differently, even as the rest of the world called them "idiots".
Salaam Namaste is about two Indians who have left their houses to make a life on their own, and how they meet and how they tackle their own relationships and problems and overcome them themselves without their families.
About a guy whose life didn't quite turn out how he wanted it to and wishes he could go back to high school and change it. He wakes up one day and is seventeen again and gets the chance to rewrite his life.
After breaking up with his childhood sweetheart, a young man finds solace in drugs. Meanwhile, a teenage girl is caught in the world of prostitution. Will they be destroyed, or will they find redemption?
London-based Jai Vardhan Singh and Meera Pandit meet, fall in love, and she introduces him to her family. Shortly thereafter, they decide to part as she wants to re-locate to India to restore heritage buildings, while he re-locates to America. Restauranteur Veer Singh attempts to convince Jai to pursue her, as he had pursued Harleen Kaur back in 1965 India, but Jai moves on and falls in love with Caucasian Jo, while Meera is all set to get marry her employer, Vikram Joshi. Written by
Grows on you as it goes by, but still remains uninspiring and predictable.
I was quite disappointed by Imtiaz Ali's Love Aaj Kal. So much hype before and after release, and for what? For an ordinary story with nothing new to offer. The film is light and simple, but while in some cases these are the good qualities of a film, in this case, these are actually the film's pitfalls. There is actually no real story to speak of, and the film is slow-paced and at times simply boring. Love Aaj Kal is about a young guy named Jai who just ended his relationship with his girlfriend Meera. He then meets a mature Sardar named Veer Singh who tells him of his own story. From then on, the past and the present run concurrently. Saif Ali Khan plays Jai, and in the flashbacks, he plays the young Veer, whose older version is played by Rishi Kapoor. This kind of narrative style is not one to my liking, but it could have been more interesting had it been used and treated differently. For one, I could not understand why Ali had to cast Khan to play the young Rishi Kapoor. If there was some family connection between the characters of Veer and Jai, it would be more tolerable. Also, one has to note that there is absolutely zero resemblance between Khan and Kapoor, which makes it quite odd that the former played the younger version of the latter.
The film is not unwatchable by any means, but it is just not a film I personally would want to watch again. There are good things about it, no doubt, but they cannot save the story from being stale and uninspiring. The songs are quite nice to listen to, particularly "Yeh Dooriyan", which is wonderfully sung by Mohit Chauhan, and "Aaj Din Chadheya". The entire soundtrack really fits the film's mood. Saif Ali Khan repeats his young, carefree Don Juan role as Jai. His character has shades of Karan from Hum Tum (according to me his career-best), where he played a modern, cool and kind-hearted womaniser. Khan in an actor of unmatched comic talent, and though he is a bit old to play a character of this sort, here too he performs well and successfully portrays his character's gradual growth. The problem is, as said, casting him in the role of the young Veer. A younger actor would be a more interesting choice for the part. Deepika Padukone is an extremely pretty and attractive lass, and her smile lights up the screen, but something is missing there. Though she does well in some sequences, she fails to register the growth in her character. Rishi Kapoor is wonderful as Veer Singh, Rahul Khanna is okay as Vikay, and Giselle Monteiro is decent as Harleen.
Love Aaj Kal has some nice sequences. It was quite funny to see Jai and Meera celebrating their separation, and then regretting it after realising their true feelings for each other. The dialogues are good for the most part. Loved the scene in which Jo, Jai's new girlfriend who is played by a foreign beauty called Florence Brudenell-Bruce, decides to leave him as she notices his indifference towards their relationship. The film can be an entertaining watch with family and friends, though towards the end it has its share of clichés and becomes very predictable. After watching a charming and entertaining piece like Jab We Met, I had high expectations from this Imtiaz Ali film. Unfortunately, in this one the chemistry between the leads is missing, and though the film grows on you as it nears the end, it ends up being worthy of just a one-time watch. I am sure Ali is capable of making much more than just an ordinary love story like this one. Hope he does so in the future.
6 of 12 people found this review helpful.
Was this review helpful to you?