In Julie Taymor's version of 'The Tempest,' the main character is now a woman named Prospera. Going back to the 16th or 17th century, women practicing the magical arts of alchemy were often convicted of witchcraft. In Taymor's version, Prospera is usurped by her brother and sent off with her four-year daughter on a ship. She ends up on an island; it's a tabula rasa: no society, so the mother figure becomes a father figure to Miranda. This leads to the power struggle and balance between Caliban and Prospera; a struggle not about brawn, but about intellect. Written by
The metal-thread piping on the outfits of Antonio and several others are actually zippers. This is clear in the close-ups for the spell circle scene where a zipper on his sleeve is open and the slider is visible as Prospera talks to him. The zipper sliders on the top of the outfit that Prospera wears after this scene are still attached (they look like points, or ends of laces). See more »
Wow this is one of those movies that I am completely baffled about the low ranking on here. I agree with some of the critiques that the sound mixing could have been better but overall the film was gorgeous, overall well acted and very understandable for such a difficult play.
Someone mentioned poor special effects...I thought they were wonderful. Clearly the big money goes to plenty of trite blockbusters leaving little for pieces of art and beauty such as this. But what they lacked in money they made up for in creativity....I absolutely loved the rendition of the spirit Ariel. There was plenty of gorgeous scenery both real and mixed with CGI.
Julie Taymor never disappoints me and this is no exception!
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