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The Tempest (2010)

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Shakespeare's epic play is translated from page to screen, with the gender of the main character, Prospero, changed from male to female.

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(screenplay), (play)
Nominated for 1 Oscar. Another 2 wins & 3 nominations. See more awards »

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Jude Akuwudike ...
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Prince Ferdinand
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David Scott Klein ...
Prospera's Husband
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Storyline

In Julie Taymor's version of 'The Tempest,' the main character is now a woman named Prospera. Going back to the 16th or 17th century, women practicing the magical arts of alchemy were often convicted of witchcraft. In Taymor's version, Prospera is usurped by her brother and sent off with her four-year daughter on a ship. She ends up on an island; it's a tabula rasa: no society, so the mother figure becomes a father figure to Miranda. This leads to the power struggle and balance between Caliban and Prospera; a struggle not about brawn, but about intellect. Written by Anonymous

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Motion Picture Rating (MPAA)

Rated PG-13 for some nudity, suggestive content and scary images | See all certifications »

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Release Date:

7 January 2011 (Brazil)  »

Also Known As:

A Tempestade  »

Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend:

$42,436 (USA) (10 December 2010)

Gross:

$263,365 (USA) (18 February 2011)
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2.35 : 1
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Did You Know?

Trivia

John Gielgud previously played the role of Prospero in Peter Greenaway's film Prospero's Books (1991). That makes this film actually the first of two in which Helen Mirren has succeeded Gielgud. They very next year, she appeared in Gielgud's role in the remake Arthur (2011), which coincidentally also starred Russell Brand. See more »

Goofs

The chessboard that Miranda uses is set up 90 degrees rotated from its proper position. Facing the board, each player should have a white square on the far right of their back rank. This board is positioned so that the black squares are on that side. See more »

Quotes

Trinculo: Misery acquaints a man with strange bed fellows.
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Crazy Credits

Throughout the credits we see Prospera's books sinking in the ocean one by one, presumably after she tossed each of them in. See more »

Connections

Version of The Tempest (1911) See more »

Soundtracks

Full Fathom Five
Performed by Ben Whishaw
Music by Elliot Goldenthal
Lyrics by William Shakespeare
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User Reviews

The Essence of The Tempest
19 September 2011 | by (United States) – See all my reviews

William Shakespeare's THE TEMPEST is probably his last play, written in 1610-11, and as such it has some of the more eloquent passages of soliloquies of any of his works. In the original version the story is set on a remote island, 'where Prospero, the exiled Duke of Milan, plots to restore his daughter Miranda to her rightful place, using illusion and skillful manipulation. The eponymous tempest brings to the island Prospero's usurping brother Antonio and the complicit Alonso, King of Naples. There, his machinations bring about the revelation of Antonio's low nature, the redemption of Alonso, and the marriage of Miranda to Alonso's son, Ferdinand.' Enter Julie Taymor and the imaginative play becomes even more so with her deft re-writing and direction and use of visual effects. In Taymor's versions 'the main character is now a woman named Prospera. Going back to the 16th or 17th century, women practicing the magical arts of alchemy were often convicted of witchcraft. In Taymor's version, Prospera is usurped by her brother and sent off with her four-year daughter on a ship. She ends up on an island; it's a tabula rasa: no society, so the mother figure becomes a father figure to Miranda. This leads to the power struggle and balance between Caliban and Prospera; a struggle not about brawn, but about intellect.'

Taymor and Shakespeare together make the important character of Ariel, Prospera's obedient sprite, a thing of magic: Ben Wishaw darts and floats and flies about apparently in the buff in a most ingenious fashion, delivering his lines in perfect Shakespearean cadence (his 'Full fathom five thy father lies... ' is exquisite). The transformation of Prospero to Prospera is magical with Helen Mirren once again proving that she is an incomparably fine actress (one great moment is her delivery of the lines 'Our revels now are ended. These our actors, As I foretold you, were all spirits and are melted into air, into thin air: And, like the baseless fabric of this vision, The cloud-capp'd towers, the gorgeous palaces, The solemn temples, the great globe itself, Ye all which it inherit, shall dissolve And, like this insubstantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on, and our little life Is rounded with a sleep.')

THE TEMPEST is an odd assortment of magic, treachery, young love, silly comedy, and odd goings on, but filled with a cast such as Taymor has selected it jumps alive with passion and glee. Caliban is Djimon Hounsou, Miranda is Felicity Jones, The King of Naples is David Strathairn and his son Ferdinand is young Reeve Carney, Prospera's brother Antonio is Chris Cooper and his sidekick Sebastian is Alan Cumming, and the two actors assigned to the buffoon roles are Albert Molina and Russell brand. Gonzalo is Tim Conti. This tightened Tempest works well though one wonders how much of the opening scenes' shipwreck (due to Prospera's calling upon the tempest) adds to the overall story. Yet in Taymor's vision it all comes together beautifully. The sung portions of the play and the musical sore in general are from the intelligent pen of Elliot Goldenthal. Recommended!

Grady Harp


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